Connecting Sculpture Aikin Cikin Gida na Shagon Kayan Cikin Mata daga Kun Yen Lu

Zane Connecting Sculpture Aikin Cikin Gida na Shagon Kayan Cikin Mata daga Kun Yen Lu mai nasara ne mai daraja sosai na 2025 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Cikin Gida.

TagullaCikin Gida· 2025

Connecting Sculpture Aikin Cikin Gida na Shagon Kayan Cikin Mata

daga Kun Yen Lu

Abokin Ciniki: Rumo Interior Design

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Cikin Gida

9,039

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #162638

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Connecting Sculpture Aikin Cikin Gida na Shagon Kayan Cikin Mata

Connecting Sculpture aikin ƙira ne na cikin gida na shagon kayan cikin mata a Taiwan, wanda ya ƙunshi kusan murabba'in mita 148.7. Sararin da aka gyara yana nuna nau'ikan alamu biyu na kamfani guda. An cire bangayen raba wurare, don haka sabon yankin alamar yana bayyana kamar ci gaba na yankin asali. Launukan toka, ƙarfe mai kusurwa da aka galfaɗa, fitilun neon, da bulo na Spain suna tunatar da asalin masana'antu da siyar da kaya jumla. Gilashi, madubai, acrylic, da siffofi masu lanƙwasa su ne ke tsara sabon yankin. Wani babban kanti a tsakiya yana haɗa sassan nuni guda biyu. Ƙirar tana haɗa tarihin kamfanin da sabuwar hoto/siffar da aka sabunta.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Connecting Sculpture Aikin Cikin Gida na Shagon Kayan Cikin Mata ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Connecting Sculpture Aikin Cikin Gida na Shagon Kayan Cikin Mata ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Connecting Sculpture Aikin Cikin Gida na Shagon Kayan Cikin Mata yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The left and right brand display areas use gray tones to create a calm ambiance, reflecting the brand's industrial wholesale origins. The central counter connects both brands, with brick walls paying homage to the old factory style. Glass and mirrors symbolize modernization, while glass-covered bricks near the new area highlight heritage and innovation. The original display uses galvanized steel and neon lights for a nostalgic feel, while the new area features sculptural curves symbolizing the modern feminine form. Metal elements echo the original steel, seamlessly blending tradition with contemporary design.
Girma da Fakitin: This project renovates a 25-32-year-old store, covering approximately 148.7 square meters. The space serves as a display area for both new and original brands. Previously, partitions divided them into separate areas. To strengthen their connection, the designers removed the partitions, making the new brand feel like a natural extension of the original. This approach enhances customer trust while distinguishing the store with a unique layout. The central counter unites both brands under one company, improving recognition and facilitating corporate management.
Kalmomin Alama: Commercial space, lingerie, wholesale, fusion of old and new, modernization, neon lights
Fasahar Samarwa: Materials: iron parts, transparent glass, galvanized angle steel, corrugated board, metal plate, stone paint, neon lights, acrylic, Spanish bricks, etc. The acrylic used extensively in the original brand area reduces the strong visual impact caused by saturated colors with a sense of transparency, but maintains the divisions brought by large-area color blocks, becoming the visual dividing line between display areas. The Spanish brick hollow design of the counter and the mirror correspond to nostalgia and the new generation, symbolizing the progress and integration of the dual brands.
Ƙalubalen Zane: Each shelf was custom-made without a ready-made template, requiring the design team to tackle the challenge of integrating neon lights with angle steel. They had to open molds and collaborate with an acrylic factory to produce parts. To maintain aesthetics, laser cutting technology was used to avoid visible hardware like suspenders and screws. In the new brand area, curved glass and middle display shelves were also customized, adding complexity. Balancing functionality, durability, and execution posed challenges. The team dedicated significant time and effort while also considering store business hours, making the project even more demanding.
Bincike: In JIALI's display area, angle steel frames serve as display cabinets, while neon lights highlight the brand's localization. Movable display cabinets are inspired by stacked cardboard boxes from the store's earlier days, echoing the company's industrial origins. In the Classy brand area, the designers embraced contrast and innovation. Metal plates symbolize the company's early growth years, while curved elements reflect modern women's body ideals. From visual aesthetics to deeper meaning, the design seamlessly connects to the brand's heritage and philosophy.
Wahayi: JIALI, established in 1992, has thrived for 32 years. With the launch of its new brand 'Classy,' it also seeks a refreshed image. The design team removed partitions, extending the space into the new display area. Retro elements like bricks and neon lights were reinterpreted with modern techniques, blending nostalgia with innovation. This transformation connects two generations, seamlessly integrating tradition with contemporary fashion. The revitalized space not only honors JIALI's legacy but also marks an exciting new chapter for the brand.
Tsawon Lokacin Aikin: The project finished in July 2023 in Taiwan.
Tsarin Aiki: Initially, the owner had few opinions on space planning, but after completion, he was amazed by the aesthetic presentation and deeper meaning. He felt the designers had successfully given the brand a fresh look. By cleverly integrating the brand's history into the space, the design became an excellent focal point for customer engagement and online marketing. The setup allows new customers to understand the brand's story while enabling existing customers to connect with its renewed image. The renovation blends old and new, reshaping people's perception of the brand.
Mambobin Ƙungiya: Kun-Yen Lu
Godiyar Hotuna: Rumo Interior Design