Ching Ming Kyoto Ka Hoʻolālā ʻO Loko o ka Hale ʻAina na Takuji Kamio

ʻO Ching Ming Kyoto Ka Hoʻolālā ʻO Loko o ka Hale ʻAina na Takuji Kamio he mea lanakila hanohano loa o ka 2022 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

KeleaweLoko Hale· 2022

Ching Ming Kyoto Ka Hoʻolālā ʻO Loko o ka Hale ʻAina

na Takuji Kamio

Mea Kūʻai: Miyoshi Corporaiton

Mea Lanakila A' Design Award Keleawe ma ka Māhele Loko Hale

10,020

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #132066

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Ching Ming Kyoto Ka Hoʻolālā ʻO Loko o ka Hale ʻAina

ʻO Ching Ming Kyoto he loko hale ʻaina Kina i loaʻa ma loko o kahi hale kaʻaahi ma Kyoto, Iapana. Aia ka ʻāpana papahele he 110 mika huinahā. Ua kaupalena nā lula i ke kaupaku, no laila ua hoʻolewa ʻia ka mālamalama a mālama ʻia e like me he kiʻi noʻeau. Hana ʻia nā kukui laina i mau ʻano huinakolu a hoʻopili mau ʻia e hoʻopuni ana i nā wahi noho. Ua pena ʻeleʻele ʻia ke kaupaku i mea e hoʻokūpaoa ai i ka laina lana a me nā kukui ʻano poepoe. Uhi ʻia nā paia me nā kiʻi pena ʻaila o nā moʻolelo Kina kahiko, i hui pū ʻia me nā kumu hoʻohālike geometric a me nā piliki papahele kiʻi.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Ching Ming Kyoto Ka Hoʻolālā ʻO Loko o ka Hale ʻAina i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Ching Ming Kyoto Ka Hoʻolālā ʻO Loko o ka Hale ʻAina he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Ching Ming Kyoto Ka Hoʻolālā ʻO Loko o ka Hale ʻAina i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Kamio expressed the lightings as a big art by spreading them over the whole the shop area. Making the lightings in impressive line shapes, he tried to create a dramatic atmosphere. The line lights were formed in triangle shapes and connected with each other continuously to surround the shop seating areas.
Nā Ana a me ka Hoʻopili: Floor Area : 110 square meter
Nā Lepili: Geometric lighting, Chinese restaurant, Kyoto restaurant, Authentic design, Japanese Designer
ʻEnehana Hana: For many parts, Kamio applied artistic graphics with effective lighting systems. To emphasize the art feeling, he covered the walls with oil paintings, which are telling the some Chinese old stories, with the modern expressions, such as adding geometric patterns on the paintings.
Pilikia Hoʻolālā: Perhaps the most difficult parts in this project was to deal with lighting combination. Because the team could not place the lighting equipments directly on the ceiling, they needed to hung all the equipment. Painting the ceiling in black, the team emphasized and focused more on the floating lightings consisted on line and ball shapes. To find the appropriate balance and locations of those different shape lighting was very sensitive work and one of most important aspects to create the whole space atmosphere.
Noiʻi: The team made and used 3D images and models to understand the visual effects. It was very helpful to figure out how the line lights can be seen in each seating area. Also, they researched and studied several Chinese stories and art paintings in libraries for the wall graphics.
Hoʻoulu Manaʻo: Because the shop is located in a train station building and there were several regulations about ceilings, Kamio had to have some challenges to deal with lighting systems. Rather than using the normal ceiling lights, he understood and expressed the lights as art aspects.
Ka Lōʻihi o ka Papahana: From September 2018 to March 2019 in Kyoto, JAPAN
Kaʻina Hana: Because the team used a number of graphic expressions such as wall paintings, floor tiles, and lighting shapes, it was very important to understand how those expressions work together. They carefully fill up the drawings with the graphic patterns and shared those images with all staffs to have the common visions. For some parts, they printed out actual life size drawings and discussed about the effects.
Nā Palapala Kuleana: Ichii Kamiodesign
Nā Lālā Hui: Takuji Kamio
Ray Keida
Nā Kuleana Kiʻi: Satoru Umetsu, nacasa and partneres