ʻO The Chakai Hōʻikeʻike na Studio Kaz he mea lanakila hanohano loa o ka 2025 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Hoʻokomo.

KalaHoʻokomo· 2025

The Chakai Hōʻikeʻike

na Studio Kaz

Mea Kūʻai: Studio Kaz

Mea Lanakila A' Design Award Kala ma ka Māhele Hoʻokomo

35,475

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #168696

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā The Chakai Hōʻikeʻike

Ua hoʻohana ʻia ka Tango Chirimen, i hoʻoulu ʻia me nā kiʻi i kūkulu ʻia ma ka projection mapping, i palena naʻau. Luli ka lole lahilahi loa me ka neʻe liʻiliʻi o ka makani, e like me ka neʻe ʻana o ke kanaka, a pane ʻāhuihui i ka neʻe ʻana o ka lole ma o nā mea hoʻonohonoho i hoʻokomo ʻia i loko o ka lole. ʻO ka mea i hoʻohana ʻia no ka papahele he plywood hoʻonani i hoʻopili ʻia me ka mauu rush, ka mea i hana ʻia e kiola pinepine ʻia no ka mea ʻaʻole lōʻihi lawa e komo i loko o ka mīkini ulana tatami.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā The Chakai Hōʻikeʻike i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā The Chakai Hōʻikeʻike he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā The Chakai Hōʻikeʻike e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Tango Chirimen, soaked in images projected by projection mapping, is used as a psychological barrier. The extremely thin fabric sways with the slightest air movement, and sensors embedded in the fabric react interactively to the movement of the fabric. The floor is made of an original material called "IGUSA-faced plywood", made by gluing rush grass that would have been discarded because it was too long to fit into a tatami loom onto plywood.
Nā Ana a me ka Hoʻopili: MATERIAL
Tango Chirimen
IGUSA-faced plywood
DIMENSIONS
width 3,138.5mm
depth 3,138.5mm
height 2,075mm
TECHNICAL
projection mapping
Nā Lepili: chakai, chashitsu, Igusa-faced plywood, Tango Chirimen, projection mapping
ʻEnehana Hana: We used Tango Chirimen imbued with projection-mapped images as a boundary. Sensors embedded in the tango crepe detect the slightest swaying of the cloth and respond interactively The floor is made of decorative plywood made from rush grass from the wada family in kumamoto, which could not fit into the tatami loom because it was not long enough and had to be disposed of.
Pilikia Hoʻolālā: The internal factors
1. Identifying the essence of the tea ceremony.
2. Knowing the history and components of the tea room.
3. Understanding and mastering the tea ceremony itself.
the external factors
1. Adjusting the signals from the sensors embedded in the fabric to reflect them in the program of projection mapping .
2. The technique of kneading rush grass onto plywood.
3. Adapting to an experiential exhibition space.
4.Use sustainable materials and methods consciously.
Noiʻi: The spirit of the tea ceremony is the spirit of "omotenashi" (hospitality). The purpose of the tea ceremony is not to drink tea, but to “entertain” the guest through the act of drinking tea. For this purpose, everything in the tea room, from the entrance, to the alcove, hanging scrolls, flowers, incense, clothing, and various manners, are mobilized to provide hospitality.
Hoʻoulu Manaʻo: The tea ceremony is not only a ritual of tea, but also a way to entertain guests with tea. The guest is also a part of the creation of the tea ceremony.
We design the tea ceremony room for this mentality.
The rule we decided on was to use Japanese materials but not to assemble them in a Japanese way. The tea ceremony room is constructed of veneer plywood made of rush, the material used for tatami, and a cloth soaked with images that change interactively to create a psychological boundaries.
Ka Lōʻihi o ka Papahana: This project took place from October 18, 2024 to October 27, 2024 in Tokyo, Japan.
Kaʻina Hana: Sensors embedded in the tango crepe detect and quantify the shaking of the cloth, and by incorporating these values into video and music programs, the images and sounds can be changed interactively.
Nā Palapala Kuleana: Patented:
Patent : No.7359351
Patent Holder : Kyoto Prefectural Institute for Textile, Machinery and Metal
Year : 2023
Jurisdiction : Japan
Nā Lālā Hui: video production : Miyuki Chikahiro Akari Kawase
graphic design : Junco Wada
interior design : Coichi Wada
Nā Kuleana Kiʻi: image #No1:Photographer/Nacása & Partners Inc.
image #No2:Photographer/Nacása & Partners Inc.
image #No3:Photographer/Bunsei Matsuura
image #No4:Photographer/Bunsei Matsuura
image #No5:Photographer/Nacása & Partners Inc.
video:SWAG.inc
music:STUDIO KAZ co,.ltd.