Penthouse Lisbon Hoʻolālaʻana Hale Noho na Rita Valadao

ʻO Penthouse Lisbon Hoʻolālaʻana Hale Noho na Rita Valadao he mea lanakila hanohano loa o ka 2023 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

KeleaweLoko Hale· 2023

Penthouse Lisbon Hoʻolālaʻana Hale Noho

na Rita Valadao

Mea Kūʻai: Fundação Ricardo Espírito Santo e Silva

Mea Lanakila A' Design Award Keleawe ma ka Māhele Loko Hale

9,104

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #145885

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Penthouse Lisbon Hoʻolālaʻana Hale Noho

Ke Kikowaena Hoʻokipa ʻo Lisbon he hoʻolālaʻana loko hale noho no kekahi hale noho pilikino ma Lisbon. Ua ʻāneʻane pōʻai ke kiʻi hoʻolālā a kakaʻikahi nā paia pōhaku, no ka mea, ua uhi ʻia kokoke ka helehelena a pau i ke aniani. Ma ke kikowaena o ka wahi e hana ʻia ai ke ola o kēlā me kēia lā, kahi i hoʻopili pololei ʻia ai ke keʻena kīwī, ke keʻena hana, ke keʻena noho, ke keʻena ʻaina, a me ka lumi kuke. Hoʻohana ʻia ka mālamalama kūlohelohe mai ka puka ʻana a i ka napoʻo ʻana o ka lā. Ua koho ʻia nā waihoʻoluʻu, nā lole, nā ʻano lāʻau a me ka pōhaku quartzite e like me ke kūlana o ka hale i mua o ka lā.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Penthouse Lisbon Hoʻolālaʻana Hale Noho i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Penthouse Lisbon Hoʻolālaʻana Hale Noho he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Penthouse Lisbon Hoʻolālaʻana Hale Noho i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: An almost round plan, few masonry walls because almost the entire façade is clad in glass. So everything happens in the centre of the area, from the TV room, to the office that connects to the living room, which communicates with the dining room, to the kitchen.
Above all, advantage has been taken of natural light from sunrise to sunset.
Nā Ana a me ka Hoʻopili: Inspired by transparency, the bronze semi-mirrored glass doors were designed inside the entrance wardrobe. Each semi-transparent glass panel had to be supported by a metal frame of the same colour. Specific fittings were used that could be embedded into the metal for better functionality, both in opening and closing more smoothly.
Regarding the carpentry, namely the bookcase installed on a sloping wall, we designed moulds on site to avoid the risk of the sides not being perfectly aligned with the slope of the wall.
Nā Lepili: #interiordesignlisbon #interiorarchitecturelisbon #homelisbon #bestinteriordesignlisbon #homedecorlisbon #designlisbon #architecturelisbon
ʻEnehana Hana: Considering that a study was made on how to use the best woods for this project, some decisions were made on not using solid wood panels, as we could not take the risk of having oscillations on the interior doors as well as on all the cabinets with the same material that were more exposed to temperature differences. Regarding the marble, quartezite was chosen for better resistance to acids and the daily use that a private residence has.
Pilikia Hoʻolālā: The major challenge in this project was the fact that most of the walls had a considerable slope. All the carpentry had to be done through moulds made on site after the walls were completely finished. This factor would have a tremendous impact on compliance with the construction deadlines. To solve this particular issue, the finishing of certain walls was prioritised before any other work. A specialist carpentry team worked exhaustively on these specific parts in order to finish the work within the deadline.
Noiʻi: Before starting the architecture and interior design project, a briefing was done to understand the life style of those who would inhabit this residence.
Being foreigners, coming from another continent, it was crucial to understand the main customs and experiences practiced daily by them. The objective of this investigation was, mainly, to know how to connect two distinct cultures in a way that, while living in another country, they could feel "at home" and minimize aspects that could be considered negative or difficult to manage. For this, different experiences were provided in order to understand their behaviour and opinion in the different situations to which they were exposed. This experience allowed a better understanding of how to provide the best atmosphere in their own home.
Hoʻoulu Manaʻo: For the design of this penthouse, a sketch was drawn considering the aesthetics of the space as if it were a spaceship. One of the concerns was to understand the behaviour of colours in general, both in the fabrics chosen and the type of wood and marble stones, in relation to the solar orientation of the flat. Understanding this was fundamental to do a thorough lighting study and choose the right colours for each room.
Ka Lōʻihi o ka Papahana: The project started in September 2021 in Lisbon and finished in September 2022.
Kaʻina Hana: The type of choice and design of each cabinet for the penthouse, allowed the users of the house a good use without the need for regular maintenance. The combination of practicality and aesthetics were positively achieved.
Nā Kuleana Kiʻi: All Images / Ricardo Oliveira Alves
Video / Mathias Nunn