Changes Cycles and Shapes Fasaha ta Dijital daga Yuko Suzuki

Zane Changes Cycles and Shapes Fasaha ta Dijital daga Yuko Suzuki mai nasara ne mai daraja sosai na 2025 Kyautar A' Design Award ta Zinariya a Rukunin Gasar Ƙirƙira ta Kwamfuta.

ZinariyaƘirƙira ta Kwamfuta· 2025

Changes Cycles and Shapes Fasaha ta Dijital

daga Yuko Suzuki

Abokin Ciniki: Feral File

Mai Nasarar Kyautar A' Design Award ta Zinariya a Rukunin Ƙirƙira ta Kwamfuta

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Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #170864

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Changes Cycles and Shapes Fasaha ta Dijital

Wannan aikin yana binciken tambaya, Menene zane? ta hanyar bayyana yaduwar bayanin gani. An samo kwarin gwiwa daga sauye-sauye a cikin zane-zanen Mondrian, kuma ya dogara akan tsarin sassa na zane, inda siffa ke motsawa tsakanin mai alama da na tunani, da kuma tsakanin hayaniya da tsarin layi - ra'ayi da aka yi amfani da shi ga launi. Aikin yana nuna yanayin sauyi na kayan dijital, yana jaddada cewa siffofi da ke tsakanin sauye-sauye sune ainihin asali. Ta hanyar haɗa yanayin da aka buga da baren, yana bayyana asalin mai zane a matsayin mai bugawa a tsarin dijital.

Amincewa

Game da Kyautar A' Design Award ta Zinariya

Zanen Changes Cycles and Shapes Fasaha ta Dijital ya lashe Kyautar A' Design Award ta Zinariya, wata karramawa mai matuƙar daraja da ake bai wa zane-zane na matakin farko, masu ban mamaki kuma na musamman. Waɗanda suka lashe kyautar Zinariya ƙirƙire-ƙirƙire ne masu sababbin abubuwa sosai, masu hangen nesa kuma masu haske mai ban sha'awa waɗanda ke nuna hazaƙa, hikima da ƙwarewar masu zanensu. Ana sa ran zanen Changes Cycles and Shapes Fasaha ta Dijital ya zama ƙirƙira mai yabo sosai, mai kafa yanayi kuma babba wacce ke kawo ƙima da ba a taɓa ganin irinta ba. Wannan zane da ya lashe Kyautar A' Design Award ta Zinariya aiki ne mai ban mamaki, mai daraja wanda ke amfanar fasaha, kimiyya, zane da fasahar zamani sosai kuma yana kai iyakokinsu gaba. Zanen Changes Cycles and Shapes Fasaha ta Dijital yana haifar da tsananin sha'awa, yana tada soyayya ga aiki, yana ƙarfafa ƙirƙira kuma yana burge mu.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Girma da Fakitin: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Kalmomin Alama: Generative Art, Coding
Fasahar Samarwa: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Ƙalubalen Zane: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Bincike: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Wahayi: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Tsawon Lokacin Aikin: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Tsarin Aiki: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Godiyar Hotuna: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.