ʻO Plastic Box Hale Kūʻai Nui na Juan David Martínez he mea lanakila hanohano loa o ka 2026 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.
KalaLoko Hale· 2026
Plastic Box Hale Kūʻai Nui
Mea Kūʻai: Minimal Studio Projects SL
Mea Lanakila A' Design Award Kala ma ka Māhele Loko Hale
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #179873Ka Hoʻolālā
E Pili Ana iā Plastic Box Hale Kūʻai Nui
ʻO kēia papahana he laʻana ia o ka brutalism minimalist. Hoʻololi hou ka wahi i ka ʻike kūʻai ma o ka nani wiwo ʻole a me ka hana hou. I hoʻokumu ʻia ma ke ʻano he pūpū hua pōhaku me nā laina pololei a me nā nui geometric, hōʻike ia i kahi manaʻo o ka ikaika a me ka mau ʻana. ʻO ka mea ʻokoʻa loa ʻo ia ka papa luna, i haku ʻia me nā pahu plastik hana hou ʻoi aku ma mua o hoʻokahi kaukani i hoʻonohonoho ʻia ma ke ʻano modular, i hoʻokūlike pono ʻia.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Kala
Ua lanakila ka hoʻolālā Plastic Box Hale Kūʻai Nui i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Plastic Box Hale Kūʻai Nui he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Plastic Box Hale Kūʻai Nui e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- Plastic Box is a minimalist brutalist project that transforms the shopping experience through a bold aesthetic and innovative functionality. Conceived as a concrete envelope with clean lines, it conveys strength and permanence. Its key element is a ceiling made of more than a thousand recycled plastic crates that filter light and integrate lighting, ventilation, and rainwater systems. Inside, steel and concrete reinforce a sober commercial language that redefines materials and their uses.
- Nā Ana a me ka Hoʻopili
- The lighting was conceived in an indirect and highly controlled manner. Light passes through and reflects off the system of 1,200 reused plastic crates in the ceiling, creating diffuse illumination that eliminates the typical glare found in supermarkets. In this way, light does not merely illuminate the space; it builds atmosphere and reinforces its scenographic character, creating a connection between the space and the shadows it generates.
- Nā Lepili
- supermarket, Plastic Box, plastic, brutalism
- ʻEnehana Hana
- The project is defined by a reduced and honest material palette: concrete, steel, and reused plastic. Concrete provides brutality and neutrality; steel resolves the furniture with industrial precision; and plastic, usually hidden, becomes the architectural protagonist through the reuse of more than 1,200 crates. The ceiling was the greatest technical challenge, developed without precedents at this scale and requiring extensive prototyping, testing, and on site adjustments to assemble more than 1,200 reused elements with absolute precision.
- Pilikia Hoʻolālā
- The main objective was to transform an everyday, functional space into an architectural experience. The client required a fully operational and efficient supermarket with clear circulation, while also seeking a space with its own identity recognizable and memorable. The program was simple: a sales area, storage, fluid circulation, and a powerful image that breaks with convention.
- Noiʻi
- The space was already operating as a supermarket, but it was in a completely neutral state, lacking architectural character, with standard solutions and a flat spatial reading. It was a generic container with no spatial value, which allowed us to intervene with complete freedom, starting from an almost blank slate.
- Hoʻoulu Manaʻo
- The project is inspired by the idea of turning a space of consumption into an almost ritual, artistic experience. A brutalist and reduced language is used, where a single gesture defines the entire identity. This concept takes shape in the ceiling, made from over 1200 reused plastic crates, creating a recognizable and hypnotic atmosphere. The space becomes a box within a box, where function and symbolism coexist.
- Ka Lōʻihi o ka Papahana
- Completed in 2024 in Port d Alcúdia, Mallorca.
- Nā Lālā Hui
- Joan David Martínez Jofre
- Nā Kuleana Kiʻi
- Fotógrafo / Leonardo Cóndor
Kākoʻo ʻIa
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