Aesthetic Conflict Hoʻolālā ʻO Loko Noho na Shi Zhe Sun

ʻO Aesthetic Conflict Hoʻolālā ʻO Loko Noho na Shi Zhe Sun he mea lanakila hanohano loa o ka 2020 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

KeleaweLoko Hale· 2020

Aesthetic Conflict Hoʻolālā ʻO Loko Noho

na Shi Zhe Sun

Mea Kūʻai: Zewu Interior Design

Mea Lanakila A' Design Award Keleawe ma ka Māhele Loko Hale

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Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #92226

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Aesthetic Conflict Hoʻolālā ʻO Loko Noho

ʻO Aesthetic Conflict he hoʻolālā o loko noho no kekahi hale noho 108 mika huinaha ma Kaohsiung, Taiwan. Hoʻohui kekahi hoʻolālā ākea i ka lumi noho, ka lumi haʻawina, a me ka wahi ʻaina i loko o hoʻokahi wahi lehulehu hui pū ʻia. Hāʻawi nā pā metala uhi titanium, ke aniani, ka pena metala ʻeleʻele, a me ka alumini i nā lumi i kahi ʻano hoʻomana ʻenehana hou. Hoʻohui ka veneer lāʻau, ka ʻili, ka papahele lāʻau, a me ke kapa pā i kahi ʻano mahana. Ua hoʻopau ʻia ka puka komo me nā pōhaku pālahalaha, a ua hūnā ʻia nā puka waihona ma hope o ka veneer lāʻau i hoʻoluʻu ʻia a me nā papa concrete. Ua hoʻopau ʻia ka papahana i ka makahiki 2019.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Aesthetic Conflict Hoʻolālā ʻO Loko Noho i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Aesthetic Conflict Hoʻolālā ʻO Loko Noho he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Aesthetic Conflict Hoʻolālā ʻO Loko Noho i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: As conflict is often used as the underlying tone of creative work for its drama without compromises under any given styling, therefore, the design team ran away from the conventional styling from material and color to the abstract functional and aesthetics discourse. High titanium-plated texture in contrast to the primal and rustic concrete plank, it created a start visual contrast, while the color and line work were installed with posh factor as a conflict to the harmony process.
Nā Ana a me ka Hoʻopili: As this project is situated in a 108 square-meter apartment in Kaohsiung City, the design team honored the thinking and personal attributes of the inhabitants, by adopting an open plan to link the living room, study and dining area to form an open public domain, and in terms of material application, the design team, through precise logical thinking, has adopted two main themes which were interwoven with one another to manifest a sense of beauty with layers and hidden order.
Nā Lepili: Aesthetic, Minimalist, Contemporary, Modern,
ʻEnehana Hana: This project utilizes titanium-plated metal plates, glass, black metal paint, and aluminum, etc., to manifest the sense of modern technology, amalgamated with genuine timber veneer, leather, timber flooring and wall fabric to create a warm ambiance. As the entrance was treated with tiles, and TV wall with timber veneer, all of which were of design in detailing for spatial dynamic quality. The open study and its storage adopted concrete plank with the bookshelf behind was treated with natural timber veneer and dark glass for a very posh finishing.
Pilikia Hoʻolālā: In the pursuit of visual consistency, and innovative exquisite exterior, the design team adopted titanium-plated plate as the main TV wall material, of which its strength added to the assembly difficulty in eventually having produced precise and exquisite fitting which was not just an embellished background but a consolidated visual focus.
Noiʻi: As the conflict has always been opposite side of harmony, and as far as the designer is concerned, only the multi-level thinking can operate beyond the pre-defined styling frame. As the designer anchors on Conflict Aesthetics in forming a genuine aesthetics of synergized visual and tactile experiences, the public domain was treated with low-chroma scheme and refined material texture, while the private domain was treated with veneer, fabric and metal to create a contemporary look-and-feel.
Hoʻoulu Manaʻo: The unique taste of the client who likes the modern look-and-feel of 3C tech products, and fancies a free lifestyle, the imagination for space was preserved with a naturalist view and the overall exquisite quality. The spirit of Less is More, the design team shaped the interior with a minimalist approach in forming a bi-polar aesthetics of cold and warm, and hard and soft, in order to strike a meticulous balance between technology and culture.
Ka Lōʻihi o ka Papahana: This project was completed in 2019, in Kaohsiung, Taiwan
Kaʻina Hana: The Transition area as the medium for the spatial transit, the design team has seamlessly integrated the entrance with storage clever detailing of connecting dyed wood veneer to concrete plank concealing the storage door so as to preserve an overall minimalist quality matching materiality and layered spatiality. The space behind the living room was planned as an open study with a central study benchtop as a sofa backdrop that defines the space.
Nā Lālā Hui: ZEWU DESIGN
Shi Zhe Sun