Matsu Biennial 2023 Bikin Fasaha daga Chun Ming Wang, Hou ching Lee and Han Wu

Zane Matsu Biennial 2023 Bikin Fasaha daga Chun Ming Wang, Hou ching Lee and Han Wu mai nasara ne mai daraja sosai na 2024 Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Gasar Taron Biki.

Baƙin ƘarfeTaron Biki· 2024

Matsu Biennial 2023 Bikin Fasaha

daga Chun Ming Wang, Hou ching Lee and Han Wu

Abokin Ciniki: Lienchiang County Government and The General Association of Chinese Culture

Mai Nasarar Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Taron Biki

42,145

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #155697

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Matsu Biennial 2023 Bikin Fasaha

Matsu Biennial tsari ne na shekara 10 mai sassa 5 don samar da tushe mai ɗorewa ga ƙirar zamantakewa. Ayyukansa 70 na fasaha mai haɗaɗɗen kafofin da ƙirƙira mai ketare fannoni daban-daban a cikin shirye-shirye 9 na curauration suna fuskantar ƙalubalen ci gaban yanki mai ɗorewa. Ramukan zamanin Yakin Sanyi na Matsu, littattafan tarihin yankin yaƙi, al'adar Eastern Min, gine-gine, da harshe sun haɗa da gidaje 200 masu aiwatar da al'adar yin giya, wanda ya zama tushen jigon Ruby Red After Summer. Biennial yana canza fasaha zuwa yisti don ya tā da muryoyin da aka danne kuma ya mai da Matsu cibiyar fasaha da ƙira.

Amincewa

Game da Kyautar A' Design Award ta Baƙin Ƙarfe

Zanen Matsu Biennial 2023 Bikin Fasaha ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe, wata karramawa mai daraja da ake bai wa kyawawan zane-zane waɗanda ke cika buƙatun ƙwararru da masana'antu da ake tsammani daga ƙirƙire-ƙirƙire da aka tsara da kyau. Waɗanda suka lashe kyautar Baƙin Ƙarfe suna nuna babban ƙwarewa, ƙwarewa ta musamman, fahimtar ƙwararru da ikon ƙirƙira na masu ƙirƙirar su. Ana sa ran zanen Matsu Biennial 2023 Bikin Fasaha ya zama ƙirƙira da ake girmamawa sosai, ake sha'awa da ƙauna wacce ke da amfani kuma mai sababbin abubuwa. Wannan zane da ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe yana haɗa mafi kyawun ayyukan fannin kuma yana da halayen fasaha masu cancanta da ke da alaƙa da sanin yadda da baiwa. Ana girmama zanen Matsu Biennial 2023 Bikin Fasaha saboda cikakkiyar kulawarsa kuma an tsara shi don ba da ingantuwar rayuwa da ke taimakawa wajen mai da duniya wuri mafi kyau.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Matsu Biennial restores the suppressed voices and self-evident culture of Matsu's unique Cold-War heritage and war zone administration period. Unlike typical art festivals, the Biennial is a 10-year project across 5 planned biennials to involve experts and provide integrated design solutions.
Cultural governance and design thinking are made part of policymaking to advance art and education. The Biennial is a long-term cultural movement through site translation, cultural tours, and co-creation.
Girma da Fakitin: Exhibition grounds spanning the 4 townships and 5 islands of Matsu under a framework of 9 curatorial projects, comprised of 70 works spanning 4 areas of art design, landscape architecture, culinary art, and performance. Exhibition venues across a range of public spaces such as beaches, strategic intersections, plazas, military sites, private houses, cafes, and museums. 12 co-curators and 80 artist groups, including 13 local artists and 7 visiting artists from 5 countries.
Kalmomin Alama: Matsu Biennial, art festival, cultural heritage, Cold War, public branding, community design, social design, design education
Fasahar Samarwa: Based on past studies of Matsu's military and cultural heritage, the Biennial invites locals and experts to co-create 70 works across 9 curation projects of architecture, art, food, and performance. Crossing contemporary mediums with traditional arts, it connects and revitalizes local traditions. Highlights include Underwater Lab and The Island Scene, featuring technology art, video, sculpture, traditional papercutting art, and military site installations, creating key landscapes on the island.
Ƙalubalen Zane: The goal of the Biennial is to revive tangible/intangible heritage. Winemaking became the theme to resonate culturally and military sites have been revitalized. The challenge is to instill cultural identification locally, preserving and innovating with experts to increase local participation and communications by social design. As a cultural movement, the Biennial engages with residents, delivering posters to 3800 households and embedding its processes in art curriculums and development workshops.
Bincike: The Matsu Biennial 2023 is based on past surveys of local heritage. Its theme Ruby Red After Summer honors the tradition of winemaking in Matsu to "ferment art". In 2007, a comprehensive survey of the islands recorded 146 military installations. In 2019, 13 military sites were selected for revitalization studies. Surveys on local contexts, archives, and interviews collected local issues and cultural highlights of Matsu’s sites including crafts, and food, forming the basis for the Biennial.
Wahayi: UNESCO Universal Declaration on Cultural Diversity considers cultural diversity as legacy, promoting peace through dialog. Villages and towns nowadays host large-scale art festivals to revitalize local industries and culture, driving local participation and bolstering the regional brand. Accordingly, Matsu Biennial adopts the core concept of "social design", creating public branding for sustainable governance and using art curation to highlight the significance of Matsu's Cold-War heritage.
Tsawon Lokacin Aikin: The 2nd Matsu Biennial "Ruby Red After Summer" opens from Sept. 23 to Nov. 12,2023 at the 4 townships and 5 islands of Matsu. In 2007, a comprehensive survey of Matsu's local heritage and cultural landscape was initiated. In 2019, planning for the 1st Matsu Biennial started, and in 2020, a stronghold redesign campaign movement was launched, leading up to the opening of 2 military sites for the 2nd Matsu Biennial.
Tsarin Aiki: Addressing issues through social design, the Biennial adopts 5 principal designs of engagement—creating dialogue with the community and developing local characteristics; sustainability—design with a 10-year vision; planning—continued concern for society through art practice; spatial governance—design on the scale of architectural contexts; and culture—design to transform organizational cultures and create an environment conducive to art and design.
Haƙƙoƙin Ƙirƙira: Copyrights belong to Matsu Biennial
Mambobin Ƙungiya: Co-organizers: Chung-Ming Wang, Hou-ching Lee, Jing-hui Huang, Xiao-Yun Wu
Marketing Coordinator: Ayu Cheng
Chief of Operations: Hui-Ting Liu
Curatorial team: Lee Ro-Mei, Chao Kai-Chih, Eric Chen, Eva Lin, Chang Cheng-Yu, Chang Kuang-Yi, Nakaw Putun, Han Wu, Hung Yu-Cheng, Ella Jheng, Liu Mei-Yu, Tammy Yu-Ting Hsieh, Pilar Tsai, Li-Wei Hou, Liting Liu, Hsieh Shu-Ching, Wang Shih-Yu, Wilma Ku, Yu-Zheng Ye
Godiyar Hotuna: Matsu Biennial