Raw Hoʻolālā Kūloko Home Noho na Erian Yen

ʻO Raw Hoʻolālā Kūloko Home Noho na Erian Yen he mea lanakila hanohano loa o ka 2023 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

HaoLoko Hale· 2023

Raw Hoʻolālā Kūloko Home Noho

na Erian Yen

Mea Kūʻai: Triple men design studio

Mea Lanakila A' Design Award Hao ma ka Māhele Loko Hale

8,049

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #145040

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Raw Hoʻolālā Kūloko Home Noho

He hoʻolālā kūloko ʻo Raw no kekahi hale ʻehā papahele ma Taiwan. Hoʻohana ke ʻano hoʻolālā i ka manaʻo wabi-sabi ma o nā laina maʻalahi, nā waihoʻoluʻu māmā, a me kekahi liʻiliʻi loa o ka hoʻonani ʻana. Uhi ʻia nā paia piko a me ke kaupaku e ka pena mineral me kona kālai like ʻole, ʻoiai ua hoʻonoho ʻia ka papahele lāʻau kala kumu ma nā ʻano hoʻonohonoho ʻokoʻa a hui ʻole. Hoʻemi nā papa waiho hāmama a me nā kāpeka hūnā i ka nui ʻike ʻia o nā alo hale. Aia ma ka papahele mua ka wahi noho a ʻai, a aia ma nā papahele luna nā keʻena moe, wahi mālama, a me ka lumi haʻawina. Hoʻolaha like ʻia ka mālamalama kūlohelohe i mea e mālama ai i kekahi kaʻawale mālie ma waena o nā mea.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Raw Hoʻolālā Kūloko Home Noho i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Raw Hoʻolālā Kūloko Home Noho he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Raw Hoʻolālā Kūloko Home Noho no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The images of 'wabi-sabi' and 'raw' are fully expressed. The 'wabi-sabi' is embodied in the inlay of open bar shelving and hidden cabinets, which weaken the volume of the space. In this way, the blank space between objects creates a sense of solitude, revealing the concepts of minimalism, low profile, and plainness. The arc design with mineral paint at the turning point presents a natural visual, and the irregular texture of the mineral lacquer is a metaphor for the imperfect aesthetics of Japanese life. As for the ceiling, it is designed with a curved shape.
Nā Ana a me ka Hoʻopili: The project is a four-story newly completed house. The first floor is the public area, including the garage, balcony, and 46 square meters of living and dining space. The second floor is the private area, which includes a toilet, terrace, bathroom, and 28 square meters of bedroom. The third floor contains the second bedroom and storage space. The fourth floor is a multi-functional space with a toilet, balcony, terrace, staircase, and a 21-square-meter study room.
Nā Lepili: Wabi-sabi, raw, arc elements, mineral paint, light color.
ʻEnehana Hana: Building materials: mineral paint, original color wood floor, grille, mirror, iron parts, white honeycomb blinds, etc. The building materials used in a large area of the space are pure. Because of the minimalist design of the space, the design team took the textures of the materials and added delicate details at the same time. For example, the flooring is made of wood grain with 1/2 tile, staggered tile, and random tile, and the natural lines have an extended visual effect.
Pilikia Hoʻolālā: The challenge of this project is the constricted layout, which is a common problem in single-family houses in Taiwan. The rectangular shape of the space limits the route and the planning of the area, so the design team focused on maximizing the light in the light-facing area to allow natural light to fall evenly in the room and leave a wabi-sabi distance between objects. In the end, the design team used the texture of the building materials to present the design in a standardized pattern and used distance planning to mitigate the disadvantages of the site.
Noiʻi: The design team used a single color to present the whole space and created details to make the space fit both the empty feeling of wabi-sabi and the pure sense of rawness. The project is presented with a minimum of decoration in terms of materials, layout, and design techniques. The natural texture of the mineral paint is like washed-out skin, and its natural pores are the most beautiful highlight through the reflection of light and material. On the other hand, the warm texture of the wood flooring adds vitality to the light-colored space. The facades are designed with hidden cabinets to eliminate the bulkiness of the volume.
Hoʻoulu Manaʻo: The design team used mineral paint and wood to bring the silent beauty of wabi-sabi into the space, while the arcs allow people to feel the beauty of nature and roundness together. The light color reflects the texture of the mineral paint, and the original wood color retains the purest appearance. The raw texture of the material brings a different look to the space. The design team eliminated the complicated design to present raw imagery and finally used simple lines and layouts to form a pure wabi-sabi impression.
Ka Lōʻihi o ka Papahana: The project finished in August 2022 in Taiwan.
Kaʻina Hana: Compared with nothingness, wabi-sabi leaves the purest impression in space. The function is clear at a glance, the facade is not overly decorated, the cabinetry is not complicated, and there is a clear theme in each area. Everywhere one looks, there is a unique beauty, and one can enjoy the quiet beauty of the space away from the hustle and bustle.
Nā Kuleana Kiʻi: Triple men design studio