Weaving Zanen Cikin Gida na Zama daga Chih Liang Hung

Zane Weaving Zanen Cikin Gida na Zama daga Chih Liang Hung mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Gasar Cikin Gida.

Baƙin ƘarfeCikin Gida· 2026

Weaving Zanen Cikin Gida na Zama

daga Chih Liang Hung

Abokin Ciniki: Xiang Dao Design

Mai Nasarar Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Cikin Gida

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Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #181867

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Weaving Zanen Cikin Gida na Zama

Weaving zane ne na cikin gidan zama da aka kammala a Taiwan don iyali mai tsararraki uku. Tare da baranda, fadin cikin gidan ya kai kimanin murabba'in mita 83. An sake tsara tsarin dakuna hudu na asali zuwa dakuna uku tare da dakin karatu a bude da dakin tatami. Bangon talabijin ya hada dutsen travertine fari da dutsen Moonlight Beige tare da gefe mai lankwasa da aka daidaita shi da hadewar kasa. An gina dakin tatami da katakon hinoki na Japan na gaske tare da hadewar mortise-da-tenon da rufin saka mai zanen lu'ulu'u. Kananan kabad suna sa wurin zama ya kasance a bude kuma mai saukin shiga.

Amincewa

Game da Kyautar A' Design Award ta Baƙin Ƙarfe

Zanen Weaving Zanen Cikin Gida na Zama ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe, wata karramawa mai daraja da ake bai wa kyawawan zane-zane waɗanda ke cika buƙatun ƙwararru da masana'antu da ake tsammani daga ƙirƙire-ƙirƙire da aka tsara da kyau. Waɗanda suka lashe kyautar Baƙin Ƙarfe suna nuna babban ƙwarewa, ƙwarewa ta musamman, fahimtar ƙwararru da ikon ƙirƙira na masu ƙirƙirar su. Ana sa ran zanen Weaving Zanen Cikin Gida na Zama ya zama ƙirƙira da ake girmamawa sosai, ake sha'awa da ƙauna wacce ke da amfani kuma mai sababbin abubuwa. Wannan zane da ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe yana haɗa mafi kyawun ayyukan fannin kuma yana da halayen fasaha masu cancanta da ke da alaƙa da sanin yadda da baiwa. Ana girmama zanen Weaving Zanen Cikin Gida na Zama saboda cikakkiyar kulawarsa kuma an tsara shi don ba da ingantuwar rayuwa da ke taimakawa wajen mai da duniya wuri mafi kyau.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The design unifies diverse 'weaving' of materials. On the TV wall, blanc travertine and Moonlight Beige stone meet along a curved edge extending to the entry, aligned with floor joints for visual rhythm. Metallic-sheen art paint behind the desk echoes stone fossils. Stone veining is intentionally unmatched. Social area storage is low for openness and elderly access. In the tatami room, diamond-pattern amijime ceilings, ranma lattice vents, and circular sliding doors follow the Fibonacci sequence, blending tradition, nature, and craft.
Girma da Fakitin: Including the balcony, the interior area measures about 83 square meters. Originally four bedrooms, a living room, a dining room, and two bathrooms, the layout was reconfigured into three bedrooms plus an open study and tatami room. Bedroom privacy was preserved while enlarging the dining-and-gathering axis of the social area, allowing flexible conversion between daily two-person life and holiday gatherings of over ten people. The study wall was recessed to connect the dining-living lighting; the tatami room sits centrally as a flexible node for rest, movie-watching, or children's play.
Kalmomin Alama: Tatami Room, Tenjo Ajiro Ceiling, Barrier-Free Space, Wood Tone, Open Plan, Solid Wood, Eco-Friendly Materials, Custom Wooden Flooring, Bamboo Pendant Lamp
Fasahar Samarwa: The tatami room is entirely constructed of solid Japanese first-grade hinoki sourced from managed artificial forests. 3D modeling, precise cutting, and mortise-and-tenon joints replace veneered plywood, preserving the natural scent and tactile warmth of wood. Wood flooring and stone surfaces correspond to each other in modular dimensions and division. The overall color temperature builds on warm gray and wood brown, blanc travertine and moonlight beige stones enhance brightness, and curved edges form a stable yet fluid sense of light layering.
Ƙalubalen Zane: The main challenge was coordinating materials and techniques. The tatami room used first-grade, knot-free hinoki cut to custom modules, with a diamond-weave ceiling built from prototypes and on-site craftsmanship for veneer overlap, tolerances, and hidden maintenance. Stonework required continuous curved spans aligned with floor joints. Non-book-matched veining balanced visual density, ensuring durability, easy cleaning, and refined elegance.
Bincike: Designed for an elderly homeowner and three generations, the 'Weaving' theme transforms the parents' curtain-making craft into spatial rhythm. Wood joinery, stone divisions, and drapery interlace, symbolizing family bonds. The open social area features low cabinets and a TV wall of blanc travertine and Moonlight Beige stone curving to the entry. The tatami room's hinoki ceiling weaves tradition and hidden vents, blending material, light, and air into daily life.
Wahayi: The homeowners' children wished to preserve memories of the tatami room from their parents' previous home. Centered on the concept of 'Weaving,' the design interlaces bamboo blinds, wooden flooring, and stone surfaces into a harmonious dialogue of materials, balancing emotion and order. Three-sided daylight and natural ventilation enhance comfort, while the open social area supports daily life and family gatherings. Barrier-free design ensures accessibility, blending tradition with practicality.
Tsawon Lokacin Aikin: The project finished in October 2024 in Taiwan.
Tsarin Aiki: After moving in, the family often sits on the tatami by the sliding doors to watch TV, the sofa has become secondary. The desk area serves as a reading and interaction corner for the elders and grandchildren. Visiting friends and photographers have all commented on the space's 'unexpected quietness': though near a busy road, once windows close, only light and the scent of wood remain. The children appreciated the low-cabinet design and simplified storage, which keeps the view uncluttered and gently refines their parents' habit of keeping items-making life feel lighter.
Mambobin Ƙungiya: Chih-Liang Hung
Godiyar Hotuna: Xiang Dao Design