The Crystal Hall Ciki Na Zama Nau'in daga Thomas Abraham

Zane The Crystal Hall Ciki Na Zama Nau'in daga Thomas Abraham mai nasara ne mai daraja sosai na 2022 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Cikin Gida.

TagullaCikin Gida· 2022

The Crystal Hall Ciki Na Zama Nau'in

daga Thomas Abraham

Abokin Ciniki: Thomas Abraham

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Cikin Gida

20,458

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #129709

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da The Crystal Hall Ciki Na Zama Nau'in

Crystal Hall, wanda ke Bangalore, Indiya an tsara shi azaman wurin zama mai zaman kansa wanda ya ƙunshi ra'ayoyin gine-ginen harshe tare da kayan zamani da fasaha. Kewaye da gonakin gonaki, tana neman kafa alaƙa tsakanin mutum da yanayi. Tare da fararen bango da gilashin ciki, an mayar da hankali ga kiyaye sararin samaniya ba tare da kullun ba kuma kadan. Duk kayan da aka yi amfani da su an ɗaure su daga abin da ya wuce gona da iri yayin gini, yana tabbatar da ɓarna a kusa da sifili. An ƙera shi don sanin yanayin muhalli, yana samar da yanayin zafi, na gani, da kuma ji, yayin da yake kasancewa da aminci ga falsafar kyawunta.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen The Crystal Hall Ciki Na Zama Nau'in ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen The Crystal Hall Ciki Na Zama Nau'in ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen The Crystal Hall Ciki Na Zama Nau'in yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The Crystal Hall integrates sustainability, reuses material, and uses disadvantaged local talent. Glass is a modern material that can be recycled endlessly without loss of quality or clarity, recreating bioclimatic conditions that tackle climate change. It follows a minimalistic modern approach while taking inspiration from classicism and yet being culturally, emotionally and ecologically conscious. The building follows a zero-waste policy and is an example of socially responsible design
Girma da Fakitin: Site area - 2322 meter square
Building area - 835 square meter
Gross - 418 sqm
Kalmomin Alama: Sustainable design, Sustainable Interior, Residential Interior, Ecofriendly Design, Innovative Design, Green Design, Interior design, White Interior, Modern Interiors, Minimalistic Interiors
Fasahar Samarwa: The structure consists an eclectic mix of glass, MS columns and cast in situ concrete. Contrary to general opinion, glass is among the most eco-friendly materials, more than compared to mud or stone, as it can be recycled endlessly without loss of quality or clarity and is made of sand, which is among the most plentiful resources available. Glass recreates bioclimatic conditions that tackle climate change while using modern materials that are culturally, emotionally, and ecologically conscious.
Ƙalubalen Zane: Glass is often considered inappropriate for a tropical climate. But the architect used a double-layered glass - one layer reflecting the longwave radiation and the other reflecting the sun's shortwave radiation, providing thermal insulation to the building. As the project is in the outskirts where the power situation is erratic, the architect used wind power generating towers to provide backup power during windy days. The power is stored in batteries, and the excess is fed back to the city grid.
Bincike: The Crystal Hall a big but small home is an essay on light nature and history. Apart from integrating sustainability along reusing materials and using disadvantaged local talent the architect ensured every space of the project was curated to reflect what has been religiously culturally and geographically experienced by the client. It has the worlds first residential windmill towers proprietary use of two layers of high performance recycled glass with noninvasive vegetation species within thermal insulation technology and rainwater utilization thus creating a glocal (global and local) building.
Wahayi: Inspired by the state of the Earths climate and the status of its poorest this is design as an instrument for social and environmental change. It is not just an aesthetic adventure but a tool to recycle and reuse modern materials in sustainable and affordable ways. He made it his mission to hire the so called unemployable from Indias oppressed people of color. This is a building of universal human values that is yet culturally specific being inspired by vernacular Indian design.
Tsawon Lokacin Aikin: Located in Bangalore, India, The Crystal Hall was constructed over a span of five years, from 2014 to 2019.
Tsarin Aiki: The Crystal Hall is an example of paleomodern design, paleo meaning first. This is to take design beyond form follows function to form follows feeling, to reintroduce beauty and pleasure in art, things which were once universal but now is seen as sentimental and commercial. Things like Square proportions, Golden mean proportions, rhythm, scale, harmony and the accommodation of local and climatological aspects makes this a traditional design with a modern outlook using Avant Grande technology and materials.
Haƙƙoƙin Ƙirƙira: Thomas Abraham
Mambobin Ƙungiya: Thomas Abraham
Diana Jacil Prakash
Saad Pasha
Godiyar Hotuna: Image #1: Sandeep
Image #2: Rashmi Srinivasan
Image #3: Dullu
Image #4: Rashmi Srinivasan
Image #5: Sandeep