Takumi Kabad na Kayan Ado daga Isabelle De Mari

Zane Takumi Kabad na Kayan Ado daga Isabelle De Mari mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Ƙirar Kayan Ɗaki.

AzurfaKayan Ɗaki· 2026

Takumi Kabad na Kayan Ado

daga Isabelle De Mari

Abokin Ciniki: Olho Moveis Autorais

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Kayan Ɗaki

21,819

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #181630

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Takumi Kabad na Kayan Ado

Takumi kabad ne na kayan ado wanda ya haɗa ka'idojin sana'ar hannu ta Japan da tsarin gina kayan daki na zamani. Kabad ɗin yana da aljihunan ja goma sha biyar masu gefuna da aka fasala da kuma tsarin zamewa a ɓoye wanda yake aiki ba tare da katakon gefe ba, wanda ke haifar da yanayin aljihuna masu kama da shawagi. An lulluɓe cikin kabad ɗin da fata na halitta kuma an saka masa abubuwan raba sarari na suede masu cirewa domin tsari mai sassauƙa. Hannun riƙon na tagulla an zuba shi ne ta hanyar lost-wax ta amfani da guntayen da aka sake amfani da su. Wannan ƙirar ta mayar da ajiye kayan adon mutum ya zama al'ada mai nutsuwa da kulawa.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Takumi Kabad na Kayan Ado ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Takumi Kabad na Kayan Ado ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Takumi Kabad na Kayan Ado ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Takumi is a jewelry cabinet that merges Japanese craftsmanship principles with contemporary furniture design. Subtle chamfered details on the drawers create visual lightness while preserving structural clarity. The cabinet interior is lined with natural leather and organized through configurable suede compartments to protect delicate pieces. A brass handle cast using a jewelry-grade lost-wax technique becomes the symbolic jewel of the cabinet, transforming storage into an object of ritual and refinement.
Girma da Fakitin: Dimensions: 850 W x 450 D x 1200 H mm. Weight: 90 kg. Configuration: 15 drawers, customizable in quantity and internal sizing at order. Construction: non-disassemblable. Materials: MDF core clad in certified pau ferro veneer, water-based matte varnish, leather-lined interior, suede compartments, brass handles cast by lost-wax using reclaimed offcuts.
Kalmomin Alama: jewelry cabinet, Brazilian design, Japanese craftsmanship, chamfered details, concealed sliding system, brass casting, leather-lined interior, artisanal woodworking, contemporary furniture
Fasahar Samarwa: Takumi features an MDF core for dimensional stability, clad in certified pau ferro veneer and finished with water-based matte varnish. A concealed sliding system operates without lateral panels, creating a floating drawer effect. The interior is lined with natural leather and removable suede dividers. Brass handles are cast through lost wax using reclaimed offcuts, reducing waste and optimizing production cost.
Ƙalubalen Zane: The primary challenge was achieving visual lightness while accommodating fifteen drawers without visible structural reinforcement. Engineering a concealed sliding system that eliminated lateral panels required repeated testing and structural recalibration. Integrating lost-wax brass casting into the cabinet demanded coordination between furniture and metal production processes.
Bincike: The project developed a jewelry cabinet balancing visual lightness and structural clarity. Material tests and joinery studies defined construction, while iterative prototyping refined proportions and drawer performance. Observation of storage habits shaped the internal layout. Alignment and concealed sliding tests ensured precision. The result improves usability while reinforcing craft-based contemporary furniture design.
Wahayi: Takumi was inspired by the principles of Japanese craftsmanship and the intimate ritual of storing personal jewelry. The project investigates how restrained aesthetics and the lightness provided by refined woodworking details can structure a dignified container for meaningful objects. The name Takumi meaning master artisan, guided its development, while the incorporation of jewelry-making techniques into the brass handle reinforces the dialogue between the cabinet and the precious items it protects.
Tsawon Lokacin Aikin: The project started in July 2025 in Sao Paulo, Brazil, and was completed in October 2025. It was officially launched in November 2025 as part of the Tokyo Collection, a broader furniture series inspired by Japanese culture and craftsmanship.
Tsarin Aiki: Takumi offers a calm and deliberate experience when storing personal jewelry. The multiple drawers feature full extension slides, allowing complete visibility and effortless access to each compartment. The vertical organization creates a sense of order and clarity. Suede-lined dividers can be removed and repositioned, enabling flexible handling of pieces outside the cabinet. The interaction encourages a relaxed, attentive moment of care and organization.
Mambobin Ƙungiya: Designer: Isabelle De Mari
Designer: Filipe Melo