ʻO Shibuya Tsutaya Hui Kālepa na Tonerico:Inc. he mea lanakila hanohano loa o ka 2026 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.
KalaLoko Hale· 2026
Shibuya Tsutaya Hui Kālepa
Mea Lanakila A' Design Award Kala ma ka Māhele Loko Hale
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #174328Ka Hoʻolālā
E Pili Ana iā Shibuya Tsutaya Hui Kālepa
He hui kālepa ʻo Shibuya Tsutaya e kū nei ma ke ala kīʻekeʻeke ʻo Shibuya ma Tokyo. Ua wehe ʻia ka hale a koe ka iwi kūkulu, a ua hoʻohui ʻia nā wahi ʻōlohelohe me nā lako kala ʻāhinahina i mea e lilo ai i kahua kūʻokoʻa. He ʻano ponoʻī ko kēlā me kēia o nā papahele ʻelua ma lalo o ka honua a me nā papahele ʻehiku ma luna, akā ua waiho ʻia kēlā me kēia wahi me ka paʻa ʻole i mea e hiki ai ke hoʻololi ʻia i ka wā e hiki mai ana. Ua hoʻoneʻe ʻia nā mea koʻikoʻi ʻole i mea e maopopo ai ka nānā ʻana a maʻalahi ka hele ʻana. He 500 paha noho a me nā papa kuhikuhi kikohoʻe e lawelawe ana i nā malihini, a hōʻike ana kekahi pale nui ma ke alo o ka hale i nā nūhou a me nā ʻike hanana.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Kala
Ua lanakila ka hoʻolālā Shibuya Tsutaya Hui Kālepa i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Shibuya Tsutaya Hui Kālepa he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Shibuya Tsutaya Hui Kālepa e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- Shibuya TSUTAYA was stripped down to its structural skeleton, with the raw space unified in gray materials to create contrast with later-added elements and to preserve an “unfinished” canvas throughout the building.
While each floor maintains its unique character, no area is ever fully designed—each is intentionally left open-ended. This deliberate unfinished incompleteness suggests the potential for future transformation. - Nā Ana a me ka Hoʻopili
- On the first floor, the entrance was widened by adjusting the angle of the sash doors, and a secondary entrance was added on the Center-Gai shopping street side along the diagonal axis.
To accommodate the building's complex layout, comprising two basement levels and seven floors above ground, and its reliance on escalators for vertical circulation, all non-essential elements beyond regulatory requirements were removed to create a clear, connected spatial flow with uninterrupted sightlines. - Nā Lepili
- Shibuya, TSUTAYA, Renewal, Unfinished Space, Skeletonization, Flexible Space, Commercial Facility, Visual Connectivity, Dynamic Design, Evolving City
- ʻEnehana Hana
- To maximize the floor area on every level, the core zones—including back-of-house spaces—were organized so that, even in their bare state, they serve as a neutral spatial backdrop.
Alongside this structural skeletonization, the bare spaces were unified with gray materials to distinguish them from the elements inserted later, intentionally leaving a gray “canvas” throughout the space. - Pilikia Hoʻolālā
- Since visitors come from diverse countries and regions, the circulation plan needed to be intuitive and encourage proactive movement.
Additionally, to facilitate information access within the facility, strategically placed digital directories provide updates using minimal text and strong visuals—benefiting users while also easing operational demands. - Noiʻi
- Shibuya is a town where people from many different countries, regions, and generations come and go. Therefore, we conducted thorough research on the surrounding area. We surveyed people in the town to learn what they currently need and what is lacking, and we reflected these findings in the floor layout. For example, many respondents noted a lack of places to rest, so we decided to include approximately 500 seats in the facility.
- Hoʻoulu Manaʻo
- Shibuya is a hub of creative energy—constantly evolving, and defined by its openness to change and its allure as an unfinished city. This nature inspired the project’s core concept: “leaving space unfinished.”
The concept took years to develop, beginning with a full structural reset to explore the site's potential. Located directly at Shibuya Crossing, the design reimagines how the space can respond to the present moment and act as a new cultural platform. - Ka Lōʻihi o ka Papahana
- The project was launched in Tokyo on March 5, 2021, and opened in Shibuya, Tokyo on April 25, 2024.
- Kaʻina Hana
- Situated at the iconic Shibuya Crossing—where approximately 500,000 people pass daily—the building’s façade features a large LED screen designed for visibility from multiple angles.
This screen continually broadcasts not only in-house event updates but also news and timely advertisements, transforming the architecture into a dynamic hub that connects the city, its people, and businesses. - Nā Lālā Hui
- Hiroshi Yoneya
Ken Kimizuka
Kai Kitahara
Momo Suzuki - Nā Kuleana Kiʻi
- Main Image: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #1: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #2: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #3: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #4: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
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