Lele i ka ʻike
Hakuten Kyobashi Hoʻolālā Loko Keʻena Hana na Junki Horita-Hakuten

ʻO Hakuten Kyobashi Hoʻolālā Loko Keʻena Hana na Junki Horita-Hakuten he mea lanakila hanohano loa o ka 2025 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.


KeleaweLoko Hale· 2025

Hakuten Kyobashi Hoʻolālā Loko Keʻena Hana

na Junki Horita-Hakuten

Mea Kūʻai: Hakuten

Mea Lanakila A' Design Award Keleawe ma ka Māhele Loko Hale

10,828

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #162225

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Hakuten Kyobashi Hoʻolālā Loko Keʻena Hana

ʻO Hakuten Kyobashi kahi hoʻolālā loko keʻena hana i hana ʻia no kahi hui hoʻolālā kamaʻilio. He 2,400 mika huinahā ka nui o kēia wahi, a mālama ʻia 400 limahana ma o kahi ʻōnaehana wahi noho manuahi. ʻO nā wahi manuahi ke kumu o ka hoʻonohonoho ʻāina, a hiki ke hoʻoneʻe ʻia kēlā me kēia mea paʻa, me nā lima paʻa, ka hiki ke hoʻopiliōna, a me nā huila (casters). Hiki ke wehe ʻia ka papahele lāʻau o ka wahi kope ma ka ʻāpana hoʻokahi i ka manawa hoʻokahi. ʻO nā kumu hoʻohālike kiʻi ma ka papahele ke ʻano he ana no ka hoʻololi ʻana i nā hōʻike. Ua mālama ʻia kekahi ʻāpana o ka loko keʻena mua a hoʻopili ʻia me ka hana hou, i mea e kaupalena ai i ka wāwahi ʻana a mālama i ka hoʻomanaʻo.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Hakuten Kyobashi Hoʻolālā Loko Keʻena Hana i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Hakuten Kyobashi Hoʻolālā Loko Keʻena Hana he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Hakuten Kyobashi Hoʻolālā Loko Keʻena Hana i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa
As a communication design company, at the core of the office zoning are various free spaces that stimulate the imagination of the scene in which they are used, rather than being imposed by the current era. Everything that is placed is movable, and events are held regularly to create a space that continues to change. In terms of the environment, the lean design solves the problems of Japanese office design.
Nā Ana a me ka Hoʻopili
400 employees work in a 2,400 sq. m. space utilizing a free address system.
Nā Lepili
office, spacedesign, workspace, movable furniture, reception
ʻEnehana Hana
All fixtures are movable and have handles and stacking capabilities as well as casters.
The wooden flooring in the cafe zone is removable piece by piece, combining the comfort of a comfortable environment with the advantages of a changeable temporary space.
Graphic patterns are applied to the floor at regular intervals as a scale for changing exhibits.
Pilikia Hoʻolālā
Free space is difficult to use if everything is free. We challenged ourselves to create comfortable limitations.
We also decided what to keep from the old office while retaining some of the old tenant space.
We challenged ourselves to remake both the space and the products, not only for environmental friendliness, but also to pass on memories and culture.
Noiʻi
In our survey of urban offices, we found that almost all tenants sign a contract for an office with all new space and then tear down all its finishes, demolishing and refinishing the interior twice.
This is a bad business practice and a contractual problem in Japan.
Furthermore, we found that although recently there has been an increase in designs that preserve the existing environment out of environmental considerations, offices are the only area that has not been improved at all.
Hoʻoulu Manaʻo
It is true that today's urban offices are required to be more comfortable and perform better, which is why they are often dismantled from the standard specifications that were cleaned up by the restoration work associated with the contract of the former tenants.
This time, we took over part of the former tenant's interior and took on the challenge of rethinking standard specifications that, while functional, tended to look old and shunned, and integrating them with the new space.
Ka Lōʻihi o ka Papahana
Project starts in spring 2023, construction completed in spring 2024.
Kaʻina Hana
An office task force manages the place, and anyone can easily remake the space.
During the day, dozens of people meet openly in the morning.
In the afternoon, the space is used as an exhibition and cafe space for communication.
At night, it is constantly changing as a bar time, where a different kind of communication occurs.
Nā Lālā Hui
Junki Horita
Shuji Kawaguchi
Takahisa Aoyama
Shunta Fukuyama
Ema Fujiwara
Mako Tamura
Tomoya Nakao
Shoichiro Minami
Wataru Fukusaka
Daisuke Masaki
Yosuke Nakazato
Yukiyoshi Misawa
Tomoya Nakao
Daisuke Takahira
Mina Tsuneoka
Nā Kuleana Kiʻi
Image #1~5: Photographer Daisuke Shima,2024

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ʻO ka A' Design Award he makana hoʻomaikaʻi honua, i hoʻoholo ʻia e nā luna, no ka hoʻolālā maikaʻi. E komo i ka A' Design Award e loaʻa ai ka manawa e ʻike ʻia ai kou hana ma ke ʻano kūpono, a e loaʻa ai ka kaulana, ka hanohano a me ka hoʻolaha no kāu hana. E koho inoa i kāu hana no ka A' Design Award a e hoʻokūkū no ka makana A' Design Prize i makemake nui ʻia.

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