Smritivan Gidan Tarihi da Wurin Tunawa da Girgizar Ƙasa daga Siddharth Bathla

Zane Smritivan Gidan Tarihi da Wurin Tunawa da Girgizar Ƙasa daga Siddharth Bathla mai nasara ne mai daraja sosai na 2023 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Cikin Gida.

AzurfaCikin Gida· 2023

Smritivan Gidan Tarihi da Wurin Tunawa da Girgizar Ƙasa

daga Siddharth Bathla

Abokin Ciniki: Gujarat State Disaster Management Authority

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Cikin Gida

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Tabbatar da Matsayin Kyauta na #150164

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

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Ƙirar

Game da Smritivan Gidan Tarihi da Wurin Tunawa da Girgizar Ƙasa

Smritivan gidan tarihi ne da wurin tunawa da girgizar ƙasa dake kan tudun Bhujio Dungar a Bhuj, Gujarat, Indiya. Gidan tarihin ya mamaye fadin murabba'in mita 9200 na sarari na ciki da waje, wanda aka tsara shi cikin sassa bakwai masu jigogi daban-daban da dakunan baje koli 27. Abubuwan baje kolin suna tunawa da girgizar ƙasar shekarar 2001 ta hanyar labarun mutane, kayan tarihi da abubuwan kimiyya. Masu sana'ar hannu na yankin sun hada kai wajen kirkirar ayyukan fasaha, kuma an haɗa yadudduka da aka saƙa da ƙarfe mai ɗorewa. Har ila yau, an haɗa da babbar na'urar kwaikwayon girgizar ƙasa da kuma abubuwan tunawa na zamani (dijital) don girmama waɗanda abin ya rutsa da su. Babban jigon zane-zanen shi ne juriyar ɗan adam.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Smritivan Gidan Tarihi da Wurin Tunawa da Girgizar Ƙasa ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Smritivan Gidan Tarihi da Wurin Tunawa da Girgizar Ƙasa ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Smritivan Gidan Tarihi da Wurin Tunawa da Girgizar Ƙasa ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: India’s largest memorial-museum, coming alive with stories of the devastating 2001 earthquake woven into the philosophy of the space. Metaphor of resilience and constant change is presented across 7 thematic blocks. Collaboratively designed with master craftspersons, vibrant, local crafts create scenography. Large-scale quake simulator, digital homage and personal stories bring an emotional connection. To animate the visitor experience, live actors and artists bring the museum journey alive.
Girma da Fakitin: An integral part of the memorial, the museum is spread over 9200 square meters of indoor and outdoor experience on the Bhujio-Dungar hill. The exhibition space is divided into seven blocks, which are further divided into 27 galleries. On an average each gallery is 8 meters wide, 12 meters long and 4.5 metres high. The museum also houses other amenities like library, shop, cafe, auditorium, play area and temporary exhibition spaces.
Kalmomin Alama: Earthquake memorial, earthquake museum, immersive, interactive, craft, human-centric, scenography, storytelling, resilience, Bhuj, culture centre
Fasahar Samarwa: All bespoke installations and narrative elements were custom-designed and fabricated in India, following iterative experimentation and prototyping. A fresh approach to processing local resources was implemented to create contextually-rooted exhibit spaces. Local craft persons were commissioned to co-create the largest ever narrative-based artworks of their repertoire. Contextual materials such as woven textiles, in synergy with durable materials like steel, create a blend of local and global expression.
Ƙalubalen Zane: The responsibility to present sensitive personal and complex stories of the earthquake and beyond, to evoke varied emotions was a creative challenge and opportunity. Moving from an incident to an overarching story based on the ideas of resilience was pivotal. The 27 similar galleries dealt with an innovative, contextual design strategy for distinct and memorable thematic experiences. Translating the big idea into a physical reality demanded a smart orchestration of various stakeholders.
Bincike: Narrative and design development took shape based on intensive continuous research rooted in ethnography, literature review, and archival data. Being an earthquake museum inspired by resilient stories of people and landscapes, geological, archaeological, and seismological experts directed the entire process. Personal stories and archival data were collected, analyzed, and curated from recurring, extensive field visits undertaken across entire quake-affected areas and humanitarian organizations.
Wahayi: The unique, thriving culture of Kutch in west India, gave impetus to the museum’s content and design. The Timelessness of human resilience, absorbed from a nearby 4000-year-old civilization is carried forward in the museum’s ethos. The region’s rapid recovery post-2001 quake is embodied in Smritivan as universally relatable stories of human determination. Content design, scenography, and installations are based on and emerge from the rich local living traditions and crafts of the Kutch region.
Tsawon Lokacin Aikin: After winning the open design competition on a proposal based on the concept of “eternal resilience” the project was initiated in 2018, in Bhuj city of Kutch district, Gujarat. Following detailed research and design, on-site execution began in 2020. The Smritivan Earthquake Museum and Memorial were inaugurated by the Hon’ble Prime Minister of India in August 2022. We continue to curate and engage with public programming for the museum.
Tsarin Aiki: Since its inauguration, the museum receives an average footfall of foreign tourists and locals over 100,000 every quarter. Holistic end-to-end placemaking and local community engagement through digital marketing, and innovative public events are an extension of the design strategy. Each visitor adds a part of themselves to the museum through digital tributes for quake victims, which collect into a bright beam of light. India’s first design biennale on the “art of storytelling” was hosted here recently.
Mambobin Ƙungiya: Creative Director: Siddharth Bathla
Design Director: Prashasti Chandra
Visual Design: Masood Khan
Installation, Scenography: Suryanath Sunny
Research,Content: Niharika Joshi
Architect: Prashul Sharma
Special Artist: Mukul Goyal- Sculptor
Special Artist: Vankar Vishram Valji - (weaver shyamjibhai)- weaving
Special Artist: Dr. Ismail Khatri- block printing
Special Artist: Mukesh Bhanani- kala Raksha
Special Artist: Gafur Khatri- Rogan art
Special Artist: Paresh Khamir- lacquered artwork
Godiyar Hotuna: Image #1: Photographer Bharat Aggarwal, Smritivan, 2022.
Optional Image #1: Photographer Bharat Aggarwal, Smritivan, 2022.
Optional Image #2: Photographer Bharat Aggarwal, Smritivan, 2022.
Optional Image #3: Illustrator Masood Khan, Smritivan, 2022.
Optional Image #4: Photographer Bharat Aggarwal, Smritivan, 2022.

Video Credits: Cinematographer Sohaib Ilyas, Smritivan, 2022.

Sound Credits: ANBR - Stars, Ardie Son - Come back home, Ardie Son - Tonight is Golden, Smritivan, 2022.