Lele i ka ʻike
Whale Tail Papa Noho na Enrique Minguez

ʻO Whale Tail Papa Noho na Enrique Minguez he mea lanakila hanohano loa o ka 2021 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Lako Māla a me Lako Hale Waho.


KalaLako Hale Waho· 2021

Whale Tail Papa Noho

na Enrique Minguez

Mea Kūʻai: QZ Urban Furniture

Mea Lanakila A' Design Award Kala ma ka Māhele Lako Hale Waho

45,207

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #118288

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Whale Tail Papa Noho

ʻO kēia lako noho kūlanakauhale he mea like ʻole no loko a me waho. ʻO ka helehelena o ka noho a me kona kākoʻo e like ana me ka huelo kohola me ka mālama ʻana i ka maikaʻi o ka noho a me ka kūpaʻa. ʻO ka ʻili lahilahi aniani fiber e uhi ana i ka piko lāʻau a i ʻole konekurete i hoʻonui ʻia me ka palakika i hoʻohana hou ʻia. Hiki ke waiho wale nō a i ʻole ma nā pūʻulu liʻiliʻi.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Whale Tail Papa Noho i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Whale Tail Papa Noho he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Whale Tail Papa Noho e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa
This single support design, allows for elegance and sobriety in both urban and natural environments. It can be placed either by itself or in small groups, enabling the seating space to resemble the vision of a single whale or of a whole pod swimming in harmony. It allows for different options in use of materials. It can be made of fiberglass reinforced either with wood or concrete. Yet, in its most environmentally efficient version, it can also be made of fiberglass reinforced with concrete and recycled plastic. All of these combinations enable the seat to follow a clean and ergonomic shape. Depending on the materials chosen it can resist up to 310kg.
Nā Ana a me ka Hoʻopili
The maximum measures are 80cm width, 54cm depth and 51cm height. The width varies in a smooth transition from the tail (seat) of 80 cm to the neck of the tail (base) of just 16 cm.
Nā Lepili
WhaleTailBench, WhaleTail, Bench, SeaBench, PortBench, Seafront
ʻEnehana Hana
It can be made from three different processes:
A. Fiberglass reinforced with wood. Fiberglass painted thick between 8 and 12 mm. Interior reinforced with high density compact laminated wood frame.
B. Fiberglass with reinforced concrete and recycled plastic. Fiberglass painted thick between 4 and 8 mm. Interior reinforced with polymer concrete and recycled HPDE.
C. Reinforced concrete. Concrete finish, reinforced with fibers of very high performance and great plasticity, which gives it great resistance.
Pilikia Hoʻolālā
Once the molds were made, the main problem was maintaining the beauty in all the surface of the element. The solution to the problem was found adapting the manufacturing process to the different materials. It needed to be done in two parts that had to be joined later, working on the partition line. In the case of fiberglass reinforced with concrete and recycled plastic, the problem resided in the breathability of the concrete. To avoid it penetrating the fiber, the element was painted after finishing the piece. Finally, in the version with only concrete, the opening in the surface to pour the concrete was too small and the figure needed to be vibrated, so the solution involved changes in the pouring method and a concrete grain reduction.
Noiʻi
The type of research used was data collection by observation, as the main objective was to create a piece based on marine life. Design Thinking Methodology was then used to ensure that ergonomics was present, but always framed by the connection to the sea. Bearing that in mind, whales, dolphins, seahorses, waves and other remarkable marine items were studied to abstract their basic shapes. The aim was to establish a relationship between those shapes and the forms produced by the human body, in search of a practical figure. After some failed initial creations, the focus turned to capturing the aerodynamic and organic essence of the marine environment. Thus, it was concluded that the tail of a whale resembled the basic ergonomics of a seat. The first version was designed with bigger cantilevers but did not pass the strength simulation program test since the bending movement was too big for the desired single support. In order to solve this key part, the cantilever was shortened and the structure reinforced with an internal frame of wood. In the final model, this frame runs through the entire central part of the piece, being the connecting component between the two faces of the bench.
Hoʻoulu Manaʻo
This piece of furniture takes its inspiration from the ocean and one of the most iconic images it offers us: the whale tails.
Ka Lōʻihi o ka Papahana
The project started in September 2019 and finished in March 2020 in Cartagena (Spain), and it was exhibited in the port of Cartagena in June 2020. Currently it has been proposed for a large-area shopping center.
Kaʻina Hana
Sitting bench. This piece not only fulfils the function of a seat, it also provides an aesthetic value when it is placed in the urban space: seafronts, ports, parks, squares, streets and boulevards. When t it is not occupied, its soft undulating shapes make it a sculptural element.
Nā Palapala Kuleana
Patented. 08/2020/435. Enrique Mínguez Ros. 2020. Intellectual property.
Nā Lālā Hui
Designer: Enrique Mínguez
Nā Kuleana Kiʻi
Image #1: Photographer David Frutos, Whale Tail Bench, 2020.
Image #2: Photographer David Frutos, Whale Tail Bench, 2020.
Image #3: Photographer David Frutos, Whale Tail Bench, 2020.
Image #4: Photographer Mario González, Whale Tail Bench, 2020.
Image #2: Photographer Enrique Mínguez, Whale Tail Bench, 2020.

Kākoʻo ʻIa

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