Tongli Villa Ka Hoʻolālā Loko o ka Hale Noho na Hangzhou Shihe Design

ʻO Tongli Villa Ka Hoʻolālā Loko o ka Hale Noho na Hangzhou Shihe Design he mea lanakila hanohano loa o ka 2026 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

KalaLoko Hale· 2026

Tongli Villa Ka Hoʻolālā Loko o ka Hale Noho

na Hangzhou Shihe Design

Mea Kūʻai: Hangzhou Shihe Design

Mea Lanakila A' Design Award Kala ma ka Māhele Loko Hale

21,185

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #174289

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Tongli Villa Ka Hoʻolālā Loko o ka Hale Noho

He hoʻolālā loko no ka hale noho ʻo Tongli Villa, he hale ʻekolu papa me ka nui o ka papahele he 450 mika ʻāpana. He ākea a kahe kūʻokoʻa ka hoʻonohonoho ʻana, ʻaʻohe paia hoʻokaʻawale, a komo pū ka lumi hoʻomaha ma ka pale hale i waiho ʻia me ke kaupoku ʻole. Na nā mea kūlohelohe e hōʻike i ka loko o ka hale, ʻo ia hoʻi ka lāʻau teak i hana ʻole ʻia, ka lāʻau ʻeleʻele i pale ʻia i ka popopo, a me nā paia lepo i hamo lima ʻia. Ua hoʻēmi ʻia nā mea hoʻonani a liʻiliʻi loa, no laila na ke ʻano o ka ʻili a me ka mālamalama o ke ao e hoʻokumu i kēlā me kēia lumi. Hōʻike ka hoʻolālā i ka hoʻoilina Miao o ka mea nona ka hale a kākoʻo i ka noho ʻana i kēlā me kēia lā me ka maluhia a me ka mālie.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Tongli Villa Ka Hoʻolālā Loko o ka Hale Noho i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Tongli Villa Ka Hoʻolālā Loko o ka Hale Noho he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Tongli Villa Ka Hoʻolālā Loko o ka Hale Noho e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: This residential design captures the essence of emotional connection, cultural resonance, and sensory comfort. Blending raw materials such as teak, charred wood, artistic mud walls, and hand collected objects, the space abandons decorative excess to return to elemental simplicity. The spatial layout is fluid, resisting traditional segmentation. Instead, it becomes a canvas for daily rituals, emotional anchoring, and inner peace: an aesthetic of stillness and lived poetry.
Nā Ana a me ka Hoʻopili: The house includes three levels with a total floor area of approximately 450 sqm. Key spatial elements include a horizontally open plan ground floor, an unceiled attic lounge, and a free flow layout without partition walls. Materials are predominantly natural and untreated, aligning with the spatial philosophy of sensory grounding.
Nā Lepili: Emotional Dwelling, Poetic Minimalism, Miao Culture, Nature Inspired Interior, Raw Materials, Timeless Design, Slow Living, Cultural Resonance, Organic Textures, Meditative Space
ʻEnehana Hana: The project adopts a material first approach rooted in authenticity. Teak wood was used untreated to preserve its warmth and grain, while blackened anti corrosion timber adds weight and durability. Hand applied mud walls and artistic paint deliver texture and tone without ornament. The approach emphasized manual craftsmanship and intuitive layering over mechanical precision.
Pilikia Hoʻolālā: The primary challenge was resisting conventional luxury symbols and instead crafting a space of deep emotional value. Balancing the owner's cultural identity with modern comfort required nuanced material choices, emotional mapping, and conceptual restraint. The absence of visual drama demanded heightened attention to detail, proportion, and sensory atmosphere.
Noiʻi: This is an applied cultural emotional design study exploring how spatial language can translate heritage and emotional needs into form. The methodology involved user immersion, ethnographic interviews, and contextual material selection. The homeowner's daily habits, values, and sensory preferences were key data points. The result is a space that not only houses the body but also resonates with memory, ritual, and inner calm enhancing the broader conversation on design’s emotional efficacy.
Hoʻoulu Manaʻo: The homeowner's Miao heritage and natural lifestyle philosophy inspired a design that values emotional depth over surface form. Influenced by vernacular dwellings and poetic Eastern aesthetics, the concept centers on the idea of a home as a place of stillness, reflection, and healing. Rain falling on tiles, shifting light across earth toned walls, and silence within wooden textures form the emotional blueprint for the space.
Ka Lōʻihi o ka Papahana: The project started in January 2024 in Suzhou, China and finished in January 2025.
Kaʻina Hana: The space invites slow, unstructured interaction. There are no dominant visual cues or rigid furniture placements. Instead, the flow is organic light guides the user, and silence defines transitions. It's not about usage, but co existence: the homeowner doesn't use the space, she dwells within it, rhythmically, intuitively.
Nā Lālā Hui: Designer: Chen Kezhi
Designer: Wang Huaqiang
Nā Kuleana Kiʻi: Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.
Image #1: Photographer Hanmo Vision - Yigao, Tongli Villa, 2025.