ʻO Selena Noho na Aciole Felix he mea lanakila hanohano loa o ka 2025 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Lako Hale.

KalaLako Hale· 2025

Selena Noho

na Aciole Felix

Mea Kūʻai: Morada Decor

Mea Lanakila A' Design Award Kala ma ka Māhele Lako Hale

42,954

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #161889

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Selena Noho

ʻO Selena he noho i hana ʻia me ka lāʻau Jequitiba a me ka mauʻu maoli. Hoʻohana ʻia ka mīkini CNC kikoʻī no ka hoʻokumu ʻana i ke kino o ka noho, e hana ana i nā ʻili paheʻe a mau ʻole me ka ʻike ʻole ʻia nā hui ʻana. Hoʻopau ʻia ka hoʻohui ʻana a me ka hoʻopaʻa ʻana i ka mauʻu e ka hana lima akamai. Holo ka mauʻu mai ke kua a i ka noho ʻana, e hoʻokumu ana i kahi ʻāpana mau e hoʻohui ana i ka māmā ʻike maka i kahi kino paʻa hoʻokahi. Hoʻohana ʻia kahi hoʻopau wai kumu no ka hōʻemi ʻana i ka hopena kaiapuni. Hoʻohui ʻo Selena i kahi hiʻohiʻona maʻalahi me kahi kūkulu paʻa i manaʻo ʻia e mau no nā hanauna.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Selena Noho i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Selena Noho he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Selena Noho e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Selena was designed with the aim of having a light and minimalist look. It represents a little of what we tried to convey with these innovative surfaces and transitions, resulting in the smooth shapes of a resistant and durable chair. The continuity of the straw produces a minimalist effect, and the transparency of this material generates lightness in a monolithic volume. The chair is a tactile object, to understand its complexity it is necessary to feel each transition, fit and surface.
Nā Ana a me ka Hoʻopili: Width 0.560 mm
Depth 0.600 mm
Height 0.840 mm
Nā Lepili: minimalist design, cnc machining, jequitiba wood, portuguese straw, form and function, contemporary design, sustainable design
ʻEnehana Hana: A project focused on detailed cnc programming. Added to artisanal processes that require a lot of experience and care, in the use of organic materials, such as Jequitibá wood, and natural straw.
It highlights the resistance created in the machining processes, generating precision in assembly. And its water-based finish guarantees lower environmental impact. This makes the product durable and sustainable, thinking about pieces that will be used for generations.
Pilikia Hoʻolālā: Search for fluid surfaces, without encounters, without visible obstacles, the process of fixing the natural straw, to form the smooth piece, search for exclusive tools and solutions with partners, was a great and time-consuming challenge, but delivered an exceptional result. Furthermore, it increased our creative repertoire.
The challenge was to make an aesthetically minimalist chair, which at the same time was structurally robust, and with this appearance was ergonomically attractive.
Noiʻi: The research into the design of the brief showed us that the natural puts us in a very positive way, in tune with our ancestry, awakening intrinsic sensations that welcome us, influencing human well-being, which is why the final objective of the project was to deliver a contemporary product , made with natural materials and organic shapes.
There was also a great effort in researching technology and tools that could execute according to the project.
Hoʻoulu Manaʻo: In-depth CNC machining techniques were essential to define the shape of the chair, this was exploited to the maximum.
The search for fluid and smooth surfaces, characteristics that make the piece so interesting, and that hide the formal complexity, with different visual elements.
Also the natural straw, starting at the back, moving towards the seat, generates a continuous element of visual lightness and the impression that the chair does not have many stops, making the product even more fluid.
Ka Lōʻihi o ka Papahana: The project began in Lagoa Vermelha, Rio Grande do Sul, Brazil on April 2, 2023 and ended in March 2024.
Kaʻina Hana: The natural straw in the seat initially creates hesitation, and the feeling when sitting is one of surprise, comfort and security.
Designed with an organic shape and fluid lines, at the same time complex and intriguing, it becomes a product that also appeals to the sense of touch, going beyond ergonomics and visuals, interacting with human curiosity.
Visually light in a product with materials as noble and known for their robustness as wood, this product conveys softness and elegance.
Nā Lālā Hui: Design - Aciole Felix
Prototyping - Eduardo Bossardi
Approval - Rafael Schmidt
Search - Juliano Schmidt
Nā Kuleana Kiʻi: Pherphoto fotografias