Expanding U Hoʻāʻo Hana Noʻeau na Nouzha Evans

ʻO Expanding U Hoʻāʻo Hana Noʻeau na Nouzha Evans he mea lanakila hanohano loa o ka 2025 A' Design Award Hao ma ka Māhele Hoʻokūkū Hana Noʻeau Kikohoʻe.

HaoHana Noʻeau Kikohoʻe· 2025

Expanding U Hoʻāʻo Hana Noʻeau

na Nouzha Evans

Mea Kūʻai: Radius Art Gallery

Mea Lanakila A' Design Award Hao ma ka Māhele Hana Noʻeau Kikohoʻe

36,000

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #170127

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Expanding U Hoʻāʻo Hana Noʻeau

Hoʻopuka maikaʻi kēia hoʻolālā i ke ʻano o ka lewa nui e hoʻonui ana, e hāʻawi ana i ka ʻike i kekahi kahawai hōkū ʻē me nā waihoʻoluʻu ʻōlinolino a me nā kikoʻī mākaʻikaʻi. ʻO ka mea e kū ʻokoʻa ai kēia hana, ʻo ia ka hoʻoholo koa a ka mea hoʻolālā e haalele i ka hoʻonohonoho i hoʻoholo mua ʻia no nā kahawai hōkū a me nā hōkū. Ua ʻoluʻolu ʻo ia i kekahi ʻano māmā e hoʻohanohano ana i ka hoʻohana waiwai i ka wā ma mua o ka hoʻopili paʻa ʻana i kekahi papahana paʻakikī e pono ai ka holoi a me ka pena hou ʻana i nā ʻāpana. Hoʻonui kēia koho i ka hoʻolālā piha a me ka makemake, a hāʻawi i ka mana iā ia e hoʻonoho i kēlā me kēia mea lani ma nā hana neʻe.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Expanding U Hoʻāʻo Hana Noʻeau i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Expanding U Hoʻāʻo Hana Noʻeau he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Expanding U Hoʻāʻo Hana Noʻeau no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The Design is a unique blend of art and science, operating in a collection of keyframes stemming from a groundbreaking single experiment. This transformation from the traditional painting offers results rooted in a scientific process, research, and knowledge, encouraging further exploration and inspiring astrophysicists by merging scientific principles with artistic expression. This Design redefines the relationship between art and science by introducing a dynamic entanglement concept reflecting an expanding universe.
Nā Ana a me ka Hoʻopili: 12" x 12" 30 x 30 cm
Aluminum sheet – with amounts of other metals (Iron & silicon)
Colors: Three shades of Bleu
Nā Lepili: Model, Scale factor, Hubble flow, Redshift, Density, Energy, Art, Paint, Aluminum, Gravity
ʻEnehana Hana: Here is a segment from the artist's communication with an astrophysicist responding to her letter:
Professor Mark... It is certainly possible to perform laboratory experiments that shed insight into astrophysical phenomena. An example is the use of laser-produced shocks to study how shocks behave in the interstellar medium. However, the dominant force in shaping the behavior of galaxies is gravity, and to my knowledge there is no simple laboratory analog for a self-gravitating system. In the laboratory, all the masses we deal we deal with are so small that their self-gravity is insignificant compared to the other forces. A system where the dominant force is electromagnetic, for example, doesn't generally have the property that every part attracts every other part, as a gravitating system does. Similarly, paint on a surface is governed by complex forces of static electricity, surface tension, etc...
Pilikia Hoʻolālā: Isn't unifying the four fundamental forces a dream for every astrophysicist? What sets the physics in an artist's studio apart?
• The images from the experiment resemble galaxy photos, but the underlying mechanisms differ. Our limited understanding of the physics behind the shapes and sizes means we use various colors and rely on tension, collisions, and fluid chemistry to create the observed designs.
• Each element influences the outcome, but their interplay is crucial. When the paint dries, we capture a moment of stability while keeping it active, allowing for continuous evolution.
• Both an artist's studio and a scientist's lab exist in the same universe, governed by similar forces. Both astrophysicists and artists appreciate this connection. However, the submitted model's designer lacks a scientist's tools and knowledge, leaving valuable insights locked within the model, waiting to be tested in a laboratory.
Noiʻi: Exploring the connection between art and astrophysics can lead to innovative solutions. Three key factors inspire this design:
1. telescope images' captivating colors and shapes significantly influence the artwork.
2. The complex challenges in astrophysics at the intersection of theoretical physics, observational astronomy, and computational science are a source of inspiration for the designer, who seeks to learn from what physicists share with the curious public.
3. breakthroughs in astrophysics often occur at the intersection of traditional and emerging fields. This design aims to bring art to the dialogue on innovative connections, such as visualizing complex data or applying astrophysical concepts creatively.
Hoʻoulu Manaʻo: As a child in Morocco's Middle Atlas Mountains, the artist often gazed at the stars and asked: why no stars adorned the ground around her or hung in the air. Feeling excluded from the beauty of the sky, it was only after moving to California 41 years ago that she learned about our place in the Milky Way galaxy and the vastness of the universe. This understanding brought her a sense of belonging, transforming her childhood feelings of isolation into creativity and curiosity about astrophysics. Her unique perspective informs her art, as she aims to create pieces that reflect scientific insights rather than simply replicate Hubble's images. For her, scientific knowledge is a source of empowerment.
Ka Lōʻihi o ka Papahana: Location: San Rafael, California.
Duration: Testing phase: July 2010. Frieze and refrigerate the final frame: July 2010. The submitted image is one of multiple frames generated from the same art-science experiment.
Kaʻina Hana: The design skillfully blends audience interaction and engagement, fostering dynamic dialogue and meaningful connections among participants. This artwork captivates the audience by integrating various art forms – visual arts and music—within a meticulously structured methodology and clearly defined frameworks. It creates thrilling opportunities for collaboration and exploration. Attendees are encouraged to participate actively, allowing for a richer, more immersive experience that invites diverse perspectives and innovative ideas.
Nā Palapala Kuleana: Expanding U Visual artwork
Registered Copyright to Nouzha Evans
U.S. Copyright Office
101 Independence Ave. S.E.
Washington, D.C.
20559-6000
Nā Lālā Hui: Nouzha Evans Artist, Creative Director
Nā Kuleana Kiʻi: Copyright:
1-14828118051
Expanding U, work of the visual arts
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