Terra Kiʻiʻoniʻoni Pōkole Hoʻoneʻe Kiʻi na Hugo Ferreira

ʻO Terra Kiʻiʻoniʻoni Pōkole Hoʻoneʻe Kiʻi na Hugo Ferreira he mea lanakila hanohano loa o ka 2025 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Kiʻi Lolouila, Hōʻike ʻEkolu Ana, Hōʻailona a me Hōʻike Kiʻi.

KalaKiʻi Lolouila· 2025

Terra Kiʻiʻoniʻoni Pōkole Hoʻoneʻe Kiʻi

na Hugo Ferreira

Mea Kūʻai: Okdraw

Mea Lanakila A' Design Award Kala ma ka Māhele Kiʻi Lolouila

3,870

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #172997

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Terra Kiʻiʻoniʻoni Pōkole Hoʻoneʻe Kiʻi

He kiʻiʻoniʻoni pōkole hoʻoneʻe kiʻi ʻo Terra, a ʻo ka ʻehu lepo, ka ʻumeʻume honua a me nā wahi hiolo i hana ʻia e ke kanaka nā kumuhana nui. He ʻelima paha minuke ka lōʻihi o ke kiʻiʻoniʻoni, hoʻohana ʻia ka lākiō pālākiō 2.35:1, a hoʻonohonoho ʻia i ke mele E2 na ka hui mele ʻo Muay. Hōʻike ʻia ʻo Terra ma ke ʻano he hoʻohanohano no ke kālaikūkulu, ka ʻenehana, ke kiʻiʻoniʻoni moʻokalaleo ʻepekema a me ke mele. Ua hana ʻia kēia hana me 3ds Max a me Corona Renderer, me ka hoʻoponopono a me ka hoʻoponopono waihoʻoluʻu ma nā polokalamu Adobe. Ua hana lima ʻia ka hoʻoneʻe kiʻi, ka hana pahupaʻikiʻi a me ka hoʻomālamalama, a ua hoʻohālike ʻia nā hui ʻana, nā pahū ʻana a me nā māwae me nā polokalamu pākuʻi. Na nā ʻano Brutalist i alakaʻi i ke kuhikuhi ʻike maka.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Terra Kiʻiʻoniʻoni Pōkole Hoʻoneʻe Kiʻi i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Terra Kiʻiʻoniʻoni Pōkole Hoʻoneʻe Kiʻi he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Terra Kiʻiʻoniʻoni Pōkole Hoʻoneʻe Kiʻi e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Terra is a short animation film, based on a what if kind of story, where, dust, gravity, and man made ruins are the protagonists.
Terra was written for the music E 2 of the band Muay - a music written inicialy for the live Soundtrack for the movie Earth (Terra), of Aleksandr Dovzhenko.
Terra attempts to be an honest homage to architecture, technology, sci-fi movies, and music.
Nā Ana a me ka Hoʻopili: Length: 5.20 min
Type of film: CG Animation
Aspect Ratio: 2.35:1
Music: E2 by Muay
Nā Lepili: music, video, short film, brutalism
ʻEnehana Hana: We wanted to implement as much of our daily work flow as possible, so our setup did not deviate much from the industry standard. We used 3ds Max with Corona Renderer, and
Adobe After Effects and Premiere for editing and color correction.
Our approach was straightforward, with us solving problems as we encountered them and
embracing limitations as part of the creative process. We were more concerned with the results than with realistic physics – if it looked good, me would move on. All the animation, camera work, and lighting were done by hand. The only exceptions were the rock collisions, explosions, and cracks, for which we used the Phoenix FD plugin and tyFlow to simulate various effects.
Pilikia Hoʻolālā: Curiously enough, the most difficult part was probably working free from the constraints of a client: with endless possibilities, it is hard to establish boundaries. Between the music, story, and visuals, it was not easy to strike the right balance. Occasionally, we went too far while experimenting and had to dial it down a notch.
Noiʻi: Terra finds its primary inspiration in a fusion of Sci-Fi movies, utopian ideals and stories, music, ancient machines, the solidity of rocks, and the aesthetic of brutalism.As we were not used to work with this aesthetic, we submerged ourselves in movies like 'The
Tragedy of Macbeth, Lighthouse, and Sin City. We also consulted the photography of Saul Leiter
and Sebasião Salgado. All of these references helped us to understand how, in the absence of
color, we can use contrast as a shaping, and eye-guiding tool. Consequently, lighting direction,
camera movement, and post-production went hand in hand at all times.
Hoʻoulu Manaʻo: Terra finds its primary inspiration in a fusion of Sci-Fi movies, utopian ideals and stories, music, ancient machines, the solidity of rocks, and the aesthetic of brutalism. Examples:
Ka Lōʻihi o ka Papahana: This project started in August 2022 and was finished in February 2023. Was writen, directed and produce on our studio, with the help of Rebus Farm.
Kaʻina Hana: Watch it and listen to it.
Nā Palapala Kuleana: Copyrights belong to Okdraw, 2025.
Nā Kuleana Kiʻi: Written, Directed and Produced by: Okdraw
Music by: Muay