ʻO Event ʻike ʻike ʻike na Shimizu Ryo he mea lanakila hanohano loa o ka 2020 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Kiʻi, Kiʻi Paʻi a me Kamaʻilio ʻIke.

HaoKiʻi· 2020

Event ʻike ʻike ʻike

na Shimizu Ryo

Mea Kūʻai: Ryukoku Museum

Mea Lanakila A' Design Award Hao ma ka Māhele Kiʻi

11,972

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #88556

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Event ʻike ʻike ʻike

He kahi hōʻike e hāpai nei i kahi kūlana kaulana i kapa ʻia ʻo Sanzo Hoshi mai kahi ʻano ʻē. No laila, ua ho'āʻo nā mea hoʻolālā i kahi ala hou i ka hoʻolālā kiʻi. Loaʻa ia kahi hanana ʻekolu o ke kiʻi like me ka hohonu e hana ʻole ai ke kiʻi i kahi silhouette a person.While i ka lilo ʻana o Xuanzui lāua ʻo Sanzo Hoshi i like ka poʻe like, nā mea hoʻolālā i hoʻolālā i kahi hoʻolālā e loaʻa i ka silhouette e hoʻomanaʻo i ka kiʻi hōʻailona.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Event ʻike ʻike ʻike i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Event ʻike ʻike ʻike he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Event ʻike ʻike ʻike no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: An exhibition that takes up a popular character called Sanzo Hoshi from a completely different perspective. Therefore, We tried a new approach to visual design. It has a three-dimensional composition with a depth that makes the painting hollow with the silhouette of a person.
Nā Ana a me ka Hoʻopili: While appealing that Xuanzui and Sanzo Hoshi are the same people, We made a strategy to have the silhouette remember the iconic image.
Nā Lepili: japanese graphic design, editorial design, exhibition, visual Identity, illustration,
ʻEnehana Hana: By widely placing the name Xuan, we aimed to appeal the exhibition title. In addition, the color design was adjusted to the taste of the exhibit, and the design was integrated including the venue.
Pilikia Hoʻolālā: I iconified the silhouette of the ginseng and arranged the same illustration as the taste.
Noiʻi: Based on the story about Xuan, we made my first image grow. In addition, we have interviewed a huge amount of materials related to him and the image that the exhibition aims for. We also grasped the space of the venue in advance and made an alignment with the visuals.
Hoʻoulu Manaʻo: Based on the story about Xuan (Sanzo Hoshi), we made my first image grow. In addition, we have interviewed a huge amount of materials related to him and the image that the exhibition aims for. We also grasped the space of the venue in advance and made an alignment with the visuals.
Ka Lōʻihi o ka Papahana: The project started in October 2014 and finished August 2015.
Kaʻina Hana: I iconified the silhouette of the ginseng and arranged the same illustration as the taste. Aiming for visual appeal with titles and icons
Nā Lālā Hui: SHIMIZU Ryo
Nā Kuleana Kiʻi: Photo: SHIMIZU Ryo