ʻO Ponto Noho Lima na Roberta Banqueri he mea lanakila hanohano loa o ka 2020 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Lako Hale.

KeleaweLako Hale· 2020

Ponto Noho Lima

na Roberta Banqueri

Mea Kūʻai: Pontoeu

Mea Lanakila A' Design Award Keleawe ma ka Māhele Lako Hale

10,504

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #83334

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Ponto Noho Lima

He noho lima ʻo Ponto i hana ʻia no nā wahi liʻiliʻi a me nā loko hale like ʻole. Hoʻohana ke kālai i kekahi mau mea liʻiliʻi wale nō. Hoʻokahi laina lōʻihi piko e hana ai i ke kino, nā lima, a me ke kua noho. Ua uhi ʻia ka noho a me ke kua noho, a kōkua ke ʻano kino kanaka o ka noho i ka ʻoluʻolu. Hana ʻia ke kino waho me ka lāʻau paʻa i kālai wili ʻia, a hoʻoikaika ʻia nā lima e kekahi puka metala loloa. Paʻa ka noho i kekahi kūʻina metala loloa i ke ʻano X. Hiki ke hoʻohui ʻia nā ʻano lāʻau a me nā waihoʻoluʻu like ʻole ma nā wahi hui o nā ʻāpana kālai wili ʻia. He ʻāpana ʻo Ponto no kekahi ʻohana noho.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Ponto Noho Lima i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Ponto Noho Lima he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Ponto Noho Lima i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The piece has a simple language, executed with few elements, a single elongated line and curves structure the seat, the arms and the backrest. At the point of fitting of turned parts can mix types and colors of wood, giving a unique effect to the whole. The seat and backrest are upholstered, the anotomic and organic form of the seat offer a user comfort. The wooden structure was reinforced with a metal tubular core.
Nā Ana a me ka Hoʻopili: 600mm x 600mm x 740mm the chair
700mm x 700mm x 740mm the armchair
500mm x 500mm x 1000mm the stool
Nā Lepili: Brazil, Furniture, chair, robertabanqueri, braziliandesing, mobiliariobrasileiro
ʻEnehana Hana: The execution of the product is due to the union of technology of a machining center of 6 axes with the use of handcrafted processes. The entire external structure was made of solid wood turned, it took an internal reinforcement in metal to give resistance to part of the arm, and to the assembly, the structure that supports the seat is a metallic X shaped tubular structure, the arms were initially made by hand, around manual and later the drawing passed to the program, being executed by the machining center.
Pilikia Hoʻolālā: The creative challenge was to be so simple as to stand, was to be different from the products known in the market, without being pretentious, have personality and functionality, small and light, despite being in solid wood, to run we use a wood called Tauari, light although tough, has light color and allows for dyeing.
Noiʻi: The seemingly simple design contained a huge challenge, to make two big lines hold the whole set, to have a part that followed and turned an arm to support the user, it took some prototypes and tests of resistance, the first arms broke when subjected to weight that an adult human being applies to the sitting and lifting of the chair, then it was necessary to structure with a metal soul internally, but that alone was not sufficient, we had to study how much it should enter and what angle necessary for the solution to work.
Hoʻoulu Manaʻo: The motivation was to have a simple and elegant product, while small and versatile to get into any space or decor. The language should be contemporary and universal, the use of wood turned and leather, refers us to brazilian modernism, and the minimal of the piece does not refer to the concept of scandinavian simplicity.
Ka Lōʻihi o ka Papahana: The project started in july 2018 and finished february 2019, was exhibited in 35 Paralela Fair in São Paulo, SP, Brazil
Kaʻina Hana: The Ponto line is composed of a family of seats, will meet all the seating needs, simply and small, the seat being rounded and having narrow sides offers a large internal space, something that can only be perceived by sitting, thus, as the comfort that provides the anatomical seat.
Nā Palapala Kuleana: Copyryghts by Roberta Banqueri Serra, 2019
Nā Lālā Hui: Designer Assistent: Rodrigo Costa da Silva
Woodworkers: Alinor Zanotto
Ricardo Zanotto
Valdecir Zanotto
Factory: Todo Ind. de Móveis
Nā Kuleana Kiʻi: #1 Moresco, Ponto, 2019.
#2 Moresco, Ponto, 2019.
#3 Moresco, Ponto, 2019.
#4 Paulino, Ponto, 2020.
#5 Paulino, Ponto, 2020.