Boku Cikin Gida na Gidan Abinci da Mashaya by Takahiro Todoroki is a highly esteemed winner of the very prestigious 2026 Kyautar A' Design Award ta Azurfa in Cikin Gida Competition Category.
AzurfaCikin Gida· 2026
Boku Cikin Gida na Gidan Abinci da Mashaya
Client: Engine,inc
Kyautar A' Design Award ta Azurfa Winner in Cikin Gida Category
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The Design
About Boku Cikin Gida na Gidan Abinci da Mashaya
Boku wani cikin gida ne na gidan abinci da mashaya a Guadalajara, Mexico. Zanen ya haɗa ka'idojin sarari na Jafananci da al'adun gida, kuma ya samu ilhama daga abincin titi na Osaka, inda takoyaki ke matsayin babban jigo. Wani kanta mai lanƙwasa yana ƙarfafa mu'amala tsakanin jama'a, kuma laushin bango yana ƙara cikakken bayani na taɓawa. Fitilun bamboo da aka rataye da kayan halitta suna samar da yanayi na dabi'a. Wani hawa na tsakiya (mezzanine) yana amfani da tsayin rufi kuma yana ƙara bambancin aiki. Wurin yana ba da abinci da rana kuma yana zama mashaya da wurin gudanar da bukukuwa da dare.
The Recognition
About the Kyautar A' Design Award ta Azurfa
Zanen Boku Cikin Gida na Gidan Abinci da Mashaya ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Boku Cikin Gida na Gidan Abinci da Mashaya ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Boku Cikin Gida na Gidan Abinci da Mashaya ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- This project merges Japanese spatial philosophy with the local culture of Mexico, avoiding superficial Japanese style design. Inspired by Osaka street food culture, the space centers on takoyaki and reinterprets the vitality of octopus as a spatial language. A curved counter evokes tentacles, encouraging social interaction, while wall textures recall suction cups. Suspended bamboo lighting and natural materials create an organic atmosphere. A mezzanine utilizes the high ceiling, adding vertical depth and functional diversity.
- Dimensions & Packaging
- Total area: 128 sqm. Ceiling height: 4500 mm. Structure: steel frame. Materials: bamboo, mortar cement, brick, steel, washi, resin, sumi ink, LED neon. Ceiling: brick finish with clear coating. Floor: pigmented mortar with urethane coating. Walls: brick and painted surfaces with artwork. Lighting: 50 lux ambient, 100 lux table, 2700K. Features include sound system with subwoofer, DJ booth, and integrated lighting installations.
- Tags
- Bar, Mexico, Japanese, Restaurant, Takoyaki, Tequila, Bamboo, Sake, Guadarajara,
- Production Technology
- The design process translated traditional Takeakari into a modular ceiling system using parametric modeling and digital fabrication. Bamboo elements were lasercut based on 3D data due to limited local craftsmanship. Detailed drawings were developed to adapt complex geometries to local construction skills. The counter was formed using mortar and cement with curved surfaces requiring precise manual finishing. A mezzanine structure resolves the narrow plan by layering functions vertically. Circulation and visibility were optimized through curved layouts and open kitchen placement.
- Design Challenge
- The main challenge was bridging the gap between complex design intent and local construction capabilities. Many contractors declined due to the level of detail, and initial cost estimates exceeded the budget. This was resolved by simplifying construction systems and clearly communicating design logic through detailed drawings. Inconsistent schedules and craftsmanship required multiple adjustments and rework. Maintaining design quality under these constraints demanded continuous on-site coordination and adaptive problem-solving throughout the project.
- Research
- This is an applied spatial design research. The objective was to reinterpret Japanese identity in Mexico without cliches while ensuring functional performance. The methodology combined cultural analysis, spatial planning, material testing, and onsite coordination over 3 months design and 5 months construction. Data were collected through site constraints, user flow studies, and mock ups using drawings, 3D modeling, lighting tests, and material comparisons. Experiments included bamboo lighting and steel hand lights. The result improved user stay time, SNS engagement, and cross cultural business value.
- Inspiration
- The project was inspired by the fusion of Japanese highball culture and takoyaki, aiming to redefine Japanese identity outside Japan. Instead of stereotypical expressions, it integrates subtle cultural elements such as bamboo lighting, ranma lattice, and sumie art. Influenced by Osaka vibrant street stalls, the design reflects warmth, energy, and informality. Traditional Japanese spatial techniques are reinterpreted through contemporary materials and composition, creating a modern space that quietly embodies the essence of Wa within a global context.
- Project Duration
- This project began its design phase in Japan in 2024 and opened in Guadalajara, Mexico, in August 2025.
- Operation Flow
- The space operates as a restaurant during the day and transforms into a bar and event venue at night. It supports a wide range of users, from individuals to large groups. The open kitchen creates a lively atmosphere where guests can experience the cooking process. The takoyaki grill is placed near the entrance to attract attention and introduce the cuisine. The curved counter allows natural communication between guests, enhancing social interaction and making the space intuitive and engaging.
- Image Credits
- Photographer : Katsumi Hirabayashi
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