The Chasing of the Sunlight Ka Hoʻolauna Hale Noho na Chen Kuan-Chiao and Wu Wei-Mou

ʻO The Chasing of the Sunlight Ka Hoʻolauna Hale Noho na Chen Kuan-Chiao and Wu Wei-Mou he mea lanakila hanohano loa o ka 2022 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

HaoLoko Hale· 2022

The Chasing of the Sunlight Ka Hoʻolauna Hale Noho

na Chen Kuan-Chiao and Wu Wei-Mou

Mea Kūʻai: Reichenlich Interior Design

Mea Lanakila A' Design Award Hao ma ka Māhele Loko Hale

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #130559

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā The Chasing of the Sunlight Ka Hoʻolauna Hale Noho

ʻO ke ʻAlualu ʻana i ka Mālamalama o ka Lā he hoʻolālā hale noho no kekahi hale papa hoʻokahi ma kahi o 27 mika huinahā. Aia i loko o kēia palapala hoʻolālā liʻiliʻi ʻelua lumi moe a me kahi wahi ʻaina no ʻekolu a ʻehā poʻe. Ua hoʻokāʻoi ʻia nā laina paʻakikī a me nā ʻano hoʻonaninani wale nō. Hahai ka hale kaupaku, ka papahele, a me nā paia i nā waihoʻoluʻu ʻeleʻele mālie a me ke ʻāhinahina māmā me ka lāʻau māmā. Ua hoʻopau ʻia nā paia ma loko me ka uhi like me ke concrete i kōwili ʻia, a hoʻohana ʻia ka papahele lāʻau paʻa i ka wai. Ua pani ʻia nā puka aniani hikiwale a me nā pale pukaaniani i nā paia paʻa, no laila hele ka mālamalama a me ke aka ma waena o ka hoʻolālā hāmama.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā The Chasing of the Sunlight Ka Hoʻolauna Hale Noho i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā The Chasing of the Sunlight Ka Hoʻolauna Hale Noho he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā The Chasing of the Sunlight Ka Hoʻolauna Hale Noho no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: This case is a single-story residential building planning. The actual indoor area is only about 25 square meters. In addition to the essential living functions of a general home, it also needed to meet the owner's expectations: a dining area that can accommodate at least three to four people and two bedrooms.
Nā Ana a me ka Hoʻopili: This space is 27 square meters.
Nā Lepili: Interior Design, Residential, House, Space
ʻEnehana Hana: The design are constructed all indoor walls with a clear water mold coating trowel and used a waterproof wood floor to match, which has both skin affinity and livable temperature. The chose of the dining table are made of imitation stone system board that is aesthetic, practical, and easy to clean.
Pilikia Hoʻolālā: The enlarged bathroom has re-built brick wall compartments and strictly waterproofing throughout the area. The classic barn door was installed at the entrance to skillfully transfer the embarrassment of the moving line opening close to the kitchen area. The bathroom was adopted into three-pieces and the instantaneous water heater was placed above the ceiling to actively strive for the optimal utilization of floor efficiency.
Noiʻi: The design avoided hard partitioning or adding more screens to the entryway area to naturally include into the public domain. In addition, light media such as glass sliding doors and shading curtains are used on both sides to replace the solid wall.
Hoʻoulu Manaʻo: Because of the limited space, the design avoided excessive redundant or complex line stacking and pure decorative modeling as far as possible. The outline color between the ceiling, ground, and the wall is mainly composed of introverted and low-key dark and light grayscale and light wood color. While reserving the broader field, also maintained the flexibility of replacing furniture software in the future.
Ka Lōʻihi o ka Papahana: The project finished in Jan. 2021 in Taipei City, Taiwan.
Kaʻina Hana: The whole area is roughly open. And even if the glass door closing, vision, light, and shadow can penetrate. Although the kitchen counter area is small, the cooking functions are pretty complete.

The ceiling was not seal with common flat nails, but instead sprayed the whole zone with a black coating to create a sense of rising height.
Nā Lālā Hui: CHEN,KUAN-CHIAO
WU,WEI-MOU
Nā Kuleana Kiʻi: Photographer : Lin, Fu-Ming