Jinglan Bay Art Cibiyar Sayarwa daga Nic Lee

Zane Jinglan Bay Art Cibiyar Sayarwa daga Nic Lee mai nasara ne mai daraja sosai na 2024 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Cikin Gida.

AzurfaCikin Gida· 2024

Jinglan Bay Art Cibiyar Sayarwa

daga Nic Lee

Abokin Ciniki: China Resources Land South China Guangxi Co.

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Cikin Gida

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Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Jinglan Bay Art Cibiyar Sayarwa

Jinglan Bay Art wani zanen ciki ne na cibiyar sayarwa dake Liuzhou, yanki mai tsaunuka da ruwaye masu lankwasawa. Cikin gidan ya mamaye murabba'in mita 1705 kuma ya ƙunshi wuraren liyafar baƙi, sayarwa, baje koli, kafofin watsa labarai na dijital da kuma wuraren manyan baƙi (VIP). Maimakon kwaikwayon yanayin ƙasa ta hanyar siffofi, an yi amfani da haske da inuwa don nuna manyan tsaunuka da zurfin ruwa. An goge baƙin terrazzo har ya zama kamar madubi, ta yadda yanayin waje da motsin baƙi ke bayyana a kansa. Dutse na asali a ƙofar shiga yana haifar da zurfin kwari. Sauran kayan da aka yi amfani da su sun haɗa da marmara da aka sassaƙa, fentin ma'adinai, baƙin itace da itacen oak.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Jinglan Bay Art Cibiyar Sayarwa ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Jinglan Bay Art Cibiyar Sayarwa ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Jinglan Bay Art Cibiyar Sayarwa ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
Girma da Fakitin: Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak
Kalmomin Alama: sales center, landscape, museum, indoor architecture, interior design
Fasahar Samarwa: In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
Ƙalubalen Zane: By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
Bincike: Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
Wahayi: The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
Tsawon Lokacin Aikin: The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
Tsarin Aiki: Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
Godiyar Hotuna: Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.