Move Aikin Farko: Kujera daga Ariel Sliwinski

Zane Move Aikin Farko: Kujera daga Ariel Sliwinski mai nasara ne mai daraja sosai na 2024 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Ƙirar Kayan Ɗaki.

TagullaKayan Ɗaki· 2024

Move Aikin Farko: Kujera

daga Ariel Sliwinski

Abokin Ciniki: Ariel Śliwiński Studio

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Kayan Ɗaki

13,325

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #156196

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Move Aikin Farko: Kujera

Rubutun Littafi: Move kujera ce da aka tsara don dacewa da nau'o'in jiki daban-daban da bukatun ergonomic na kowane mutum. Zauren zai iya canza kusurwar karkatarsa kamar shimfiɗar jariri, yayin da bayan-baya yake rataye a wurare biyu masu haɗuwa, wanda ke ba shi damar juyawa da karkata. Na'urar auna matsi da aka saka a cikin zauren tana tunatar da mai amfani da kujerar ya tashi tsaye bayan ɗan lokaci ta hanyar rawar jiki. An yi tsarin da aluminum ɗin da aka zuba (cast aluminum) mai ɗauke da abubuwan da aka sake sarrafa gaba ɗaya, yayin da zauren, bayan-baya, da hannayen hutawa aka yi su da cork ɗin da aka niƙa ta hanyar injin-axis biyar. Ana iya haɗa Move da hannun mai amfani kuma ana turo shi cikin akwatuna marasa kauri, wanda hakan ke rage yawan hayaƙin carbon da ake fitarwa.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Move Aikin Farko: Kujera ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Move Aikin Farko: Kujera ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Move Aikin Farko: Kujera yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The chair has ability to adjust to individual needs, and body shape. To achieve the best ergonomics, a seat was employed that, like a cradle, can change its tilt angle. The backrest, on the other hand, suspended at two converging points along the axis, has the ability to rotate and tilt. An additionally designed element is an embedded pressure sensor in the seat. After a specified period, it automatically reminds the user to stand up through vibrations, promoting a healthier sitting routine.
Girma da Fakitin: 550mm x 515mm x 740mm
Kalmomin Alama: ergonomic chair, cork, aluminum, haptic, stackable, health sitting routine, rotating backrest,
Fasahar Samarwa: The chair's structure was designed with cast aluminum elements, providing both lightness and rigidity, while the seat, backrest, and armrests were crafted from five-axis milled cork.
Ƙalubalen Zane: In the material selection and construction phase, environmental considerations played a significant role in the project. The aluminum used in designing the chair's structure is a material composed entirely of recycled content. The cork, employed for the remaining elements,
is a natural material that can also be recycled. The chair's design was developed to be easily assembled by the user, allowing it to be shipped in flat boxes, thereby reducing its carbon footprint.
Furthermore, all components share the same material, facilitating the option to repair or replace worn elements, promoting sustainability throughout the chair's lifecycle.
Bincike: During several years of working in the furniture industry, I came to the conclusion that there is no such thing as the perfect chair, mainly because each of us is unique and has different needs. In the context of the prevailing global overconsumption, I asked myself whether it makes any sense to design another chair, and if so, what characteristics it should have. In response, a project was created that attempts to reconcile ergonomics, functionality, high quality, and above all, ecology. The main challenge was to create a piece of furniture with a reduced environmental impact and one that would bring a new level of quality to the furniture market.
Wahayi: The primary goal of the project was to create a form in line with the principles of Juhani Pallasmaa. The aim was to provide the user with not only visual but also tactile experiences. The use of materials differing in texture, hardness, and temperature within a single piece of furniture allowed for a design that is intriguing not only visually but also haptically. A crucial aspect of the project was to achieve a form based on material contrasts.
Tsawon Lokacin Aikin: the project started in April 2023 in Poland
Tsarin Aiki: This project is oriented towards the user on multiple levels. Firstly, the organic form, diverse in terms of touch, aims to also appeal to the sense of touch, thereby enhancing the user's connection with the product. On the other hand, movable elements allow the furniture to be adapted to individual ergonomic needs. Its construction has been designed so that the furniture can be easily assembled by the user.