Madonna Hana Nui: Hōʻiliʻili ʻO Tile na Nataliya Naymark

ʻO Madonna Hana Nui: Hōʻiliʻili ʻO Tile na Nataliya Naymark he mea lanakila hanohano loa o ka 2026 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Lako Kūkulu a me ʻĀpana Kūkulu Hale.

KeleaweʻĀpana Kūkulu· 2026

Madonna Hana Nui: Hōʻiliʻili ʻO Tile

na Nataliya Naymark

Mea Kūʻai: NNaymark.design

Mea Lanakila A' Design Award Keleawe ma ka Māhele ʻĀpana Kūkulu

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #180369

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Madonna Hana Nui: Hōʻiliʻili ʻO Tile

Kikokikona: Ke unuhi nei ka hōʻiliʻili tile ʻo Madonna i nā hana ʻaʻahu o nā kiʻi hoʻomana o ke kenekulia 15 i loko o kekahi ʻōnaehana kiʻi hoʻokū lepo ʻula modular. Ma o ka anahonua i hoʻomalu ʻia a me ka pili kala i hoʻohālikelike ʻia, ua hoʻololi ʻia nā pelu lole i pena ʻia i mau ʻili ʻekolu ana me ka hohonu hoʻopā. Hiki ke hoʻohuli ʻia kēlā me kēia tile a hui pū ʻia e hana i nā haku mele like ʻole, hoʻopili ʻole ma nā paia, nā papahele a i ʻole nā kaupaku. He hoʻohālikelike kala nā kikoʻī ʻālohilohi metala a me nā hopena ʻanaʻana pane, e ʻae ana i ka ʻōlelo ʻike mōʻaukala e hana i loko o nā pōʻaiapili hoʻolālā hale o kēia wā.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Madonna Hana Nui: Hōʻiliʻili ʻO Tile i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Madonna Hana Nui: Hōʻiliʻili ʻO Tile he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Madonna Hana Nui: Hōʻiliʻili ʻO Tile i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: Madonna is a modular ceramic tile collection translating 15th-century Madonna drapery into calibrated relief. Symbolic painted folds become structured physical depth. The rotational geometry enables controlled non-repetition across small and large surfaces, functioning as architectural structure rather than ornament. The system creates directional movement and allows scalable application across interiors.
Nā Ana a me ka Hoʻopili: 300 x 300 mm
Nā Lepili: tile, pattern, Ornament, Ceramic, Renaissance
ʻEnehana Hana: Production combines high-pressure press-molding to generate calibrated 3D relief replicating drapery folds, followed by HD digital inkjet printing for chromatic fidelity to 15th-century iconography. Select areas receive third-fire luster application (or PVD metallization) for permanent metallic gold accents. Reactive glaze layering creates controlled oxidation effects, producing an aged patina with depth and surface tactility.
Pilikia Hoʻolālā: The main challenge was translating sacred iconography into contemporary ceramic without losing its dignity or becoming decorative imitation. Historically, folds in icons are symbolic, not naturalistic. Converting this painted illusion into structural relief required balancing authenticity with manufacturability. Limited glaze behavior, metallic firing constraints, and repeat-pattern logic demanded constant recalibration between art history and industrial feasibility.
Noiʻi: Historical visual research. Objective: translate 15th-century Madonna icon drapery into a modular ceramic system adaptable to modern interiors. Methodology: comparative analysis of icon paintings focusing on color layers, fold geometry, and compositional rhythm. Tools: archival study, chromatic mapping, 3D modeling. Experiments tested fold positioning and rotation. Result: a non-repetitive surface system. Insight: sacred color logic can inform contemporary design. Impact: bridges heritage and scalable interior production.
Hoʻoulu Manaʻo: The project was developed after extensive visual research of 15th-century Madonna icon paintings, focusing on the way drapery, color gradients, and layered folds were rendered. I studied multiple variations of fabric depiction to understand their geometric logic and chromatic structure. The tile design translates these historical folding patterns into a contemporary ceramic surface, preserving the rhythm and tonal depth characteristic of early Renaissance garments.
Ka Lōʻihi o ka Papahana: September 2025
Kaʻina Hana: Each tile is designed to be rotated and combined in multiple positions, allowing endless pattern variations. One module can create a subtle surface, while a full set produces complex, flowing compositions. This system prevents visual repetition, so a space can feel different from every angle. The same pattern logic extends to wallpaper, textiles, and upholstery, creating a cohesive yet dynamic interior language.
Nā Lālā Hui: Nataliya Naymark
Nā Kuleana Kiʻi: Nataliya Naymark