Kaisen Viking Iroha Aikin Farko: Cikin Gidan Cin Abinci by Daiki Inoshita is a highly esteemed winner of the very prestigious 2026 Kyautar A' Design Award ta Azurfa in Cikin Gida Competition Category.
AzurfaCikin Gida· 2026
Kaisen Viking Iroha Aikin Farko: Cikin Gidan Cin Abinci
Client: H.I.S. Co., Ltd.
Kyautar A' Design Award ta Azurfa Winner in Cikin Gida Category
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- Verified Award Winner
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The Design
About Kaisen Viking Iroha Aikin Farko: Cikin Gidan Cin Abinci
Rubutun Littafi: Kaisen Viking Iroha babban gidan cin abinci ne mai ɗauke da bafe wanda ke sake fasalta cin abinci a matsayin ƙwarewar sarari da birni. Wani teburin baffe da aka sanya a tsakiya yana tsara zirga-zirga zuwa madauwari mai ci gaba, yana rage cunkoso yayin da yake ƙara bayyanuwa. Zanen ya haɗa da kyawawan hangen nesa na Tokyo Dome City a matsayin wani abu mai aiki na ciki, yana mai da birnin ya zama bango mai motsi. Dutsen halitta da katakon end-grain suna kawo dorewa da zurfin kayan aiki. Aikin ya ɗaga cin abinci na baffe zuwa tsarin sarari mai nutsarwa.
The Recognition
About the Kyautar A' Design Award ta Azurfa
Zanen Kaisen Viking Iroha Aikin Farko: Cikin Gidan Cin Abinci ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Kaisen Viking Iroha Aikin Farko: Cikin Gidan Cin Abinci ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Kaisen Viking Iroha Aikin Farko: Cikin Gidan Cin Abinci ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Kaisen Viking Iroha reinterprets the conventional buffet by synchronizing spatial composition, circulation, and urban context. A centrally positioned buffet counter organizes movement, while the surrounding panoramic views of Tokyo Dome City establish a continuous dialogue between interior and exterior.
The design shifts the buffet from a purely functional dining system into a layered experience where guests engage with food, space, and city simultaneously. Material selections such as natural stone and end-grain wood reinforce durability while expressing the passage of time, creating a tactile and atmospheric depth rarely achieved in high-turnover dining environments. - Dimensions & Packaging
- Restaurant interior project featuring a centrally positioned buffet counter, fixed seating zones, and integrated bar functions. Materials include natural stone, end-grain wood, metal framing, and indirect lighting systems. The layout was designed to accommodate high guest turnover while maintaining clear circulation and efficient staff access within a large-scale dining environment.
- Tags
- Restaurant Interior, Buffet Restaurant, Japanese Contemporary Design, Interior Architecture, Material Expression, Dining Experience, Spatial Circulation, Urban Dining Experience
- Production Technology
- The interior was realized through close coordination between spatial planning, custom-built buffet counters, and integrated lighting systems. Natural stone surfaces and end-grain wood elements were precisely fabricated to withstand intensive daily use. Layered indirect lighting enhances material depth while supporting operational clarity. The project balances craftsmanship with efficiency through detailed construction management and material selection.
- Design Challenge
- The primary challenge was to integrate high operational efficiency with a meaningful spatial identity that connects the dining experience to its urban surroundings. This required balancing durability, circulation clarity, and visual openness without compromising comfort or atmosphere.
- Research
- Type of Research: Spatial and operational design research.
Research Objectives: To elevate the buffet dining experience through spatial quality.
Methodology: Analysis of circulation, material durability, and user behavior.
Results: Enhanced operational efficiency and a redefined dining experience that integrates urban context as a spatial asset. The project demonstrates that high-turnover restaurants can achieve both performance and experiential depth by aligning circulation, materiality, and environmental integration. - Inspiration
- The project redefines the buffet as an urban dining experience, integrating the surrounding Tokyo Dome Cityscape into the interior as an active spatial component. Inspired by the Japanese concept of borrowed scenery, the design captures the energy, light, and temporal shifts of the city, transforming them into an integral part of the dining experience.
Rather than isolating the interior from its context, the project embraces the city as a dynamic backdrop, allowing guests to experience both the immediacy of food and the evolving presence of the urban environment simultaneously. - Project Duration
- The project was designed and completed in 2025 in Tokyo Dome City, Tokyo, Japan.
- Operation Flow
- Guests enter through a defined entrance sequence and naturally circulate around the central buffet counter. Seating areas offer multiple dining options, while staff workflows are optimized through clear zoning and direct access to service areas.
- Patents
- Copyrights belong to the project owner, 2025.
- Image Credits
- Image #1: Photographer Satoru Umetsu (Nacása & Partners Inc.), Kaisen Viking Iroha, 2025.
Image #2: Photographer Satoru Umetsu (Nacása & Partners Inc.), Kaisen Viking Iroha, 2025.
Image #3: Photographer Satoru Umetsu (Nacása & Partners Inc.), Kaisen Viking Iroha, 2025.
Image #4: Photographer Satoru Umetsu (Nacása & Partners Inc.), Kaisen Viking Iroha, 2025.
Image #5: Photographer Satoru Umetsu (Nacása & Partners Inc.), Kaisen Viking Iroha, 2025.
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