Clay Moulded Ka Hoʻolālā Loko o ka Hale Keaka na Marius Mateika

ʻO Clay Moulded Ka Hoʻolālā Loko o ka Hale Keaka na Marius Mateika he mea lanakila hanohano loa o ka 2025 A' Design Award Gula ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

GulaLoko Hale· 2025

Clay Moulded Ka Hoʻolālā Loko o ka Hale Keaka

na Marius Mateika

Mea Kūʻai: Mama architects

Mea Lanakila A' Design Award Gula ma ka Māhele Loko Hale

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #171457

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Clay Moulded Ka Hoʻolālā Loko o ka Hale Keaka

ʻO Clay Moulded ka hoʻolālā loko o kekahi hale keaka mele ma Klaipeda, Lituania. Uhi ka pālolo i nā paia a me nā kaupoku, a ʻoi aku ma mua o 30 tona o ia mea i kau ʻia me ka lima. He mau ka lauana o ke keʻena nui a holo ia mai kekahi ʻaoʻao o ka wahi a i kekahi ʻaoʻao. Ua hoʻomohala ʻia kahi kaʻina uhi ʻehiku pae no kēia papahana, e komo pū ana ka pīpī ʻana, ka hana lauana, ka hoʻomaloʻo ʻana, ka ʻānai ʻana, ka hoʻohinuhinu ʻana a me ka mālama ʻana. Hiki i nā paia a me nā kaupoku ke wehe a pani i mea e hoʻomalu ai i nā hoʻihoʻi leo, no laila hoʻololi ka wahi no nā ʻaha mele, nā hana keaka a me nā hālāwai. Hiki i ka hale hōʻikeʻike ke hoʻonoho i 700 poʻe.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Gula

Ua lanakila ka hoʻolālā Clay Moulded Ka Hoʻolālā Loko o ka Hale Keaka i ka A' Design Award Gula, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā pae mua, kupaianaha a kūʻokoʻa. He mau hana hou loa, ʻike maka a nani hoʻolaʻa nā lanakila Gula e hōʻike ana i ka ʻuhane akamai, ka naʻauao a me ka mākau o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Clay Moulded Ka Hoʻolālā Loko o ka Hale Keaka he mea hoʻokumu i hoʻomaikaʻi nui ʻia, e hoʻokumu ana i nā ʻano hou, he nui, e hāʻawi ana i ka waiwai ʻaʻole i ʻike ʻia ma mua. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Gula he papahana kupaianaha, mahalo ʻia e hāʻawi i ka pōmaikaʻi nui a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. Hoʻāla ka hoʻolālā Clay Moulded Ka Hoʻolālā Loko o ka Hale Keaka i nā manaʻo makemake ikaika, hoʻāla i ka ʻiʻini, hoʻoulu i ka hana noʻeau a hoʻopūliki iā mākou.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Nā Ana a me ka Hoʻopili: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Nā Lepili: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
ʻEnehana Hana: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Pilikia Hoʻolālā: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Noiʻi: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Hoʻoulu Manaʻo: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Ka Lōʻihi o ka Papahana: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Kaʻina Hana: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Nā Lālā Hui: Architects: Marius Mateika
Nā Kuleana Kiʻi: Photographer: Leonas Garbačauskas