ʻO Reflections of Tomorrow Hana Nui: Hoʻolālā Loko Hale Noho na Yan Lin Wu he mea lanakila hanohano loa o ka 2022 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.
HaoLoko Hale· 2022
Reflections of Tomorrow Hana Nui: Hoʻolālā Loko Hale Noho
na Yan Lin Wu
Mea Kūʻai: AS Interior Design
Mea Lanakila A' Design Award Hao ma ka Māhele Loko Hale
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #128082Ka Hoʻolālā
E Pili Ana iā Reflections of Tomorrow Hana Nui: Hoʻolālā Loko Hale Noho
Kikokikona Puke: ʻO Nā Hōʻike o ka Lā Ma Hope aku he hoʻolālā loko hale noho i hoʻopau ʻia ma Taiwan i ka makahiki 2020. Hoʻopili ka hoʻonohonoho ʻana i ka puka komo, ka lumi ʻaina, ka lumi noho a me ka lumi haʻawina hāmama i mea hoʻokahi wahi lehulehu mau, aʻo ka lumi moe nui, ka lumi moe ʻelua a me kahi lumi ʻauʻau e hana ai i ka wahi pilikino. Hōʻiliʻili nā kiʻi ʻāpiʻi ʻole ma waena o nā paia, e hoʻohui ana i ka pepa paia, ka papa sima, ke aniani melemele-lenalena, ke aniani ʻeleʻele a me ka papa metala. Hoʻokiʻekiʻe mālie ʻia ke kaupale mai kekahi kihi a hiki i ka ʻaoʻao kūʻē e pale ai i nā kaola. Lawe mai nā puka aniani nui i ka mālamalama o ke ao i loko loa o ka home.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Hao
Ua lanakila ka hoʻolālā Reflections of Tomorrow Hana Nui: Hoʻolālā Loko Hale Noho i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Reflections of Tomorrow Hana Nui: Hoʻolālā Loko Hale Noho he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Reflections of Tomorrow Hana Nui: Hoʻolālā Loko Hale Noho no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- The designer applied (special days) to extend the ideas, hoping that the existence of the space is not only a living space for people but also a window and mirror. Looking inward through the area, one sees the longing and yearning for a better life; yet when the night comes, and the light and shadow reflect themselves, one could see their extraordinary figures in the day. After the concept was formed, the idea of implementation came from the designer initial observation of the space.
- Nā Ana a me ka Hoʻopili
- The interior space of 25 level grounds includes a public area, an entrance, a dining room, a living room, and an open-end study; as for the private area: a master bedroom, a secondary bedroom, and a bathroom are included.
- Nā Lepili
- comfortable, cozy atmosphere, beveled shape, open-end methods to link each area
- ʻEnehana Hana
- Wallpaper, Cement board, Metal plate, Black glass, Mirror, System cabinet.
- Pilikia Hoʻolālā
- The designer used an open-end design method to connect the entrance, dining room, living room, and open study. A round table is supplemented to facilitate circulation. At the same time, the beveled shape from the beginning of the entryway and the wallpapers, tawny glass, and black glass material shifting cut out the irregular beveled geometry. After connecting the space, the daylight from the window edge glows into the transparent interior space, also solving the problem of shading in the deep area.
- Noiʻi
- Irregular beveled geometries cut the wallpapers, tawny glass, and black glass on the facade to outline interesting visual layers and create connections. Large windows are applied to draw the abundant natural sunlight and broaden the vision of the public area. Although the facade and cabinets are made of low-limit dark materials, the ceiling is still gradually raised from one corner to the rest. The inverted slant on both the facade and the ceiling is the designer expression to find a special form of interest in the solidified, hard rules of a straight and square building in the city.
- Hoʻoulu Manaʻo
- For the design of this case, the designer compared the design to a window and a mirror. Through design, people have developed a beautiful imagination of tomorrow while reflecting on one small but particular figure in ordinary days. The designer took this as a metaphor; with the design of the facade and the ceiling made of different materials with inverted slope, a slight vividness is created within the square and linear spaces and buildings that can be seen often in the city. The designer also hoped that the client could feel and enjoy the unique details in the ordinary days through the design.
- Ka Lōʻihi o ka Papahana
- The project finished in June 2020 in Taiwan.
- Kaʻina Hana
- Beveled-shaped elements can also be seen in the master bedroom; although the beveled shapes on the wall have changed to vertical lines, the ceiling still had to be raised from the right side of the bed to the opposite corner to avoid the beam-columns. The room also echoes with the beveled-shaped theme in the public area. In consideration of the need for storage, the designer used sliding doors to form a cutting ratio at the back of the bed to place storage volume and used gray cabinets and paints to balance the lively feeling brought by the ceiling, presenting a comfortable and cozy atmosphere.
- Nā Lālā Hui
- Yan-Lin Wu, Xiu-Na Xu, Yu-Cheng You
- Nā Kuleana Kiʻi
- AS Interior Design
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