Zane Kon Paper Mujalla daga Julia Hell mai nasara ne mai daraja sosai na 2022 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Bugu.
TagullaBugu· 2022
Kon Paper Mujalla
daga Julia Hell
Abokin Ciniki: [kɔn] Paper e.V.
Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Bugu
Mai Nasara da Aka Tabbatar
Tabbatar da Matsayin Kyauta na #139429Ƙirar
Game da Kon Paper Mujalla
Kon Paper mujalla ce ta adabi da al'adu. Mujallar tana gabatar da sassa uku: makala, feuilleton, da fasahar kalmomi. Tsarin shirye-shiryen yana bincika iyakoki tsakanin nau'o'in rubutu tare da sanya su a cikin sabbin mahalli, inda kowace sashe take da tsarin grid na kanta. Zane-zane daga masu fasaha daban-daban suna raka rubuce-rubucen. Girman mujallar ya kai milimita 220 zuwa 275, tare da shafuka 52, an daure ta da sinadarai biyu ta bayan mujallar. An yi amfani da takarda da aka sake sarrafawa da tawada masu dacewa da muhalli wajen bugawa. Sake tsara mujallar a shekarar 2020 yana da manufar samar da mujalla mai dorewa da masu karatu za su ci gaba da ajiyewa a kan shiryayyensu.
Amincewa
Game da Kyautar A' Design Award ta Tagulla
Zanen Kon Paper Mujalla ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Kon Paper Mujalla ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Kon Paper Mujalla yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.
Bayan Ƙirar
Kayan Manema Labarai
Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.
- Siffofi Na Musamman
- kon Paper is a magazine for literature and culture. The design and layout explores the boundaries of different texts and text forms. In three genres – essay, feuilleton and wortkunst – the known reading environments for the texts are questioned and sometimes brought into new contexts. The submitted texts are accompanied by illustrations, for which we collaborate with changing artists. The magazine was redesigned in 2020 and in the course of this, the format was adjusted as well as paper and a solid binding.
- Girma da Fakitin
- The format of the magazine is 220 x 275 mm and contains 52 pages including the cover pages. We print on Vivus recycled paper. The inner part is 90g/m2 and the cover is 250g/m2. The booklet is bound with two staples through the spine. We cooperate with a printing company that focuses on sustainability. The printing inks are also environmentally friendly.
- Kalmomin Alama
- Magazine, Mage, Zine, Editorial, Layout, Illustration, Literature, Print
- Fasahar Samarwa
- The magazine is printed on eco friendly recycling paper (Vivus 100)
with 90 grams per square meter for the content pages and 250 grams per square meter for the cover. Using sustainable ink, the whole magazine is now much more environmentally friendly then before the relaunch. - Ƙalubalen Zane
- Rethinking the new format. Previously printed in the Berlin newspaper format - one page is over A3 in size. Now the magazine has 220 x 275mm. A long essay had around 20,000 characters including spaces. That means four full pages in the new layout. So in addition to the design, there was also the huge challenge to throw our learned concepts overboard and completely reorganize the editorial work.
- Bincike
- Bi-weekly staff meetings are used to talk about the text entries and also the design and illustration concepts for each issue. There is a lot of feedback in input from the teammates that come for a non-design perspective. That this is one of the most fruitful ways to design a good product: Talking to the recipients and people who have a different perspective of the product.
- Wahayi
- The magazine was founded the project together with Pia Lobodzinski in 2015. Pia and Julia graduated from high school together. A few years after graduation, they both wanted to start a project together again. Pia had just started studying literature and Julia had graduated as a graphic designer. So the foundation of a magazine was almost obvious. For the look and feel of the magazine the constantly growing and lively self-publishing scene and a variety of exciting and unseen magazines were the source of inspiration.
- Tsawon Lokacin Aikin
- The project was founded 2015 in Munich. Today the editorial team works form Munich, Berlin and Switzerland. The design work is done from Julia Hells Berlin-based studio. The project is ongoing releasing one issue per year.
- Tsarin Aiki
- The first six issues of the magazine were printed on newspaper paper in the Berliner format. This made the product fragile and after reading it cover to cover it was basically destroyed. The magazine was completely revised and redesigned in 2020. In the course of this, the format was adapted as well as paper and a firm binding. The goal was to get a product that was sustainable and long lasting so that our readership would keep the magazines on their bookshelves.
- Mambobin Ƙungiya
- Illustrator: Carmen Reina
Tallafi
Bincika Bayan Designers.org
Gano kayayyaki, ayyuka da damammaki daga abokan tallafin mu.
Ƙarin Abubuwan Bincike
Ƙirare Masu Alaƙa
Bincika ƙarin ƙirare masu lashe kyauta daga wannan rukunin, waɗanda aka zaɓa bisa cancanta.
