ʻO Porous Manifold ʻo Ke Keʻena Kīʻaha Iapana na Ryumei Fujiki and Yukiko Sato he mea lanakila hanohano loa o ka 2019 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Hana Noʻeau a me Hoʻokomo Hana Noʻeau.
KalaHana Noʻeau· 2019
Porous Manifold ʻo Ke Keʻena Kīʻaha Iapana
na Ryumei Fujiki and Yukiko Sato
Mea Kūʻai: F.A.D.S + Fujiki Studio, KOU::ARC
Mea Lanakila A' Design Award Kala ma ka Māhele Hana Noʻeau
Mea Lanakila i Hōʻoia ʻIa
Hōʻoia i ke Kūlana Makana no #72501Ka Hoʻolālā
E Pili Ana iā Porous Manifold ʻo Ke Keʻena Kīʻaha Iapana
He lumi kīʻaha Iapana no ka manawa lōʻihi i hōʻike ʻia ma Echigo-tsumari Art Triennale 2018 a he ʻano pūnana me nā wahi ʻelua-tatami i hoʻokomo ʻia i loko o ʻumi kapuaʻi ʻehā. Ma kēia hōʻikeʻike, ua noi ʻia nā mea kākau e pane i ke kumumanaʻo pehea e lanakila ai i ka manaʻo o kahi ākea homogeneous i mana nui i ke kenekulia 20. Ua hoʻolālā ʻia ka iwi me ka hoʻohana ʻana i ke ʻano maʻamau i kapa ʻia ʻo Voronoi Division e hoʻololi i kahi ākea like ʻole. A ua manaʻo ʻia ʻo ka hale hana me ka nui o nā lua i hiki ke wehe a pani ʻia e like me ka mea e pono ai e kamaʻilio me waho e like me kahi mea ola.
Ka Hoʻomaikai
E Pili Ana i ka A' Design Award Kala
Ua lanakila ka hoʻolālā Porous Manifold ʻo Ke Keʻena Kīʻaha Iapana i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Porous Manifold ʻo Ke Keʻena Kīʻaha Iapana he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Porous Manifold ʻo Ke Keʻena Kīʻaha Iapana e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.
Ma Hope o ka Hoʻolālā
ʻEke Nūhou
Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.
- Nā ʻAno Kūʻokoʻa
- This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things. - Nā Ana a me ka Hoʻopili
- Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan. - Nā Lepili
- Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
- ʻEnehana Hana
- It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
- Pilikia Hoʻolālā
- Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture. - Noiʻi
- Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION). - Hoʻoulu Manaʻo
- Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. - Ka Lōʻihi o ka Papahana
- This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture. - Kaʻina Hana
- As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people. - Nā Palapala Kuleana
- F.A.D.S + Fujiki Studio, KOU::ARC
- Nā Lālā Hui
- ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto - Nā Kuleana Kiʻi
- Masahiro Hoshida, Fujiki Studio, KOU::ARC
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