Vessel of Time Zanen Cikin Gida na Zama daga Wu Pei-Hsuan and Hsieh Tsung-Hsuan

Zane Vessel of Time Zanen Cikin Gida na Zama daga Wu Pei-Hsuan and Hsieh Tsung-Hsuan mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Cikin Gida.

TagullaCikin Gida· 2026

Vessel of Time Zanen Cikin Gida na Zama

daga Wu Pei-Hsuan and Hsieh Tsung-Hsuan

Abokin Ciniki: Christy Hsieh

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Cikin Gida

6,660

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #177120

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Vessel of Time Zanen Cikin Gida na Zama

Vessel of Time zane ne na cikin gida na zama wanda aka ƙirƙira wa wani mai kaɗa piano da iyali mai mutum uku. Gidan ya mamaye kusan murabba'in mita 231 a Taiwan. Wani falo na shiga da aka lulluɓe da itace ya samar da wata iyaka mai laushi tsakanin birni da cikin gida. Manyan ƙofofin gilashi masu layukan tsagi da labulen sirara suna tace hasken rana zuwa cikin falon zama. Piano ɗin yana tsaye a tsakiyar wani wuri da ake tarayya, inda kiɗa, karatu da hira suke haɗuwa. Itace mai launi mai haske, saƙar ma'adinai da fenti na musamman mai alamun buroshi sun tsara wani yanayi na natsuwa mai ƙarancin ƙarfin launi. Tsarin buɗaɗɗe ya haɗa wuraren zama tare kuma yana goyon bayan tafiyar rayuwar yau da kullum a hankali.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Vessel of Time Zanen Cikin Gida na Zama ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Vessel of Time Zanen Cikin Gida na Zama ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Vessel of Time Zanen Cikin Gida na Zama yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: This project takes time and sound as its spatial genesis, that employs simple materials and the shifting interplay of light and shadow to cultivate a sense of tranquility throughout the space. As time passes, it brings a gentler understanding and deeper appreciation of life. The intention is to create a home that is warm, profound, and elegant—one that encourages a slower, more reflective pace of living. The spatial narrative unfolds through openness, release, and serenity. Under soft, diffused light, the interior immerses itself in gradual transitions, portraying a quiet theater of life where reality and romance subtly intertwine.
Girma da Fakitin: The office interior spaces measures about 231 square meters.
Kalmomin Alama: Continuum, Soundscape, Restraint,Temporality
Fasahar Samarwa: The design incorporates special paint with brush marks to complement the layers of wood tones, balancing the intensity of the space with structure and color. In this low-saturation ambiance, the colors of life become richer and more vivid, allowing for the delicate appreciation of every moving moment. As time changes, the warmth of light and shadow deepens, and the space immerses in the gradual transitions under soft light, portraying a life theater where reality and romance blend.
Ƙalubalen Zane: Real company is not doing the same thing in the same space, but rather, for this family of three, it means setting up the context through which each can fulfill their own private and shared needs in different corners. Re-spacing is the game-changing idea, as it is all about having fun, creating a new lifestyle for the family to build familial relationships anew.
Bincike: Upon returning home, one enters a wood-wrapped foyer where the city’s noise gently fades. At the center of the living room, the piano is integrated rather than isolated, its music blending with reading, conversation, and shared meals. Light moves softly across timber surfaces from morning to evening, filtered through sheer curtains that create a calm, breathable atmosphere.

Circulation becomes part of daily life instead of a corridor, allowing pauses between music and books. An once-empty bookshelf gradually fills, marking the family’s growth. With light timber and mineral textures as a quiet backdrop, the home lets life, light, and sound take the lead—becoming a vessel shaped by time and memory.
Wahayi: The aim is for home to be a source of tranquility, providing a refuge from the relentless pace of urban life. The design advocates for an open-plan layout where living areas are interconnected, promoting harmony between spaces and encouraging a sense of freedom and flow within the family. This makes it an ideal place for a modern lifestyle.
Tsawon Lokacin Aikin: The project started in July 2020 and finished in February 2021 in Taiwan.
Tsarin Aiki: Designed for a pianist and a family of three, this home is defined by light-toned timber and a quiet architectural language. A wood-lined foyer forms a gentle threshold from city to interior, leading to tall fluted glass doors that softly filter daylight into the living space.

The music and living areas share a central core where piano, conversation, and daily rituals converge. Expansive windows and sheer curtains shape the atmosphere through shifting light, while subtle ceiling shifts and axial walls guide the transition from public to private. Rooted in a Wabi-Sabi sensibility, the design embraces simplicity, light, and the passage of time.
Mambobin Ƙungiya: Architect : Wu,Pei-Hsuan
Architect: Hsieh,Tsung-Hsuan
Godiyar Hotuna: Image #1: Yi-Hsien Lee, 2021,Image #2: Yi-Hsien Lee, 2021,Image #3: Yi-Hsien Lee, 2021, #4: Yi-Hsien Lee, 2021, #3: Yi-Hsien Lee, 2021, #5: Yi-Hsien Lee, 2021,