Ceramic Forest Ofishin by I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung

Ceramic Forest Ofishin by I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung is a highly esteemed winner of the very prestigious 2020 Kyautar A' Design Award ta Tagulla in Cikin Gida Competition Category.

TagullaCikin Gida· 2020

Ceramic Forest Ofishin

by I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung

Client: Merge Interiors

Kyautar A' Design Award ta Tagulla Winner in Cikin Gida Category

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Verified Award Winner

Verify Award Status for #92890

View at A' Design Award Press Release Award Badge

Colors

The Design

About Ceramic Forest Ofishin

Lokacin aiki a cikin yanayin jin daɗi tare da sararin samaniya, ƙirar aiki yana haɓaka, nuni da yankin aiki shima an canza shi zuwa wurare masu zane. A cikin wuraren da aka bude, an raba wuraren aiki mai zaman kanta yayin da gilashin bango mai ban sha'awa ya ba da izinin haske na halitta ya shiga da kuma ɗaukar mahimmancin shirin fararen launi a ƙirƙirar sarari mai haske da aiki mai kyau don inganta sararin samaniya gaba ɗaya. ciki.

The Recognition

About the Kyautar A' Design Award ta Tagulla

Zanen Ceramic Forest Ofishin ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Ceramic Forest Ofishin ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Ceramic Forest Ofishin yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The client of this project is Nobel Ceramic and Tiles, the supplier of most ceramic products for Starbucks, who founded its own brand, Cilin, and established its office in Neihu, Taipei. The design of the overall office space was inspired by ceramic from which design elements and vocabulary was generated. The office with showroom adopted white wall cabinet and grey Bolon carpet and black metalwork as its main elements.
Dimensions & Packaging: With an interior area of 514 square meters, the supervisor offices are allocated near the perimeter of the site near the window for ample natural lighting and window views, while allowing natural lighting to flood into the interior of spacious layered space, and for spaces such as server room, dark room, accounting office, etc., area allocated at the side area, and VP office, legal office, and staff working area are located at the inner area.
Tags: Display Cabinet, Mug, Special Paint, Curtain Wall Glass, Open Office
Production Technology: For creating the stern and grand spatial qualities of the commercial space and the office that is befitting to the corporate core values, the reception lobby was treated with elegant grey plaster primer paint accentuating the humble beauty of ceramic. The interior of the office space adopted Mexin ceiling and Bolon carpet for acoustic consideration in creating a quiet working environment.
Design Challenge: As the spatial expression is derived from the consideration of color and size of products on display in a boundless fashion, the design department has also requirements for sample storage, therefore, apart from the white minimalist design, the geometric linework has also helped to maintain the sense of order for the working area, complemented with recessed opening for product display which has further embellished this transitional space.
Research: The ceiling of the showroom features a circular arc design symbolizing the round opening of a ceramic mug, as the showroom cabinet and white color wall softens the serious working ambiance but still maintain a sense of order and layers strung together within a spatial consistency.
Inspiration: The elevator lobby is imbued with the symbolism of Kiln, and as it is surrounded by timberwork, the warm and stern beauty of kilns was articulated grey-scale color relating to the personable texture. With LED lighting giving a layering effect to the interior, special door panels and installation artwork forming motifs of Taiwanese Folk Art has brought strong contrast in this visual focus of this area.
Project Duration: The project was completed in October 2013 in Taipei, Taiwan.
Operation Flow: As the program purpose of merchandise showroom is to express the core imagery of products; therefore, the design has gone beyond the conventional rhythmic nature of normal space by injecting an enriched stream of brand characteristics in every segment of the showroom so that this space becomes a museum of exquisitely made objects which also makes it an ideal location for product introduction and sales discussion.
Team Members: I Ju Chan
Hsuan Yi Chen
Su Huang Hung
Image Credits: Kyle Yu Photo, 2013