Shany Abdallah Naji Hana Mua: Kaʻina Hana Kiʻi Kaha na Shany Dvora

ʻO Shany Abdallah Naji Hana Mua: Kaʻina Hana Kiʻi Kaha na Shany Dvora he mea lanakila hanohano loa o ka 2021 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Kiʻi, Kiʻi Paʻi a me Kamaʻilio ʻIke.

KalaKiʻi· 2021

Shany Abdallah Naji Hana Mua: Kaʻina Hana Kiʻi Kaha

na Shany Dvora

Mea Lanakila A' Design Award Kala ma ka Māhele Kiʻi

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #121320

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Shany Abdallah Naji Hana Mua: Kaʻina Hana Kiʻi Kaha

Shany Abdallah Naji he kaʻina hana kiʻi kaha e hoʻāla hou ana i kekahi loina kapa inoa ʻohana. ʻO ia loina, i pau i ka wā i neʻe ai ka ʻohana mai ʻIraq a i ʻIseraʻela, ua hāʻawi i ka pēpē hānau hou i kekahi inoa mua a ukali ʻia e nā inoa o ka makua kāne a me ke kupuna kāne. Ua hana ʻia kēia kaʻina hana ma hope o ka loaʻa ʻana o nā palapala neʻe ʻohana kahiko. ʻElima mau hana palapala hui, ʻehā he 50 ma 70 kenimika ka nui a hoʻokahi he 75 ma 70 kenimika, e ulana ana i nā kiʻi i loko o ke kaha kākau Hebera i hoʻoulu ʻia e nā palapala kākau lima Hebera mai ʻIraq, Yemena a me Moroko i hana ʻia ma waena o ke kenekulia 12 a me ka 15.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Shany Abdallah Naji Hana Mua: Kaʻina Hana Kiʻi Kaha i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Shany Abdallah Naji Hana Mua: Kaʻina Hana Kiʻi Kaha he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Shany Abdallah Naji Hana Mua: Kaʻina Hana Kiʻi Kaha e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry
Nā Ana a me ka Hoʻopili: 4 works 50*70 cm
1 work 75*70 cm
Nā Lepili: Calligraphy, Typography, Hebrew, Eastern
ʻEnehana Hana: Mixed Media
Pilikia Hoʻolālā: -
Noiʻi: For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.

This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.

Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Hoʻoulu Manaʻo: In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Ka Lōʻihi o ka Papahana: 2018-2019, Israel
Kaʻina Hana: -
Nā Palapala Kuleana: -
Nā Lālā Hui: -
Nā Kuleana Kiʻi: Shany Dvora