Looping Flower Sararin Al'adun Ikebana daga Ni Jie Guo

Zane Looping Flower Sararin Al'adun Ikebana daga Ni Jie Guo mai nasara ne mai daraja sosai na 2024 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Cikin Gida.

TagullaCikin Gida· 2024

Looping Flower Sararin Al'adun Ikebana

daga Ni Jie Guo

Abokin Ciniki: Blankspace

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Cikin Gida

10,553

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #151842

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Looping Flower Sararin Al'adun Ikebana

Fasahar Ikebana wani tunani ne akan rayuwa a cikin kwararowar yanayi hudu, wanda ya hada da kama cikakkun lokuta masu gajarta a cikin kyawawan al'adun Jafananci, sake ginawa rayuwar furanni da rassan bishiya, da kuma sabon haduwar tsari da kyan gani. Zanen dukkan sararin ya dogara ne akan ruhin Kusatsuki-ryu, yana cirowa abubuwa daga gine-ginen gargajiyar Jafananci kuma yana canza su zuwa harshen gine-ginen zamani, yana binciken dangantakar da ke tsakanin gine-ginen zamani da kyan gani tare da abubuwan Jafananci masu zurfi.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Looping Flower Sararin Al'adun Ikebana ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Looping Flower Sararin Al'adun Ikebana ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Looping Flower Sararin Al'adun Ikebana yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Girma da Fakitin: Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Kalmomin Alama: Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Fasahar Samarwa: In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Ƙalubalen Zane: Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Bincike: The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Wahayi: In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Tsawon Lokacin Aikin: The project started in August 2022 and finished in December 2022 in China .
Tsarin Aiki: To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Mambobin Ƙungiya: NI JIE GUO
Godiyar Hotuna: BLANKSPACE