Vernacular Home Hana Nui: Hale Kuaʻāina na Xinyun Li

ʻO Vernacular Home Hana Nui: Hale Kuaʻāina na Xinyun Li he mea lanakila hanohano loa o ka 2026 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Huahana Mau Loa, Papahana a me Hoʻolālā ʻŌmaʻomaʻo.

HaoHuahana Mau Loa· 2026

Vernacular Home Hana Nui: Hale Kuaʻāina

na Xinyun Li

Mea Lanakila A' Design Award Hao ma ka Māhele Huahana Mau Loa

10,251

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #174956

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Vernacular Home Hana Nui: Hale Kuaʻāina

Kikokikona Puke: Ua hoʻolālāʻia ka Hale Kūloko ma Bangladesh me ka hoʻohana ʻana i nā mea kūloko, e like me ka lepo, ka ʻohe, ka mauʻu maloʻo, a me nā pōhaku ulaula i hana ʻia mai ka lepo kūloko. I ka pane ʻana i ke aniau wela a me nā manawa ua lōʻihi, aia iā ia he kaupaku kūpono, he lānai hoʻokiʻekiʻe, a me ka hoʻomaʻalili maloʻo ma o ka makani kaʻawili. Hoʻokuʻu nā puka ma nā paia kūʻē a kūʻē i ka makani i ka wela, ʻoiai e hoʻomaʻalili nā lua ʻelua o nā pōhaku. Hoʻomaʻalili nā ipu pālolo i hoʻokomo ʻia i loko o ka paia hale kī i ka ea. Ma o ka hoʻohana ʻana i nā ʻōmole lika lālani no loko, aia i ka hale nā lumi moe, he lumi kuke, he lua, nā hale bipi, a me kekahi hale kī me kahi wahi kūʻai e kākoʻo ana i ko lākou ola ʻoiai e hōʻoiaʻiʻo ana i ka pilikino.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Vernacular Home Hana Nui: Hale Kuaʻāina i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Vernacular Home Hana Nui: Hale Kuaʻāina he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Vernacular Home Hana Nui: Hale Kuaʻāina no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The Vernacular Home in Modonpur, Bangladesh, is a sustainable house built with local materials like mud, straw, bamboo, bricks, and tin sheets. Designed for a family of four, it supports living, working, and livelihood. It responds to the hot, rainy climate with a raised veranda, steep roof, and cross-ventilation strategies in the facade design. Clay pots on the wall cool the tea house, while 'liter bottles of light' brighten interiors, showing a low-cost, low-impact design philosophy.
Nā Ana a me ka Hoʻopili: tin sheet: 2' width * 8' length
Brick: 9 5/8" length* 4 5/8" height * 3" depth
Pottery: large opening is 5" R, and the small side opening is 1.5" R
The mud wall is 10" thick
Bamboo: 1.5" R
Nā Lepili: sustainability, vernacular home, rural, house, traditional building, local materials, climate
ʻEnehana Hana: Bangladesh's locally made bricks and tin sheets.
Natural straw, mud, pottery, and bamboo.
The brick and the tin sheets are standard sizes and are manufactured in the local factories.
Traditional handmade mud and the way of polishing.
The potteries on the mud walls are smaller than the local typical size, which were made in the neighboring village.
The way of tying the straw is their vernacular type.
Pilikia Hoʻolālā: Use the vernacular materials and design the buildings to face the local climate to make the microclimate more comfortable. Control the building budget and labor cost under 2500 USD.
Noiʻi: Two weeks were spent in the village to become familiar with local materials and to study traditional mud construction techniques as well as straw-tying methods. During this period, I also researched the climate of Para Dash and analyzed the vernacular architectural language, considering how new strategies could be integrated into the design to improve the microclimate. The needs and expectations of the local residents were carefully documented and incorporated into the final design.
Hoʻoulu Manaʻo: This project explores the social responsibility of architects. Despite rapid technological advancements, many regions around the world remain underdeveloped. People in these areas are more directly exposed to natural conditions, yet they also have the right to live a better life. As architects, we should not only make better use of locally available materials but also respond to the most immediate needs of these communities by designing housing that is practical and suitable for widespread use.
Ka Lōʻihi o ka Papahana: It is designed in Modonpur, Bangladesh, a very natural village called Dash Para. The design phase lasted 4 months. It is a concept design.
Kaʻina Hana: Given the hot climate in Bangladesh and long monsoon season, the design addresses thermal comfort and climate responsiveness through spatial layout, façade design, and roof form. A raised veranda protects against flooding, and steeply pitched roofs ensure efficient rainwater runoff. Rooms are arranged for optimal cross-ventilation, with varying window heights on windward and leeward sides to expel heat. On the tea house façade, locally made clay pots from a neighboring village are inserted into the mud wall to help cool the air by compressing airflow, enhancing microclimate comfort.
Nā Kuleana Kiʻi: Image #1: Xinyun Li
Image #2: Xinyun Li
Image #3: Xinyun Li
Image #4: Xinyun Li
Image #5: Xinyun Li