Light Field Ka Hoʻolālā Loko Noho na Kai Ling Huang

ʻO Light Field Ka Hoʻolālā Loko Noho na Kai Ling Huang he mea lanakila hanohano loa o ka 2021 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

HaoLoko Hale· 2021

Light Field Ka Hoʻolālā Loko Noho

na Kai Ling Huang

Mea Kūʻai: Warm Interior Design

Mea Lanakila A' Design Award Hao ma ka Māhele Loko Hale

7,010

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #112247

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Light Field Ka Hoʻolālā Loko Noho

He hoʻolālā loko noho ʻo Light Field no kekahi hale kaiāulu he kanaono makahiki ka ʻelemakule ma Kaohsiung, Taiwan. ʻO ka hale ʻelua kēʻokeʻo me kahi papahele waena, aia ma kahi o 115.7 mika huinahā ka nui. Ua mālama ʻia ke kūkulu kumu, a ua wehe ʻia nā ʻili ʻino a ua hoʻoikaika ʻia nā paia me ke kila a me ke kōneka i hōʻike ʻia ma hope o ka hana ʻana. Ua wehe ʻia nā pale paʻa i komo mai ai ka mālamalama o ka lā a me ka makani kūlohelohe i loko o nā lumi. Hoʻopili ʻia nā papahele e kekahi alapiʻi i uhi ʻia i ka ʻeleʻele, a ʻo ia ke kaula pili kūpono nui. ʻO nā mea i hoʻohana ʻia, ʻo ia nā pōhaku huinaono, ke aniani, ka pōhaku lāʻau kiko, ka iliʻili holoi ʻia, a me nā anuʻu lāʻau paʻa.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Light Field Ka Hoʻolālā Loko Noho i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Light Field Ka Hoʻolālā Loko Noho he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Light Field Ka Hoʻolālā Loko Noho no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The stairs are lined with black backing and neat lines, supplemented by strong contrast and unique lighting to highlight the mainline that goes through the two floors and the mezzanine. Along the vertical axis, the staircase serves as an important medium, connecting the relationship between the various fields, allowing space and space to consistent with each other harmoniously. In addition, the designers adopt a step-by-step narrative technique to present different scenes with the tortuous paths and changes in the light and shadow.
Nā Ana a me ka Hoʻopili: The floor area is 115.703 square meters, which is a two-story building with a mezzanine. The building retains the original structural body but removes the mottled and obsolete surface. After delicately determining the functionality of the wall, it is reinforced with steel structure and post-made clear water molding methods to enhance the overall safety and waterproofness. In addition, the facade is stacked with layers of concrete, close lightly pebble, and protective paint to achieve the effects of temperature resistance, dirt resistance, and beauty.
Nā Lepili: Renovation, nature, eco-friendly, townhouse, minimalism
ʻEnehana Hana: The material used: Post-made clear water mold, board with holes, hexagonal tile, glass, wood grain brick, Lotos, close lightly pebble, and solid wood step. Close lightly pebble is an architectural material often used in early Taiwan. It has a warm and rustic taste in the hometown, which is a common memory of Taiwanese in the 1950s and 1970s. In view of this, the team reuses the materials full of contemporary sense. With the characteristics of openness and tolerance of architecture, it combines contemporary and tradition.
Pilikia Hoʻolālā: It is a 60-year-old residence. The unique long and narrow street house reflects the prosperity of the local port town. The team accurately grasps the proportion and balance between the old and the new, being the most difficult consideration in this project. With the idea of reusing old buildings, the team keeps the original structure of the building, and they use the most concise repair method to truly present the texture that has been tempered by years, and they are committed to continuing the life and temperature of the old residence.
Noiʻi: Retain the original structure and give the old residence a new appearance with a simple and unburdened approach. The customized holes and plants are adopted in the white building with geometric volume, creating a distinctive and novel vision. The team adopts two different elements of the floor in the front courtyard to narrate the image of the entrance. The interior is pure and elegant with low color saturation, matched with warm wooden style, framed a quiet and leisurely space tone, and supplemented by the rich texture and texture of different materials to create a stress-relief environment rich in aesthetics.
Hoʻoulu Manaʻo: The team retains the original structure and living pattern of the building, and they restore the essence and status of the space through the simplest construction methods and designs. With the inherently excellent lighting conditions, the team opens the closed barriers and adopts penetrating media to bring in an abundance of sunlight and natural wind, creating a breathing house from the interior to the exterior, while at the same time; the layout, distance, colors, and contours are maintained at the most comfortable ratio, allowing residents to relax and savor the beauty of life at home.
Ka Lōʻihi o ka Papahana: The project finished in June 2020 in Lingya District, Kaohsiung City, Taiwan.
Kaʻina Hana: The team uses a dichotomy method to create invisible divisions in the planning of the forecourt floor. Through the difference between the post-made architectural concrete and the hexagonal tiles, the designers create the image of going back home in the entrance, so the clients can be relaxed. Taking into account the needs of the clients for storage, the dining area located under the ladder extends along with the structure with multiple storage functions such as hanging wardrobes, small storage rooms, and trapezoidal display cabinets.
Nā Lālā Hui: Kai-Ling Huang, Wei-Chen Chao
Nā Kuleana Kiʻi: CHIU CHUANG HSI