Zane Max Kujera daga Arthur Casas mai nasara ne mai daraja sosai na 2022 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Ƙirar Kayan Ɗaki.

TagullaKayan Ɗaki· 2022

Max Kujera

daga Arthur Casas

Abokin Ciniki: +55 Design

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Kayan Ɗaki

17,361

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #136987

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Max Kujera

Neman hadaddun da aka haɗa a cikin ƴan layuka shine babban abin ƙarfafawa ga Max kujera. Tare da zane mai tsabta da madaidaicin layi, wannan yanki shine mayar da martani ga ƙalubalen tsari tare da haɗin kayan aiki. Harsashi fiberglass mai haske da siririn ya rataya akan haɗin gwiwa na ƙarfe huɗu, yayin da aka kulle a gindi (tare da gatari waɗanda ke haye juna a cikin siffar X), tare da itacen Sucupira yana rufe ƙafafu. Wurin zama da na baya wani bangare ne na girma iri ɗaya, an rufe shi da fata na Solana na halitta, tare da bincike da yawa akan ergonomy don nemo madaidaicin curvature da ƙaramin gani.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Max Kujera ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Max Kujera ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Max Kujera yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: With clean design and precise lines, this chair is a response to a complex structural challenge with an innovative combination of materials. It has a light and slender fiberglass shell, resting over only four metallic support joints, while locked at the base, with certified wood covering the feet. Its seat and backrest are part of the same volume, covered in natural leather, with ergonomic curvature and compact visuals.
Girma da Fakitin: 450 mm x 640 mm x 770 mm
Sucupira wood is certified with the Forest Stewardship Council (FSC), which guarantees high productivity in balance with nature and sustainable management of raw materials.
Solana leather comes from an industry with rigorous methods to trace and guarantee the origin from the analysis of satellite images - avoiding contributing to the Amazon deforestation.
The piece is certified by SENAI, which is validated by INMETRO (the institute that inspects products sold in Brazil).
Kalmomin Alama: Chair, Fiberglass, Brazilian wood, Aluminum, Leather, Brazilian design, Sculptural design
Fasahar Samarwa: Several tests were carried out to support the thin fiberglass shell and achieve the ideal curvature and weight. For the structure, aluminum was chosen, as this metal was a lighter option among the materials tested - a steel chair would be much heavier. Developed by a Brazilian brand that bets on raw materials and national designers, the chair meets the purpose of development.
Ƙalubalen Zane: The challenge was to synthesize such complexity in a few lines. Many studies were necessary to conceive a light, slender, minimalist chair with innovative materials and robust structure.
Bincike: The chair needed to achieve the ideal curvature and weight. Therefore, many molds were elaborated until the ideal volumetry of the fiberglass shell was found. Meanwhile, a robust but light structure was needed to support the delicate shape - and aluminum was the most appropriate material.
Wahayi: The search for a complexity synthesized in a few lines was the main inspiration for this piece. Its backrest and seat compose the same surface; the shell is sustained by four vertical supports, of different heights, and punctually connected. These, in turn, are connected at the basis by axes that cross each other in an X shape. To make this design viable, there was an intense study for the definition of materialities.
Tsawon Lokacin Aikin: The Max Chair was presented at the launch of the mais55 Design brand in Sao Paulo in June 2020.
Tsarin Aiki: Even though it is a slender structure, the materials choices guarantees strength - both fiberglass and aluminum. Supports up to 160 kg on the seat (on the edge) and 80 kg on the back, without deformation. The natural leather, which covers the shell, amplifies the durability of the product.
Mambobin Ƙungiya: Lead Designer: Arthur Casas
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