ʻO Ceramics Extension ʻo Ke ʻano na Tairan Hao and Shan Xu he mea lanakila hanohano loa o ka 2020 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Hana Noʻeau a me Hoʻokomo Hana Noʻeau.
KeleaweHana Noʻeau· 2020
Ceramics Extension ʻo Ke ʻano
Mea Kūʻai: Tairan Hao
Mea Lanakila A' Design Award Keleawe ma ka Māhele Hana Noʻeau
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #104079Ka Hoʻolālā
E Pili Ana iā Ceramics Extension ʻo Ke ʻano
Kūkulu ʻia ka hoʻonohonoho ʻana e nā kālai lima keramika kuʻuna lima a me nā kiʻi kiʻi plastik i paʻi ʻia. Ke hoʻāʻo nei ka mea kaha a me ka hoʻolālā ʻana i ke kamaʻilio ikaika i ka poʻe makaono i kēlā me kēia mea, nā mea āpau, ke hoʻonui ʻia ʻana o nā mea āpau. Me ka heleʻana o ke kalaka, ke kamaʻilio pū nei ia i nā ʻāpana o nā mea a lākou e ʻike ai he maoli maoli nō, akā ʻo nā mea ʻē aʻe o ke ʻano o nā aniani, he mea maoli ʻole ia. Hoʻonoho ka launa i ka poʻe e manaʻo nei lākou e komo ana i loko o kahi ao pōkole i hoʻokumu ʻia e lākou iho.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Keleawe
Ua lanakila ka hoʻolālā Ceramics Extension ʻo Ke ʻano i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Ceramics Extension ʻo Ke ʻano he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Ceramics Extension ʻo Ke ʻano i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- The installation is formed by traditional handmade ceramics sculptures and 3D printed plastic sculptures. There is a total of 130 pieces of sculptures in the installation space. The installation is designed to display in a space surrounded by reflected glass mirrors, with 5 LED lights that give the audience a fantasy and futuristic feeling. The meaning of the installation design is trying to show the communication between the future and the past, modern technology and traditional handicraft, the real world and the virtual world.
- Nā Ana a me ka Hoʻopili
- half of the sculptures in the installation are 3D printed, dimension variable; the other half of the sculptures are handmade, dimension variable as well. the dimension of the space is a box, 15m*15m*15m
- Nā Lepili
- Installation, Art, 3D Printing, Ceramics, Sculpture
- ʻEnehana Hana
- 3D printing; Plastic; aluminum mirrors; porcelain, LED lights
- Pilikia Hoʻolālā
- The arrangement of the sculptures was one of the challenges in the design process. Some of the ceramics were too heavy to use ropes to hold and connect it with the roof. Therefore, most of the sculptures are remade and reprinted by the 3D printer, using lighter materials then sprayed by the glazed-look white color to the surface.
- Noiʻi
- The reflective material was the key to this design. Different materials combine with LED lights have different visual effects. Glass, Acrylic, and mirrors cannot demonstrate a good visual effect because of the reflection range are limited, as well as when the light is being reflected, the feeling wasn't satisfied. The installation took lots of tests in order to see if the fantasy feeling can be presented. The optimal result is shown in the final design, which is to use aluminum mirrors as the main materials.
- Hoʻoulu Manaʻo
- The relationship between the virtual world and the real world generates the form of this installation design, as well as the traditional method of crafting versus what can be crafted with contemporary technologies. The development of civilization proceeds as time goes on. Therefore, the mirror reflection in the interior space of the installation shows the infinite possibility of what time can change. Technology allows humans to define what is real and what is virtual and all the connections.
- Ka Lōʻihi o ka Papahana
- The project started in 2016 in Beijing and finished in 2017. It was exhibited in Beijing Today Art Museum in 2017.
- Kaʻina Hana
- When the audiences step into the installation space, they will sense a feeling of visual infinity. The visual interaction generates a strong feeling to the audiences that every object, everyone, everything is being extended infinitely. With the presence of sculpture, it is communicating part of the objects they see are real, but the other objects are the reflection by the mirrors, which is unreal. The interaction makes people think that they are stepping into a fantasy world that is created by themselves.
- Nā Palapala Kuleana
- Copyrights belong to Shan Xu and Tairan Hao, 2017
- Nā Lālā Hui
- Designer: Shan Xu
Artist: Tairan Hao - Nā Kuleana Kiʻi
- Image #1: Photographer Tairan Hao, 2017
Image #2: Photographer Tairan Hao, 2017
Image #3: Photographer Tairan Hao, 2017
Image #4: Photographer Tairan Hao, 2017
Image #5: Photographer Tairan Hao, 2017
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