Fujifilm Clay Studio2 Hoʻolālā ʻo Loko o ka Keʻena Hana na Koji Aoki, Lin Su and Atsushi Fujita

ʻO Fujifilm Clay Studio2 Hoʻolālā ʻo Loko o ka Keʻena Hana na Koji Aoki, Lin Su and Atsushi Fujita he mea lanakila hanohano loa o ka 2022 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

KeleaweLoko Hale· 2022

Fujifilm Clay Studio2 Hoʻolālā ʻo Loko o ka Keʻena Hana

na Koji Aoki, Lin Su and Atsushi Fujita

Mea Kūʻai: Fujifilm Corporation

Mea Lanakila A' Design Award Keleawe ma ka Māhele Loko Hale

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #131321

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Fujifilm Clay Studio2 Hoʻolālā ʻo Loko o ka Keʻena Hana

ʻO Clay Studio 2 he hoʻolālā loko keʻena hana i hana ʻia no ka hana hoʻolālā huahana a me ke kiʻi ma Tokyo. Ua hoʻolālā ʻia ka ākea he 300 mika huinahā ma ke ʻano he wahi mālie no ka noʻonoʻo pono, ʻokoʻa loa mai nā keʻena hana e nānā nui ana i ke kamaʻilio ʻana. Ua waiho wale ʻia ka concrete, ka pena, a me ka papa cement lāʻau me ka hoʻoponopono ʻole ʻia, no laila, me he mea lā, he mau kaola a me nā kia wale nō ke kūkulu ʻana o ka lumi. ʻO ka hoʻolālā mala a me ke ʻano nani kūlohelohe ke kumu hoʻohālike, a lawe mai i ka loli o nā kau i loko o ka ākea. Ke nānā aku nei nā pākaukau i waho, a ʻo kahi papaʻaina ʻehiku mika ka lōʻihi e hiki ai ke mālama i nā hālāwai pōkole me ka mau nō o ke kaʻawale ma waena o nā kānaka.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Fujifilm Clay Studio2 Hoʻolālā ʻo Loko o ka Keʻena Hana i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Fujifilm Clay Studio2 Hoʻolālā ʻo Loko o ka Keʻena Hana he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Fujifilm Clay Studio2 Hoʻolālā ʻo Loko o ka Keʻena Hana i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Nā Ana a me ka Hoʻopili: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Nā Lepili: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
ʻEnehana Hana: concrete, painting, wood cement board
Pilikia Hoʻolālā: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Noiʻi: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Hoʻoulu Manaʻo: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Ka Lōʻihi o ka Papahana: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
Kaʻina Hana: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Nā Lālā Hui: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita