Zane Absinthe Ƙirar Dandali daga Vivian Lu mai nasara ne mai daraja sosai na 2020 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Fasahar Wasan Kwaikwayo.

AzurfaFasahar Wasan Kwaikwayo· 2020

Absinthe Ƙirar Dandali

daga Vivian Lu

Abokin Ciniki: Vivian Lu Design Studio Limited

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Fasahar Wasan Kwaikwayo

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Launuka

Ƙirar

Game da Absinthe Ƙirar Dandali

Absinthe ƙirar dandali ce da aka ƙirƙira don wasan kwaikwayo game da ilimin kimiyyar lissafi, kwayoyin halitta da ilimin halin ɗan adam. An gina wurin ne a kusa da dandali mai siffar ƙwai wanda ke wakiltar lokaci kuma ana iya karanta shi a matsayin taurari ko madauki mai ci gaba. Faɗakattun fale-falen da ke haskakawa waɗanda aka lulluɓe da fentin da aka yaɗa suna nuna sararin samaniya mai faɗi da ban mamaki. Na'urar hangen sauti ta hasken laser da aka keɓance tana ba da damar ganin sauti, saboda ana lanƙwasa hasken laser ta hanyar mitar muryoyin 'yan wasan kwaikwayo. An gwada kowane kusurwa na dandalin domin 'yan wasan su iya tafiya, gudu da tsalle cikin aminci.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Absinthe Ƙirar Dandali ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Absinthe Ƙirar Dandali ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Absinthe Ƙirar Dandali ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Vivian introduced the technology of laser light sound visualiser to magnify senses in the whole theatrical experiences, and allowed sound to be seen. She custom-made different laser light gadgets and experiments with different materials to find the best one to be used on stage. Every angle of the middle circular stage was carefully designed and the inclusion of technology brought a whole new blend of artistic richness in theatre. The beauty of the design is the limitless interpretation of the set according to their understanding of the play. The oval stage represents time, but can be seen as the milky way, Möbius band etc.
Girma da Fakitin: Vivian experimented with different forms of custom-made sound laser visualiser to best utilise actors on stage
Kalmomin Alama: Scenography, Stage Design, merging physics and set design
Fasahar Samarwa: The project required a lot of research and experimentation, especially experimenting with the laser light sound visualizer, making sure the visuals created from different sound frequencies went hand in hand with the general set design. A lot of prior research also had to be done on the subject matter or physics, black holes and relativity, to create a stage that portrayed elements of these subjects, to allow audiences to quickly connect and be immersed into the show as it was a play that discussed quite complex subjects. For the staging and material we chose dark reflective panels to create the effect of this vast yet mysterious universe, also covering it with splattered paint to symbolise the milky galaxy. This and stage received great feedback, and special mentions on review platforms highlighted and praised the stage design and effects, and how it truly immersed people into the story.
Ƙalubalen Zane: On the initial design part, there are a lot of discussions on how to tactic a complex play, where many deep subjects were discussed and visually portray it all in a manner that guided the audience into the topics and be immersed into the world. Technically during production the curvature of the oval shape had to be very exact, as we wanted to visually make it look really smooth when we detach it to different shapes. The kinds of wheels were also a very big technical challenge as the different points of attaching the wheels made a huge difference on the stage's mobility.
Bincike: Every angle of the main stage was experimented with consideration of the feasibility on how actor’s move on set. We experimented with different inclination of the set and prior to the performance, we trained actors to walk, run and jump at different angles we have on the circular stage to avoid stage accidents. The whole stage was built with extensive technological difficulties and precision because we had to find the balance of designing it to achieve desired artistic visual but also take intensive examination that structurally it is strong enough withstand immense weight.
Wahayi: Absinthe was a project that has given Vivian a chance to explore potential visuals merging physics and scenography. It was a play that explored topics on physics, matter and psychology. She wanted to experiment with different ways to unearth a new power to enhance audiences sense in the whole theatrical experiences. Vivian wanted to find new ways to capture audience’s imagination and to see how to create different relationship with time.
Tsawon Lokacin Aikin: The show was first showcased in Beijing in 2019 then toured around in Shenzhen and Shanghai in 2020.
Tsarin Aiki: Through the sound vibrations spoken from the actors, laser lights were distorted based on the frequency of spoken sound. The visuals that came out from the actors and actress voice varies drastically due to the pitch of their specific voice.. The actors rehearsed for months with the devices to create a specific imagery to go with the set design.
Mambobin Ƙungiya: Stage Designer : Vivian Lu
Director : Johnny Tam