Invisible Shadow Ka Hoʻolālā ʻO Loko o Ka Hale Noho na Tzu-Chieh Li

ʻO Invisible Shadow Ka Hoʻolālā ʻO Loko o Ka Hale Noho na Tzu-Chieh Li he mea lanakila hanohano loa o ka 2023 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

KeleaweLoko Hale· 2023

Invisible Shadow Ka Hoʻolālā ʻO Loko o Ka Hale Noho

na Tzu-Chieh Li

Mea Kūʻai: Muho Design

Mea Lanakila A' Design Award Keleawe ma ka Māhele Loko Hale

8,297

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #142316

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Invisible Shadow Ka Hoʻolālā ʻO Loko o Ka Hale Noho

He hoʻolālā ʻo loko o ka hale noho ʻo Invisible Shadow no kahi hale i hoʻopau hou ʻia he 148.7 mika huinahā ma Taiwan. He kaʻina nui a hou ke kumumanaʻo. Hana ʻia ka paia televisi e kahi ʻāpana marumaru nui a lilo ia i kikowaena o ka wahi lehulehu. Hoʻohana ʻia nā waihoʻoluʻu ʻāhinahina, ʻeleʻele, a keʻokeʻo ma o ka uhi kūikawā, nā papa ʻōnaehana, a me nā aniani e hōʻike i nā poloka waiho huinahā. Kūlike ka mālamalama kūlohelohe mai nā pale hoʻoponopono mālamalama me ka noho lāʻau. Hoʻopili kahi hoʻolālā hāmama i ka lumi kuke, lumi ʻaina, a me ka lumi noho e hoʻonui i ka papahele lōʻihi a haiki.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Invisible Shadow Ka Hoʻolālā ʻO Loko o Ka Hale Noho i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Invisible Shadow Ka Hoʻolālā ʻO Loko o Ka Hale Noho he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Invisible Shadow Ka Hoʻolālā ʻO Loko o Ka Hale Noho i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The style of this project is the 'grand and modern' style preferred by the client. To put the imagination of both into practice in the living space, the designer used gray, black, and white to outline the rectangular color lumps. In addition, special paints and leather textures are used to emphasize the nature of the stone. Finally, the natural light from the light-adjusting blinds echoes the wooden couch. Furthermore, in response to the narrow layout of the dining, kitchen, and living room on the second floor, the designer adopts an open layout to enlarge the space.
Nā Ana a me ka Hoʻopili: This project is a 148.7 square meter newly completed house. The theme of 'grand and modern' is prominent in the public area. For this reason, the designer used stone texture, iron shelves, and a solid wood grille for decoration. As for the private area, the style tends to be modern and casual, considering the users' needs for rest and sleep. The intermittent color flash echoes the design of the public area. The leather and brushed metal system panels soften the impression of stone in the public area, creating a quiet space for rest.
Nā Lepili: Grand, stone, modern, color lumps, newly completed house.
ʻEnehana Hana: Material, marble, system board, special coating, metal parts, and solid wood grille. To emphasize the 'grand' atmosphere expected by the client, the designer used a large piece of marble as the TV wall. The stone is the centerpiece of the venue, while gray, black, and white are used for the special paint, system panel, and mirror to soften the dazzling elements and highlight the texture of the marble.
Pilikia Hoʻolālā: To deal with the disadvantage of the long and narrow space, the designer used an open layout to connect the kitchen, dining room, and living room. And to make the three different areas present a consistent atmosphere, the designer unified the color tone of the space, using gray, black, and white brought by marble, special paint, mirrors, and leather system panels throughout the place. In addition, irregular rectangular color lumps and lines are used to present the visual depth and reshape the space.
Noiʻi: The designer used a large piece of marble to create the impression of a 'grand', and then extends and set off the theme with a special coating to enrich the visual depth. In addition to the low saturation colors of gray, black, and white, the design also repeatedly uses mirrors, system panels, and wood grilles to outline rectangular color lumps and smooth lines. This design technique is not only repeated on the facade but also on the metal lines and lights on the ceiling. As for the private area, the exquisite design is reduced to the impression of minimalism.
Hoʻoulu Manaʻo: Through the interweaving of rectangular color lumps and the harmonious and orderly combination of different materials, the designer set off the natural texture of marble and finally interpreted the modern and grand style. To echo the modern and grand impression of the space, the designer used a large piece of marble in the public area to display a majestic and smooth texture. The straight lines and low saturation coatings are used to soften the cold and sharp edge of the stone and create a modern atmosphere.
Ka Lōʻihi o ka Papahana: The project finished in February 2022 in Taiwan.
Kaʻina Hana: When the space intuitively presents the aesthetics, the traffic flow also draws people closer. In the design of the public area, the designer blurred the visual boundaries between the kitchen, dining room, and living room. The homeowner can taste the food in the living room, the children can do their homework in the dining room, and the family can interact with each other.
Nā Lālā Hui: TZU-CHIEH LI
Nā Kuleana Kiʻi: MUHO DESIGN