Ceramic Forest Ke Keʻena na I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung

ʻO Ceramic Forest Ke Keʻena na I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung he mea lanakila hanohano loa o ka 2020 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Loko Hale a me Hōʻike.

KeleaweLoko Hale· 2020

Ceramic Forest Ke Keʻena

na I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung

Mea Kūʻai: Merge Interiors

Mea Lanakila A' Design Award Keleawe ma ka Māhele Loko Hale

8,554

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #92890

Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Ceramic Forest Ke Keʻena

Ke hana nei i loko o kahi lewa ʻike maikaʻi me ka spatiity i hoʻolālā ʻia, hoʻonui ʻia ka hana, ua hoʻohuli ʻia ka hōʻike a me nā wahi hana i loko o kahi ʻano loea. I loko o nā wahi semi-open, ua hoʻohālikelike ʻia nā wahi hana kūʻokoʻa inā hāʻawi ka aniani pale pale i ka mālamalama kūlohelohe e komo a kiʻi i ke ola nui o ke ʻano keʻokeʻo keʻokeʻo i ka hana ʻana i kahi papa hana hoʻomālamalama maikaʻi a hoʻomālamalama i ka hoʻomohala ʻana i ka laulā o ka nui loko.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Ceramic Forest Ke Keʻena i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Ceramic Forest Ke Keʻena he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Ceramic Forest Ke Keʻena i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The client of this project is Nobel Ceramic and Tiles, the supplier of most ceramic products for Starbucks, who founded its own brand, Cilin, and established its office in Neihu, Taipei. The design of the overall office space was inspired by ceramic from which design elements and vocabulary was generated. The office with showroom adopted white wall cabinet and grey Bolon carpet and black metalwork as its main elements.
Nā Ana a me ka Hoʻopili: With an interior area of 514 square meters, the supervisor offices are allocated near the perimeter of the site near the window for ample natural lighting and window views, while allowing natural lighting to flood into the interior of spacious layered space, and for spaces such as server room, dark room, accounting office, etc., area allocated at the side area, and VP office, legal office, and staff working area are located at the inner area.
Nā Lepili: Display Cabinet, Mug, Special Paint, Curtain Wall Glass, Open Office
ʻEnehana Hana: For creating the stern and grand spatial qualities of the commercial space and the office that is befitting to the corporate core values, the reception lobby was treated with elegant grey plaster primer paint accentuating the humble beauty of ceramic. The interior of the office space adopted Mexin ceiling and Bolon carpet for acoustic consideration in creating a quiet working environment.
Pilikia Hoʻolālā: As the spatial expression is derived from the consideration of color and size of products on display in a boundless fashion, the design department has also requirements for sample storage, therefore, apart from the white minimalist design, the geometric linework has also helped to maintain the sense of order for the working area, complemented with recessed opening for product display which has further embellished this transitional space.
Noiʻi: The ceiling of the showroom features a circular arc design symbolizing the round opening of a ceramic mug, as the showroom cabinet and white color wall softens the serious working ambiance but still maintain a sense of order and layers strung together within a spatial consistency.
Hoʻoulu Manaʻo: The elevator lobby is imbued with the symbolism of Kiln, and as it is surrounded by timberwork, the warm and stern beauty of kilns was articulated grey-scale color relating to the personable texture. With LED lighting giving a layering effect to the interior, special door panels and installation artwork forming motifs of Taiwanese Folk Art has brought strong contrast in this visual focus of this area.
Ka Lōʻihi o ka Papahana: The project was completed in October 2013 in Taipei, Taiwan.
Kaʻina Hana: As the program purpose of merchandise showroom is to express the core imagery of products; therefore, the design has gone beyond the conventional rhythmic nature of normal space by injecting an enriched stream of brand characteristics in every segment of the showroom so that this space becomes a museum of exquisitely made objects which also makes it an ideal location for product introduction and sales discussion.
Nā Lālā Hui: I Ju Chan
Hsuan Yi Chen
Su Huang Hung
Nā Kuleana Kiʻi: Kyle Yu Photo, 2013