ʻO Yearning for Home Hana Nui: Hoʻolālā Loko Hale Noho na Yu Lung Lee he mea lanakila hanohano loa o ka 2022 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.
HaoLoko Hale· 2022
Yearning for Home Hana Nui: Hoʻolālā Loko Hale Noho
na Yu Lung Lee
Mea Kūʻai: HOLY Design
Mea Lanakila A' Design Award Hao ma ka Māhele Loko Hale
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #130542Ka Hoʻolālā
E Pili Ana iā Yearning for Home Hana Nui: Hoʻolālā Loko Hale Noho
Kikokikona Puke: ʻO ka Iini no ka Home he loko hale noho e kākoʻo pū ana i ka hana ʻoihana. Ua wehe ʻia ke ʻano hoʻolālā mua, e waiho ana i hoʻokahi lumi moe e pili pū ana i kekahi lumi ʻē aʻe, i ʻoi aku ai ka ākea o ka ʻike ʻana i ka wahi. Uhi ʻia ka paia televisheni a me nā puka pahū o ka lumi moe, ka lumi mālama waiwai, a me ka lumi ʻauʻau malihini me ka pena sima ʻāhinahina, e hōʻike ana i nā papa ʻano loli o ka mālamalama a me ke aka. Hoʻomālie nā ʻano piko i nā kaola a me nā kia, ʻoiai ua hoʻokomo ʻia ke kukui laina no ke ahiahi. Lawelawe ke pākaukau helu a me kekahi papaʻaina ʻai i hoʻonoho ʻia i ke ʻano hoʻokēʻau i mau ʻili hana. Mālama nā paia i waiho ʻia i ka hōʻiliʻili kiʻi noʻeau a ka mea kūʻai.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Hao
Ua lanakila ka hoʻolālā Yearning for Home Hana Nui: Hoʻolālā Loko Hale Noho i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Yearning for Home Hana Nui: Hoʻolālā Loko Hale Noho he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Yearning for Home Hana Nui: Hoʻolālā Loko Hale Noho no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- The overall spatial broke the rules of traditional residences by knocking through the initial base; only one bedroom area that connects the secondary bedroom is built, allowing the stricture to be more expansive. The private area applied a trap door and cement paints in shades of grey to reflect the television wall of the living room. This space is required for commercial use; therefore, the public area is planned using diagonal methods and placed with counters and dining tables as working tables, allowing the user to maintain a private area within the open-end space.
- Nā Ana a me ka Hoʻopili
- Applied with curve designs in many ways to soften beam-columns and area division; also, the mottled grey cement paints are used on the television wall towards the trap doors of the bedroom, the storage room, and the guest bathroom. The cement paint also shows different layers of lights and shadows according to the angle of the sunlight. The sofa wall is intermediated with a semi wooden cabinet that embedded wires and electric sockets to satisfy storage needs. Curved designs are applied and extended throughout the television wall and the beam columns.
- Nā Lepili
- Cement paints, lighting transparent, rust-imitated bricks, trap door designs, curved-shape decorating.
- ʻEnehana Hana
- Hardware elements, cement paints, wooden pieces, lightings, dimming roller shades, double-layered sheers, melamine overlay plywood, rust-imitated bricks, hexagonal bricks, through methods, laminate hard plastic sheet in grey tones.
- Pilikia Hoʻolālā
- To perfectly match the client beloved 20-times-20 sized tiles, the height of the counter is designed to be 80 centimeters. This ingenuity has perfectly fit the sizes of most imported tiles, while the appropriate height has balanced the public area visually without creating abrupt and towering feelings.
- Noiʻi
- The entryway is embedded with wooden and hardware-made shelves to hang up outer clothes, helmets, and others; a low wooden stool is placed aside to make the shoe-wearing progress more comfortable. Commercial demands are required; therefore, the public area is equipped with two working areas. Embedded electric sockets on the floor have allowed users to work more freely and conveniently. A hallowed area is designed below the counter side; it is specially planned for the client to place the robot vacuum. The ingenuity has allowed the robot to clean the public area without being restricted freely.
- Hoʻoulu Manaʻo
- Instead of the traditional ways for spatial arrangements, this design is made as an open-end space. The preserved walls, the trap door design, the curves, and the color contrast echo each other; meanwhile, the expansive window has brought in sunlight that outlines the pureness of white, grey, and tones of wood. The designer has given back simplicity to this gallery-like residence, allowing each vista and corner to be appreciated and enjoyed by users.
- Ka Lōʻihi o ka Papahana
- The project started in April 2020 and finished in August 2020 in Daxi Township, Taoyuan City.
- Kaʻina Hana
- The public area is designed as an open-end area, while a counter and a diagonal dining table slash working table are placed as the center of the room. The walls of the space are also preserved for the client art collection to be hung up. Arc-shaped designs have prevented the dull feeling of right angles, and linear lightings are embedded to create a lively atmosphere during the night. Furthermore, cabinets are placed along the traffic flow behind the sofa to develop spatial transparency; the cabinet is an intermediary and a container to store books.
- Nā Lālā Hui
- Yu-Lung Lee, Szu-Hui Wang
- Nā Kuleana Kiʻi
- Chuang-Chieh Chiu
Kākoʻo ʻIa
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