Great Blue Hole Abin Wuya daga Jung Ki Min

Zane Great Blue Hole Abin Wuya daga Jung Ki Min mai nasara ne mai daraja sosai na 2026 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Kayan Ado.

TagullaKayan Ado· 2026

Great Blue Hole Abin Wuya

daga Jung Ki Min

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Kayan Ado

8,583

Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #182523

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Great Blue Hole Abin Wuya

Great Blue Hole abin wuya ne wanda aka samu wahayinsa daga babban ramin ruwa na teku mai wannan suna a kasar Belize. Zane-zanen ya mayar da wani babban yanayin dabi'a zuwa sifar sassaka mai iya sakawa a jiki. An daga sassan karafa masu jeri kan wayoyi masu tsawo daban-daban domin samar da girma da zurfi mai fadi. An yi amfani da yankan zarto, zubi, enameling, dora duwatsu masu daraja, da dabarun chasing da repousse wajen gina sifofin da laushin saman. Abin wuyan yana da fadin milimita 130, zurfin milimita 15 da tsayin milimita 75, tare da zaren lu'u-lu'u mai tsawon milimita 450. Motsin jiki yana sauya haske a fadin jerin sassan.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Great Blue Hole Abin Wuya ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Great Blue Hole Abin Wuya ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Great Blue Hole Abin Wuya yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: This piece reinterprets a monumental marine formation as a wearable sculptural structure through layered metal construction and dimensional assembly. Its distinction lies in translating vast geological space into an intimate bodily dimension, where organic irregularity is balanced with controlled craftsmanship to create a tactile landscape experience.
Girma da Fakitin: Width 130 mm x Depth 15 mm x Height 75 mm
Pearl string length 450 mm
Kalmomin Alama: silver, necklace, jewelry, natural
Fasahar Samarwa: This work involved selecting materials corresponding to the site's visual and spatial characteristics and conducting extensive texture studies. Test pieces were produced to experiment with varied surface treatments and forms. To achieve the desired atmosphere within a limited scale, appropriate techniques were carefully selected. In addition to piecing and sawing, casting, enameling, stone setting, chasing, and repousse were employed. Components were elevated using wires of varying lengths to create dimensional volume and layered depth.
Ƙalubalen Zane: The primary challenge was developing a structural system capable of integrating diverse elements into a cohesive form. To achieve the intended atmosphere, careful planning was required for stone placement, setting techniques, and layering. Establishing the correct order of fabrication was critical. Through extensive trial and error, I refined the composition so that each element could coexist harmoniously while retaining its individual presence.
Bincike: This project represents a research process aimed at translating distinctive natural landscapes and geological formations into the form of jewelry. Through the harmonious arrangement of diverse materials and techniques, I experimented to determine the optimal color relationships, proportions, and structural balance that could effectively convey the site's atmosphere and defining characteristics. The research also explored multiple approaches to articulating organic forms within a controlled metal framework, seeking methods to express natural irregularity with clarity and precision.
Wahayi: Inspired by the Great Blue Hole in Belize, I was drawn to its ultramarine depth and the diverse ecosystems surrounding it. Through visual research and material experimentation, I sought not only to extract its visual characteristics but also to convey the site's atmosphere and sense of mystery. By combining various materials and metalworking techniques, I harmoniously translated a distant, life filled marine environment into an intimate wearable scale.
Tsawon Lokacin Aikin: The project started in August 2018 in New York, USA, and was completed in May 2019.
Tsarin Aiki: Due to its layered colors and condensed elements, the piece offers tactile detail and visual richness to both wearer and viewer. As the body moves, shifting light and depth create subtle variations in perception, inviting closer observation. By bringing a distant landscape into intimate proximity, the work provides a subtle sense of refreshment.
Godiyar Hotuna: Image #1: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #2: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #3: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #4: Photographer Jung Ki Min, Great Blue Hole, 2019.
Image #5: Photographer Jung Ki Min, Great Blue Hole, 2019.