ʻO Zig Noho na Jules S. Jaffe he mea lanakila hanohano loa o ka 2020 A' Design Award Hao ma ka Māhele Hoʻokūkū Hoʻolālā Lako Hale.

HaoLako Hale· 2020

Zig Noho

na Jules S. Jaffe

Mea Kūʻai: Jules S. Jaffe

Mea Lanakila A' Design Award Hao ma ka Māhele Lako Hale

11,839

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #89459

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Zig Noho

Hoʻoulu ʻia ka hoʻolālā e ka makemake e hōʻike i nā ʻano ʻokoʻa o ka lāʻau i loko o ka pōʻaiapili o nā pilikia loea e pono ai ka nani a me ka hana. No Jules S. Jaffe, ʻo kēia ka paʻakikī o ka hoʻolālā noho. ʻO ka paʻakikī ma ʻaneʻi ʻo ia ka hāʻawi ʻana i ke kūpaʻa a me ka ikaika e hoʻokō i kahi manaʻo o ka māmā a me ka ʻeha i ka hoʻolālā hope. He ikaika hoʻohālike ka hopena o ka pahu akā he manaʻo māmā a me ka maluhia e like me ka geometry, e pili ana i ka Pythagoreans nona ka mea hoʻolālā.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Hao

Ua lanakila ka hoʻolālā Zig Noho i ka A' Design Award Hao, he ʻike hoʻohanohano i hāʻawi ʻia i nā hoʻolālā maikaʻi e hoʻokō ana i nā koi ʻoihana a ʻoihana hana i manaʻo ʻia mai nā mea hoʻokumu i hana maikaʻi ʻia. Hōʻike nā lanakila Hao i ka mākau nui, ka loea kiʻekiʻe, ka ʻike akamai a me ka hiki hana noʻeau o ka poʻe i hana iā lākou. Manaʻo ʻia ʻo ka hoʻolālā Zig Noho he mea hoʻokumu i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia e pono a hou. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Hao e hoʻohui ana i nā hana maikaʻi loa o ka ʻoihana a loaʻa nā ʻano ʻenehana mākaukau i hui pū ʻia me ka ʻike hana a me ka makakoho. Mahalo ʻia ka hoʻolālā Zig Noho no kona nānā pono a ua hoʻolālā ʻia e hāʻawi i nā hoʻomaikaʻi ola e kōkua ai i ka hana ʻana i ka honua i wahi maikaʻi aku.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The stool employs a unique triple mitered joint that did not exist before. The challenge here was to provide enough stability and strength to accommodate a feeling of lightness and tension in the final design.
Nā Ana a me ka Hoʻopili: 505 x 185 x 180
Nā Lepili: stool, chair, sitting device
ʻEnehana Hana: The design was realized in maple because it has the requisite capability to be accurately cut without worrying about splintering. This is actually version 4.2 that took place over 2 years with a variety of materials (oak) and a variety of machining techniques. Ultimately, a set of table saw fixtures that were precisely measured and inclined were used to have the surface meet with extremely high accuracy. The challenge with any cantilever is strength and stability. Hence the large mating surfaces. There are no screws or any other metal parts used in construction. Only wood. Purity of materials was a prime consideration.
Pilikia Hoʻolālā: The continuous challenge of creating functional items that are also aesthetically pleasing is a constant challenge. Research in form, function and the engineering needed to accomplish the mutual goals of fulfilling those aspirations is a constant pursuit. Ancient concepts related to the golden triangle and its harmony with human perception is related to the construction of this stool as it incorporates a triangular structure that also needs to be extremely stable. The final realization was an exercise in precise and multi-dimensional angles.
Noiʻi: As with all projects the tension between good design and stability and strength in construction is paramount. In this case, many of the preliminary designs, when constructed cracked under the weight of the sitter. In addition, since the surface between the base and the supporting rod and the supporting rod and the seat are not orthogonal, it took a great deal of geometric reasoning to make those top and bottom surfaces parallel, as in any design close to this.
Hoʻoulu Manaʻo: Overall the stool is an homage to Gerrit Rietveld. However it incorporates a Zen-like feeling of peacefulness and rest but with the tension of a cantilever. Hence, it uses contrasting elements to achieve its unique design. The stool inspires sitting upright in a meditative position and is also excellent for artists such as guitarists and cellists to use as it has no protruding parts and the base retracts from the seat edge. It is very stable but allows freedom of movement.
Ka Lōʻihi o ka Papahana: The project took 2 years to execute in a workshop in La Jolla, CA, USA.
Kaʻina Hana: Simply sit on it.
Nā Palapala Kuleana: None
Nā Lālā Hui: Jules S. Jaffe (only)
Nā Kuleana Kiʻi: Image # 1: Jules S. Jaffe, 2019.
Optional image #2 Jules S. Jaffe, 2019.