Rhythm Ka Papahana Kiʻi Kālaiʻia na Zhuoyun Xiao

ʻO Rhythm Ka Papahana Kiʻi Kālaiʻia na Zhuoyun Xiao he mea lanakila hanohano loa o ka 2025 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Hana Noʻeau a me Hoʻokomo Hana Noʻeau.

HaoHana Noʻeau· 2025

Rhythm Ka Papahana Kiʻi Kālaiʻia

na Zhuoyun Xiao

Mea Kūʻai: Zhuoyun Xiao

Mea Lanakila A' Design Award Hao ma ka Māhele Hana Noʻeau

18,689

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #170274

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Rhythm Ka Papahana Kiʻi Kālaiʻia

Kuku Kikoʻī: ʻO Rhythm kahi papahana kiʻi kālaiʻia e hoʻohuli ana i nā neʻe hula i mau ʻano paʻa. Hana ʻia ka papahana me nā ʻāpana lāʻau cherry ʻelima me nā kiʻekiʻe he 150, 200, 250, 300 a me 350 milimika, a ʻo ka pūʻulu piha e ana ana i 600 a 800 a 300 milimika. Hōʻike nā kala ʻeleʻele, keʻokeʻo, a ʻulaʻula i nā wahi hoʻololi. Kālai pono ʻia ka lāʻau, hoʻopolī lima ʻia, a mālama ʻia me nā mea hoʻopau ʻole ʻawaʻawa. ʻO nā kiʻekiʻe like ʻole a me ka hoʻonohonoho like ʻole e hana ana i kahi meheu ʻike leʻa. Hele nā mea nānā a puni ka hana e hahai i ke ʻano o ka neʻe.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Rhythm Ka Papahana Kiʻi Kālaiʻia i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Rhythm Ka Papahana Kiʻi Kālaiʻia he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Rhythm Ka Papahana Kiʻi Kālaiʻia no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: "Rhythm" transforms dance movements into five cherry wood sculptures. The series captures clown performance dynamics through exaggerated forms and strategic spatial arrangement. Using black, white, and red color accents, these varying-height sculptures (150-350mm) create visual cadence. The work translates abstract body movements into tangible forms, merging traditional performance art with contemporary visual expression.
Nā Ana a me ka Hoʻopili: Set dimensions: 600mm×800mm×300mm (complete installation of five pieces)
Individual heights: 150mm, 200mm, 250mm, 300mm, 350mm
Material: Cherry wood
Color system: CMYK (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0)
Finish: Hand-polished surface with specialized wood treatments
Weight: Approximately 4.5kg for complete set
Installation configuration: Sequential arrangement with specified spacing (120mm between pieces)
Environmental standards: Non-toxic finishes, sustainable harvested wood.
Nā Lepili: Grotesque Aesthetics, Dance Visualization, Cherry Wood Installation, Rhythmic Form, Visual Movement, Clown Performance, Deconstructed Motion, Dynamic Sculpture, Spatial Sequence, Color Contrast
ʻEnehana Hana: Cherry wood crafted through precision cutting and hand-finishing. Five distinct sculptural elements (150-350mm) form a complete set (600×800×300mm). Used deconstruction methodology to translate clown movements into static forms. CMYK color system (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0) applied through specialized wood treatment. Spatial arrangement creates visual rhythm through varying heights and geometric relationships.
Pilikia Hoʻolālā: The primary challenge was translating dynamic clown movements into static wooden forms while preserving rhythmic essence. Historical perspectives on grotesque aesthetics required careful integration with contemporary design language. Social perspectives on clown performance interpretation varied widely, necessitating extensive research to identify universal movement patterns. Material limitations of cherry wood demanded precise calculations to achieve proper balance while maintaining visual fluidity across the five-piece sequence. Technical difficulties emerged in achieving gradual height transitions (150-350mm) that conveyed motion. The color scheme implementation required multiple prototypes to determine optimal placement of black and red accents against natural wood to emphasize transitional moments without overwhelming the subtle form language.
Noiʻi: The research explores grotesque aesthetics in dance movement visualization. It aims to decode rhythmic patterns in clown performances, translating them into visual language. Using deconstruction and reconstruction methods with digital media analysis of body movement trajectories, five cherry wood pieces of varying heights (150-350mm) were created with a black-white-red color scheme. The work dynamizes static elements through exaggerated forms, strong color contrasts, and dramatic arrangements that reinterpret traditional performance art. This research breaks visual language boundaries, demonstrates innovative fusion of traditional and modern art, and offers new approaches for public space art installations.
Hoʻoulu Manaʻo: Inspired by the rhythmic movements in dance performances, particularly the exaggerated expressions of clowns. Research focused on transforming dynamic movement into static forms while preserving energetic qualities. The project explores the intersection of traditional performance art and contemporary sculpture, using wood as a medium to capture fluidity and tension in physical space.
Ka Lōʻihi o ka Papahana: The project "Rhythm" was created by Zhuoyun Xiao at Nanjing University of the Arts, China, between 2023 and 2024.
Kaʻina Hana: Viewers circle the installation to discover how each piece captures a distinct dance moment. Varying heights create visual rhythm, guiding the eye through the sequence. Black and red accents mark transition points. The arrangement transforms static forms into perceived motion, engaging viewers in completing the dance sequence mentally. Spatial relationships between pieces amplify the dynamic quality of frozen movement.
Nā Kuleana Kiʻi: Images#All: Designer and photographer Zhuoyun Xiao, Rhythm Installation View, 2024.