Ching Ming Kyoto Ƙirƙirar Cikin Gidan Cin Abinci by Takuji Kamio

Ching Ming Kyoto Ƙirƙirar Cikin Gidan Cin Abinci by Takuji Kamio is a highly esteemed winner of the very prestigious 2022 Kyautar A' Design Award ta Tagulla in Cikin Gida Competition Category.

TagullaCikin Gida· 2022

Ching Ming Kyoto Ƙirƙirar Cikin Gidan Cin Abinci

by Takuji Kamio

Client: Miyoshi Corporaiton

Kyautar A' Design Award ta Tagulla Winner in Cikin Gida Category

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Colors

The Design

About Ching Ming Kyoto Ƙirƙirar Cikin Gidan Cin Abinci

Ching Ming Kyoto gida ne na cin abincin ƙasar Sin da ke cikin wani gini na tashar jirgin ƙasa a Kyoto, Japan. Fadin bene ya kai murabba'in mita 110. Dokoki sun takaita amfani da rufi, don haka aka rataye fitilun kuma aka bi da su a matsayin fasaha. An tsara fitilun layi a siffar triangle kuma an haɗa su a jere don kewaye wuraren zama. An zana rufin da baƙar fenti domin nuna fitilun layi da na siffar ƙwallo da suke shawagi a sarari. Bangayen an rufe su da zane-zanen mai na tsofaffin labaran ƙasar Sin, tare da haɗa su da fasalin geometric da tayal ɗin bene masu zane.

The Recognition

About the Kyautar A' Design Award ta Tagulla

Zanen Ching Ming Kyoto Ƙirƙirar Cikin Gidan Cin Abinci ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Ching Ming Kyoto Ƙirƙirar Cikin Gidan Cin Abinci ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Ching Ming Kyoto Ƙirƙirar Cikin Gidan Cin Abinci yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Kamio expressed the lightings as a big art by spreading them over the whole the shop area. Making the lightings in impressive line shapes, he tried to create a dramatic atmosphere. The line lights were formed in triangle shapes and connected with each other continuously to surround the shop seating areas.
Dimensions & Packaging: Floor Area : 110 square meter
Tags: Geometric lighting, Chinese restaurant, Kyoto restaurant, Authentic design, Japanese Designer
Production Technology: For many parts, Kamio applied artistic graphics with effective lighting systems. To emphasize the art feeling, he covered the walls with oil paintings, which are telling the some Chinese old stories, with the modern expressions, such as adding geometric patterns on the paintings.
Design Challenge: Perhaps the most difficult parts in this project was to deal with lighting combination. Because the team could not place the lighting equipments directly on the ceiling, they needed to hung all the equipment. Painting the ceiling in black, the team emphasized and focused more on the floating lightings consisted on line and ball shapes. To find the appropriate balance and locations of those different shape lighting was very sensitive work and one of most important aspects to create the whole space atmosphere.
Research: The team made and used 3D images and models to understand the visual effects. It was very helpful to figure out how the line lights can be seen in each seating area. Also, they researched and studied several Chinese stories and art paintings in libraries for the wall graphics.
Inspiration: Because the shop is located in a train station building and there were several regulations about ceilings, Kamio had to have some challenges to deal with lighting systems. Rather than using the normal ceiling lights, he understood and expressed the lights as art aspects.
Project Duration: From September 2018 to March 2019 in Kyoto, JAPAN
Operation Flow: Because the team used a number of graphic expressions such as wall paintings, floor tiles, and lighting shapes, it was very important to understand how those expressions work together. They carefully fill up the drawings with the graphic patterns and shared those images with all staffs to have the common visions. For some parts, they printed out actual life size drawings and discussed about the effects.
Patents: Ichii Kamiodesign
Team Members: Takuji Kamio
Ray Keida
Image Credits: Satoru Umetsu, nacasa and partneres