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Kaei Ryusui Kāhiko Hana Noʻeau na Noriko Kinouchi

ʻO Kaei Ryusui Kāhiko Hana Noʻeau na Noriko Kinouchi he mea lanakila hanohano loa o ka 2026 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Hana Noʻeau a me Hoʻokomo Hana Noʻeau.


HaoHana Noʻeau· 2026

Kaei Ryusui Kāhiko Hana Noʻeau

na Noriko Kinouchi

Mea Lanakila A' Design Award Hao ma ka Māhele Hana Noʻeau

4,190

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #176020

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Kaei Ryusui Kāhiko Hana Noʻeau

He hana noʻeau ʻo Kaei Ryusui i hakulau ʻia no kahi kikoʻī, i hana ʻia no ka lumi ʻaina nui o kahi moku holo mokuahi kūʻonoʻono. Hui pū kēia hana i ʻewalu paʻi kiʻi nui me kahi kaʻina kikohoʻe hoʻomau ma ka ʻoiaʻiʻo kiʻi 4K. He 1456 ma ka 762 milimika ke ana o kēlā me kēia paʻi, a ua paʻi ʻia ma ka pepa washi i hana lima ʻia me ka mīkini paʻi inika, a laila ua hoʻokomo ʻia i loko o nā kiʻi paʻa i kūpono i ke kaiapuni moana. Neʻe mālie nā kiʻi o nā pua o nā kau, nā lālā lāʻau a me ka wai kahe, e huki ana i ka mahalo Kepanī i ka mau ʻole o nā mea a pau. Ua hoʻopaʻa inoa ʻia kēlā me kēia ʻāpana ma kahi papa inoa blockchain no ka hoʻopaʻa ʻana i kona kumu.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Kaei Ryusui Kāhiko Hana Noʻeau i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Kaei Ryusui Kāhiko Hana Noʻeau he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Kaei Ryusui Kāhiko Hana Noʻeau no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa
Kaei Ryusui-tan is a site-specific installation comprising eight large-scale graphic works and a fluid visual sequence that transforms the environment into a moving painting. Inspired by the Japanese aesthetic of impermanence, the motifs of seasonal flora and flowing water shift continuously. To ensure the integrity of this collection, each work is registered on the Startrail Registry Record (SRR) blockchain. This digital provenance secures the design's originality and protects the intellectual property rights of both the creator and the client within the maritime setting.
Nā Ana a me ka Hoʻopili
Each graphic print measures 1456 x 762 mm, inkjet-printed on handmade washi paper and mounted in frames optimized for durability at sea. The installation consists of eight prints and a central digital sequence rendered in 4K resolution (3840 x 2160 px). As a key technical property, the work is integrated with the Startrail Registry Record (SRR) blockchain to secure its digital identity and provenance.
Nā Lepili
digital art, art installation, site-specific, fine art prints, ambient animation, Japanese aesthetics, cruise ship, meditative space, contemporary art, luxury design
ʻEnehana Hana
The graphics were produced as high-resolution digital compositions using Adobe software. Each piece was inkjet-printed onto custom-sized handmade washi paper, measuring 1456 x 762 mm, and mounted in specialized frames for the maritime environment. The fluid imagery was developed in 4K resolution using After Effects, layering motion and light. To manage these assets, the project integrates the Startrail Registry Record (SRR) blockchain infrastructure, assigning a unique digital identity to each piece for permanent provenance tracking and authenticity verification.
Pilikia Hoʻolālā
The primary challenge was integrating a digital work into the ship's architecture without it appearing as a conventional screen display. To solve this, motifs were scaled and paced to feel like a living landscape. Another difficulty was preserving the subtlety of traditional Japanese aesthetics while using contemporary media; this was resolved by softening visual transitions to allow the imagery to merge naturally with the washi texture. Additionally, using SRR blockchain solved the challenge of securing the long-term value and provenance of art within a complex maritime management system.
Noiʻi
This research explored reinterpreting the Japanese sense of impermanence through contemporary digital media. Objectives focused on translating traditional motifs—blossoms and flowing water—into a moving environment. Methods included iterative graphic studies and material experiments with washi paper. Results demonstrated that expanding traditional imagery into a luminous, evolving landscape evokes a renewed perception of time. Furthermore, the integration of SRR blockchain establishes a framework for managing digital provenance, ensuring authenticity for high-value corporate art collections.
Hoʻoulu Manaʻo
The inspiration for Kaei Ryusui-tan stems from the Japanese aesthetic of "mono no aware," finding profound beauty in impermanence and seasonal transitions. Traditional motifs of blossoms, branches, and flowing water are reimagined not as static depictions, but as an evolving luminous landscape. By bridging cultural memory with contemporary digital expression, the project establishes a poetic presence on board the luxury liner Asuka III, where the art unfolds as a continuous living environment that resonates with timeless sensibilities.
Ka Lōʻihi o ka Papahana
The project was produced in 2025 in Tokyo and permanently installed within the main dining room of the luxury cruise ship Asuka III.
Kaʻina Hana
The work functions as an immersive environment rather than a static display. Eight seasonal graphics are paired with a digital sequence that continuously shifts in tone and rhythm across the dining space. As observers move through the room, their perception of the space evolves with the flow of light and imagery, mirroring the experience of observing a natural landscape through passing seasons. This gentle transformation encourages a state of contemplation and emotional resonance, allowing the art to breathe within the architectural volume.
Nā Palapala Kuleana
Copyrights belong to Noriko Kinouchi
Nā Lālā Hui
Noriko Kinouchi
Nā Kuleana Kiʻi
#1: Nacasa & Partners,Ka-ei Ryusui tan,2025
#2: Art front gallery, Ka-ei Ryusui tan,2025
#3: Art front gallery, Ka-ei Ryusui tan,2025
#4: Art front gallery, Ka-ei Ryusui tan,2025
#5: Art Front Gallery, Ka-ei Ryusui tan,2025

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Kūpono ka Hoʻolālā Maikaʻi i ka Hoʻomaikaʻi Nui

ʻO ka A' Design Award he makana hoʻomaikaʻi honua, i hoʻoholo ʻia e nā luna, no ka hoʻolālā maikaʻi. E komo i ka A' Design Award e loaʻa ai ka manawa e ʻike ʻia ai kou hana ma ke ʻano kūpono, a e loaʻa ai ka kaulana, ka hanohano a me ka hoʻolaha no kāu hana. E koho inoa i kāu hana no ka A' Design Award a e hoʻokūkū no ka makana A' Design Prize i makemake nui ʻia.

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